I've never really understood the artistic benefit to
filming a biography after a spectacular documentary on that person has already been produced, made the rounds, and racked up awards.
Not exact matches
After that fake - doc opening, the
film flashes back to forty years earlier, to flesh out Harding's
biography, to provide some incontrovertible data (all of which is intermittently commented on by the mock - vérité versions of the principal cast).
Our Man in Havana is a
film that I've wanted to see for quite some time
after I reading about it years ago in a
biography of Ernie Kovacs — who co-stars as the head of the police with a ruthless reputation (Kovacs, ever the cigar connoisseur, supposedly smoked 25 Havanas a day during production in Cuba).
More than thirty years
after her death, the oeuvre of American painter Alice Neel attracts ever greater interest, and seems only ever more relevant: the substantial and moving exhibition of her paintings currently at the Gemeentemuseum in The Hague is the latest indication of this groundswell of attention, including various shows and catalogs in addition to a fine
biography by Phoebe Hoban and a biographical
film directed by Neel's grandson, Andrew Neel.
After his death, a
film biography entitled Basquiat was made, directed by Julian Schnabel, with actor Jeffrey Wright playing Basquiat.
Mab Graves» work has never come at a better time
after the release of Tim Burton's
film Big Eyes, a
biography of the troubled life of artist Margaret Keane.