Not exact matches
The
film stars Freida Pinto who's visited
by a
friend, played
by model Maritza Veer, for a
family wedding in India.
The fourth
film in the animated Ice Age series follows Manny, Diego, and Sid as they try to reunite with their
family and
friends after they are separated
by the dividing continents.
Using archival photos and
film, including performances
by Simone over a period of more than three decades, excerpts from the singer's diaries, and interviews with
family members,
friends and musical colleagues, What Happened, Miss Simone?
Like those previous
films, Foxcatcher is based on a true story, in this case the tragic murder of Olympic gold medal - winning wrestler David Schultz
by his
friend John du Pont, a mentally ill multimillionaire who had a training facility for wrestlers built at his
family's Foxcatcher estate.
One of the many toils of addiction, under - acknowledged
by films and novels, is the frustration felt
by an addict's
family and
friends.
To prepare, Jordan went to the Bay Area and spent time with Grant's
friends and
family, including his mother, Wanda (played in the
film by Oscar winner Octavia Spencer), and his daughter, who was 4 when her father was killed.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed
by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek
Film), a story that follows a couple (played
by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten
by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of
Friends, works in an underpatronized café, freaks out her hairy stalker
by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the
film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan
by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned
by overworked parents at a sinister recycling plant, who is reluctantly adopted
by a reconstituted
family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Sure, there are appearances
by luminaries from a wide spectrum of life (Keith Urban, Bruce Springsteen, Steve Martin, and President Bill Clinton, to name a few) who speak to what a figure of consequence Campbell was, but so much more of the
film is filled with
family and
friends who offer both warm memories of Campbell and chilling insight into how this disease is so painful to watch.
This valuable feature, directed
by family friend Becky Baumgartner, reveals how true the
film remains to the facts, including Hamilton's optimism, humility, and strong religious convictions.
That
film is The Goonies, the 1985 comedy adventure
film directed
by Richard Donner, about a group of young
friends who try to beat a
family of criminals to a hidden pirate treasure to help save the neighborhood where they all live from being torn down and turned into a golf course.
In the
film, Jandreau draws on his life experiences and is surrounded
by a cast of his real - life
family and
friends, but his quiet and introspective character (Brady Blackburn) is the polar opposite of his real - life personality.
The main protagonist of the
film is a villager we come to know as Jaguar Paw (Youngblood), a hunter who sees his extended
family and
friends taken into slavery, if they weren't killed altogether,
by a much more formidable presence.
For Notebook editor Daniel Kasman, though, the
film — a series of conversations with
family,
friends, and mentors conducted
by a college graduate who's returned to his small hometown near the port city of Çanakkale — «proved immediately engrossing, like that wonderful experience of starting a hefty book late at night and finding oneself reading until dawn.»
The first,
by George A. Romero, his wife and assistant director Chris Romero (née Forrest) and Tom Savini, reveals that almost all the cast were
friends,
family or local Pittsburgh volunteers (even the mall was owned
by personal
friends of Romero), that the original script had a far bleaker ending (everybody dies) which was changed during the shoot because the
film was «too much fun» for it, and that the fourth
film, should it ever get made, is a larger - scale affair set in a down - town area, with lots of action sequences and an overarching theme of «ignoring the problem».
For her latest
film, Your Sister's Sister, she's brought a name actress into the fold: Emily Blunt plays Iris, who hopes to help her
friend Jack (Duplass) get over his brother's death
by letting him stay at her
family's empty holiday cabin.
She spent years
filming Jandreau (who in the
film goes
by the name Brady Blackburn), his
family, his
friends, their lives, and the great, empty spaces of the Badlands where they live.
Rife with priceless archival concert footage as well as recent wistful remembrances
by friends and
family, the
film opens with an examination of Phil's early years as a band geek in high school, followed
by his matriculating at Ohio State where he picked up the guitar.
To the
film's credit, this is not primarily a gay - identity drama; that subtext is, for the most part, accepted
by friends and
family.
Yes, there are some beats in the
film that are a bit too sitcomish, but this is a movie that will find an audience at home, recommended
by friends and
family members.
Influenced
by films, billboard advertising, music, poetry, his circle of
friends and
family, Katz's work is characterized
by his lifelong attempt to capture the present tense in paint.
External factors may include the media (younger people may want for more from a relationship after being socialised
by images of romance on
films and television), seeing
friends and
families in relationships (people who have divorced or separated parents may have a different CL to those with parents who are still married), or experiences from prior relationships, which have taught the person to expect more or less from a partner.