Donut Time isn't the only thing that has changed in the 18 months since «Tangerine» was
filmed opened last summer, winning acclaim for its portrait of Hollywood's transgender sex workers.
Not exact matches
With the exception of the third
film, «Tokyo Drift,» each
opening weekend has been bigger than the
last.
Universal's
last big
film, April's «Furious 7,»
opened to $ 147 million.
After debuting successfully in three theaters
last weekend, «Spring Breakers»
opens in more than 1,110 theaters bringing in $ 5 million The indie
film with James Franco and Selena Gomez had a low budget estimated at $ 2 million.
While Black Panther rode a huge wave of critical acclaim and fan excitement to the biggest
opening weekend ever for the month of February (and the fifth - largest of all - time), raking in more than $ 426 million worldwide, a small number of Internet trolls still did what they could to dampen the good vibes surrounding the trailblazing
film, which features Marvel's first African - American director (Ryan Coogler) and a cast led by black actors such as Chadwick Boseman and Lupita Nyong» o. Starting
last week, in the first few days of Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the movie.
The
film that triggered the devastating cyberattack on the studio
last month, which the United States says was launched by North Korea,
opened Thursday in 331 independent theaters with a $ 1 million box office and $ 1.8 million over the subsequent three days, according to Sony.
By this point
last year, however, we had five
films — «Split,» «The Lego Batman Movie,» «Fifty Shades Darker,» «Logan,» and «Kong: Skull Island» —
open to over $ 40 million.
The
opening of «The
Last Crusade,» which portrays a young Indiana Jones (played by the late River Phoenix), plays like a standalone short
film.
His latest
film, «Due Date,»
opened last week.
«Soul Surfer,» the feature
film based on the true story of surfer Bethany Hamilton being attacked by a shark and her journey back to surfing,
opened last weekend in the fourth spot on the box office charts - partly a testament to its appealing family - friendly message and a marketing campaign that heavily targeted religious groups.
In a highlight
film of his career that was shown at a testimonial dinner for him
last year, Marino appears on camera, full frame, with a few earnest
opening remarks about how he'd like to be remembered as a team man who worked as hard as he could, and as a team leader, etc..
That may help explain why the cavernous Central New York
film hub, which
opened last year in a suburban DeWitt office park, has been little used thus far.
Although Clegg was determined to resist any invitation to meet Cameron before polling day, tonight's
film reveals a chance 45 - minute meeting, at the
opening of the Supreme Court
last October, which allowed them to get to know and trust each other — as Cameron says, he established that Clegg was «a reasonable person, in politics for the right reasons».
... Being mumbled is that the Gatsby
film, sure to be up for awards next year, was bumped from
opening last year.
For the premiere of her latest
film, The
Last Five Years, Anna wows in a white Kaufmanfranco column with barely - there mesh cutouts across the bodice and bust (and an
open back!).
With a strong supporting cast that includes James Marsden, Tim Robbins, Wes Bentley, Joan Cusack, Jennifer Jason Leigh, Linda Cardellini, Loretta Devine, and Thomas Mann, Shira Piven's
film, from a script by Eliot Lawrence, earned very good reviews when it premiered in Toronto
last fall, and it
opens in limited release this weekend.
The
opening act of the
film, in which we meet Davis and his band of beta sidekicks, who gush about the «kale bread» they made
last night while he pacifies the beasts, is so transparently dictated by Johnson that I was tempted to feel embarrassed for him.
The
film's abrupt, ambiguous conclusion leaves David's fate, and that of his parents,
open to interpretation, but one hopes our
last sight of him is telling.
While the Future of Studio Ghibli hangs in limbo, Mami Sunada's Documentary is an eye
opening film delving into the mind of the studio's founders Hayao Miyazaki and Isao Takahata on the verge of producing their
last ever features.
As the
film opens we find Thor trapped in a cage, separated from his trusted hammer Mjolnir and cracking wise with vague references to what he's been up to since we
last saw him in Avengers: Age of Ultron.
Antonio Campos's
film «Christine,» which
opened last Friday at
Film Forum and nationwide, is the second one this year about its title character, following Robert Greene's documentary «Kate Plays Christine.»
Last fall at the New York
Film Festival, the filmmaker Arnaud Desplechin talked with
FILM COMMENT about his latest work, Jimmy P: Psychotherapy of a Plains Indian, which
opens next Friday.
The
film doesn't spend much time showing her stay at the hospital,
lasting only as long as the
opening credits, but cinematographer Sean Price Williams (The Color Wheel, Somebody Up There Likes Me) makes the most of it.
His
last two March releases, Watchmen and 300, both had big
openings, however, his latest
film, the $ 80 million Legend of the Guardians: The Owls of Ga'Hoole only took in $ 16 million to start.
Sure Greg Mottola's
last film, Adventureland, only
opened with $ 5.7 million, but that one only showed in 1,876 theaters.
The
film opens with a voiceover from John Watson (Jude Law, reprising his role as Holmes» companion) as the good doctor records memories of his «
last case» with Sherlock Holmes (Robert Downey Jr.).
This year's IFI French
Film Festival was officially
opened last night by H.E Mrs Emmanuelle d'Achon, Ambassador of France, and with the screening and Irish premiere of the ferociously tender
film Amour.
If this could perform on the order of Nanny McPhee ($ 47.1 M in 2006), perhaps the
last commendable family
film to
open in January, or The Giver ($ 45 M), Weinstein's
last literary adaptation, the studio should probably be pleased.
He wrote a heartfelt
open letter to viewers after his Marvel Studios
film enjoyed a historic
opening weekend
last month.
Fans who felt that The Force Awakens played it safe or skewed too close to the original Star Wars
films will find much to like about The
Last Jedi — if they go into it with an
open mind and willingness to step into uncharted terrain.
The release, early
last month, came at a time where the
film and television industries had been taken by storm with people
opening up on being sexually assaulted or harassed after years of feeling forced into silence.
TUC
opened its doors in 2010 with a double bill of Clue: The Movie and Big Trouble in Little China and will close September with screenings of apocalyptic horror
film Night of the Comet and concert Doc, The
Last Waltz.
«Black Panther» is one of five
films that
opened with a $ 200 million domestic weekend (with $ 202 million), joining «Star Wars: The Force Awakens,» «Star Wars: The
Last Jedi,» «Jurassic World,» and «The Avengers.»
McAdams isn't ready to get into juicy spoiler territory just yet, but when MTV News caught up with her at the Gotham Independent
Film Awards in New York City
last night (November 30), which she was attending for her new
film «Spotlight,» the actress finally
opened up about why she decided to join the Marvel family.
His
last film, I Am Number Four
opened with just $ 19 million in over 1,000 more theaters than Beastly is getting.
This horror
film played at the Toronto
Film Festival and Fantastic Fest
last year, after first
opening in Japan
last June.
With NYFF announcing their
opening night
film («
Last Flag Flying»), we're taking educated guesses about what festivals certain
films could play.
The
last few minutes confirmed what I'd thought since the
opening moments of the
film — he might not have been a man easily fulfilled by personal interactions on the ground but striding confidently thousands of feet in the air, he was an absolute genius.
• If you see Rogue One in IMAX during the
film's first three
opening weeks, you will receive a collector's ticket, while supplies
last.
This time around, ex-con Vin Diesel (who can barely be bothered to
open his mouth when he speaks), former cop Paul Walker (who makes underplaying an understatement), and the rest of their band of merry street - racing thieves become the good guys when they team up with their rival from the
last film, DSS agent Hobbs (Johnson, who delivers the most ordinary line of dialogue as if it were a catch phrase), to stop another heist gang — one that threatens national security, of course.
Studio Canal
opened the
film in the U.K. in early March, grossing over $ 1.3 M through
last month.
His
last film,
Open Your Eyes, was a wonderfully confusing story, not clearing up until the very end.
Payne said it was difficult on every level — writing, financing, editing — and also addressed the lukewarm reviews it was met with upon
opening late
last year, suggesting that its ambitious narrative may have been too much to fit into the framework of a single
film.
In fact, his new
film is pretty hard to find as well, with an under - the - radar nationwide release (it
opened on Seattle Screens with little fanfare
last week at the Varsity, we're it continues on a reduced schedule this week), a far cry from his generation - defining 70s masterpieces like The Last Picture Show, What's Up
last week at the Varsity, we're it continues on a reduced schedule this week), a far cry from his generation - defining 70s masterpieces like The
Last Picture Show, What's Up
Last Picture Show, What's Up Doc?
Friday totals for Marvel's big crossover edged «Star Wars: The
Last Jedi» with $ 106 million, becoming only the third
film with a $ 100 - million plus
opening day
An auspicious breakthrough for Mitchell (who scored a Best Director nomination
last week from the Independent Spirit Awards), the
film excels through harmonious design elements that serve an
open metaphor that dynamically allows various interpretations — and also rattle even the toughest of nerves.
The
film had a decent
opening last week bringing in almost $ 14.5 million on Friday alone and went on to earn around $ 41 million for the weekend.
The 41st Annual Ghent
Film Festival announced
last month that «The Loft» will be the
opening film of the festival.
When she reappeared as Princess Leia in
last year's «Star Wars»
film («Episode Seven — ty - two,» Fisher quipped) to boisterous applause from the audience on
opening day, it was impossible not to get a little misty - eyed.
Sci - fi sequel Maze Runner: The Scorch Trials,
last week's top
film, slipped to third place in its second week of release with $ 14m, for a total of $ 51.6 m. Disaster flick Everest
opened in wide release at fourth place with $ 13m.