Not exact matches
The slimy
skin texture really boosted the creatures realistic appearance, you can't really see clearly but the
black and white
film does admittedly help cover any obvious rubber and seams.
Kaluuya, who got his start on the hit British series «
Skins» and is currently
filming Marvel's «
Black Panther» for «Creed» director Ryan Coogler, delivers a nuanced performance that builds as the dread mounts.
Daniel is gangly, awkward, and effete — the only olive -
skinned brunette in the middle of an ocean of bleached blondes (the
film will be remade in three years almost shot - for - shot as The Lost Boys) with
black belts in karate, courtesy evil sensei Kreese (Martin Kove).
Here's the full list of 142
films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman
Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the
Skin Wadjda We Are The Best!
Teeming with eerie, ethereal synth music, dark psycho - sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less
film that at first appears to be a sort of combination of last year's terrifying «Under the
Skin» and the graphic novel «
Black Hole» by Charles Burns.
Skin tones are natural,
blacks are
black, and detail is razor - sharp beneath a steely sheen of
film grain.
As DuVernay put it in the Q&A following the
film's AFI
Film Festival premiere, «he loves
black skin.»
That movie also featured Jordan playing a
black man who became a victim of his circumstances because of the color of his
skin (the
film is based on the 2009 shooting death of an unarmed Oscar Grant at the Fruitvale BART station in Oakland, California, by a police officer).
While the
film was conceived as a star vehicle for Lana Turner — seeking rehabilitation after the violent end to her relationship with Johnny Stompanato — the real drama exists in the relationship between two supporting characters,
black maid Annie (Juanita Moore) and her light -
skinned daughter Sarah Jane (Susan Kohner).
The
film's title character — a fatherless
black man in America — Adonis Creed is a natural born challenger due to the color of his
skin.
But Downey Jr. steals the
film as an actor's actor, an Australian playing a
black man (complete with surgically - darkened
skin); it's a totally calculated «great performance,» but not necessarily an easy or obvious one.
With a stellar cast led by Pierce Brosnan as Louis XIV, The Sun King, the
film also stars Academy Award winner William Hurt -LRB-» Kiss of the Spider Woman»), Benjamin Walker -LRB-» Abraham Lincoln: Vampire Hunter», Ron Howard's» Heart of the Sea»), Kaya Scodelario («
Skins,» Fox's upcoming» The Maze Runner»), Ben Lloyd - Hughes -LRB-» Divergent»), Pablo Schreiber («The Wire,» «Orange is the New
Black») and features Chinese superstar Fan Bingbing -LRB-» X-Men: Days of Future Past») as the mermaid.
Julien's intellectual, political and cultural barometers are considered and his many
film such as «Territories» (1984), «Looking for Langston» (1989), «Frantz Fanon:
Black Skin White Mask» (1996), and «Derek» (2008), are revisited and given context.
Frantz Fanon:
black skin white mask VD 66 Isaac Julien A
film that articulates both the mid-century moment of anti-colonial struggle and the insurgencies and intimacies of our post-colonial position.
On November 27 - 28, the IAS will present a marathon
film screening of
Black British filmmaker Isaac Julien's extensive body of works culminating in the screening of the newly released remastered and extended Frantz Fanon:
Black Skin, White Mask.
DeCarava struggled and triumphed over photographic
films and papers that were calibrated to record and depict lighter complexions, rendering dark
skin only as an undifferentiated
black tone.
He is best known for his
films including, Frantz Fanon:
Black Skin, White Mask and the Young Soul Rebels.
He has worked with artist Isaac Julien on several projects such as the
film Frantz Fanon:
Black Skin White Mask and the exhibition Reimaging October at the Calvert 22 Foundation in 2009.
Earlier
films and photographic works include «Young Soul Rebels» (1991), which was awarded the Semaine de la Critique Prize at the Cannes
Film Festival; the acclaimed poetic
film - essay and photographic series «Looking for Langston» (1989); and «Frantz Fanon:
Black Skin, White Mask» (1996).
Earlier
films include Frantz Fanon:
Black Skin, White Mask, 1996; the Cannes prize - winning Young Soul Rebels, 1991, and Looking for Langston, 1989.
Isaac Julien and Mark Nash's Frantz Fanon:
Black Skin, White Mask (1996) is a
film portrait of the revolutionary, writer and psychiatrist, whose classic publications The Wretched of the Earth (1961) and
Black Skin White Mask (1952) remain the bibles of decolonisation.