Not exact matches
(This willingness to connect with «
Room» stood in contrast to the reluctance of movie audiences to embrace the
film, a situation that this quartet of nominations could
change.)
As the
film progresses, their relationship
changes from Sestero being an almost blind admirer to his questioning of Wiseau's choices while
filming «The
Room» and intrusions into Sestero's personal life.
in the retro - futuristic world of Priest, a question that proves rhetorical; throughout, rewrites, preview versions, and cutting -
room innovations are candidly discussed, with Sam Raimi's editor Bob Murawski receiving special praise as a latecomer to the project who instituted structural
changes that made the
film more linear.
As often happens on big
films, even in the well - oiled Marvel machine, there is a
change being made in the writers»
room for Captain Marvel.
Like Lumet's 12 Angry Men, the
film is a tight ensemble stage play but operates more free - form: Lumet and his cinematographer, Boris Kaufman, sequentially
changed focal lengths so the jury
room looks smaller and smaller as the drama progresses.
While none of these scenes
change the overall
film, and you can understand why director Martin McDonagh left them on the cutting
room floor, a couple of them show a movie that at least wants to look at Dixon's relationship with people of color, represented by Denise (Amanda Warren) and Jerome (Darrell Britt - Gibson).
These
films were supposed to be about Bilbo's journey «there and back again,» but you wouldn't know it from the ever -
changing protagonists, shifting focus between Bilbo, Thorin and Bard the Bowman with such frequency that it leaves little
room for actual character development.
I just walked out of a dark
room after spending two hours with the screener for «Game
Change,» the HBO
film about the 2008 Republican presidential campaign of John McCain and Sarah Palin.
Surrounded by palm trees whose leaves did not
change to hail the impending seasonal shift, an elite annual outing served to mark Fall's arrival: a late night odyssey to the Los Angeles Landmark Theater's showing of the beloved cult
film The
Room.
[43] This new technology is a color
changing film that can be used for e-reader, but Prism is also marketed as a
film that can be integrated into architectural design such as «wall, ceiling panel, or entire
room instantly.»
Ironically, George Hoffman's paintings, recently on view at Show
Room on the Lower East Side, possess the quality Benjamin so admired in
film, a unique «distracting element... primarily tactile, being based on
changes of place and focus which periodically assail the spectator.»
thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community
Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth
Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism
film program / NYU Einstein Aud.
Additionally, there is a separate channel that features the artist's
changing room in a three - minute
film that shows the process of the artist applying her makeup as a man, representing the first time that Kozyra used a digital video camera in her work.
Monday, January 27, 6:30 - 8 pm, Howe Library, Mayer
Room, 13 South St., Hanover Thin Ice, the movie Continuing the Sierra Club's focus on climate
change, this
film features researchers on four continents and the ocean as they studied the
changes in the atmosphere, oceans and ice sheets through measurements (from instruments, satellites, ice and rock) and computer modeling.