Sentences with phrase «filming dialogue scenes»

Not exact matches

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

The script of the film stays the same but the director — the histone mark — can choose to eliminate, slow down or speed up certain scenes or dialogues, altering the film for better — cancer cell death — or worse — cancer cell survival.»

Although the film is punched up by some energetic cutting and hip - hop music, many dialogue scenes, particularly early on, are badly written and awkwardly staged.

In the end, the movie is still a musical, entirely sung through with little or no spoken dialogue scenes, filmed on a big theatrical set.

The repetitive, insincere, and ultimately pointless dialogue in this crucial scene thoroughly tinges one's impression of the whole film.

The film had plenty of potential to being great, but instead it suffers from long, tired scenes of painful dialogue and the film's story just lingers and goes no where and when there's something that actually is interesting that happens, it's too little too late.

One of many interesting stylistic choices by director Irvin Kershner and cinematographer Haskell Wexler, who shot the film in gorgeous high contrast black - and - white with the warts - and - all insouciance of a documentary, is to present this reunion scene sans dialogue (which is buried by train noise)-- with Billy and Pio framed in the oval window of the train door.

there were a few moments where just a little more dialogue would have improved certain scenes and the film was not without a few of the cliches of this genre, but overall it stands as a personal favorite of mine.

All scenes in the film have either dialogue or music (or silence), but never both together.

Clooney proves again that he knows how to direct intelligent films that rely on a great dialogue, and this intriguing character study is gripping from the first scene to the last, centered on a brilliant political battle and with an intense performance by the always fantastic Ryan Gosling.

Though we are largely spared Leonard Nimoy's stentorian presence as a performer, we must endure his miscalculations as a director: the dialogue scenes are often hilariously turgid; the action scenes — when Nimoy can be bothered to descend from his podium and film them — are zanily maladroit.

Likewise, offbeat choices in the film's look and sound add edge from time to time: In a scene set in a cramped turkey barn, a cacophony of bird noise eerily eclipses the dialogue, suggesting the animal chaos behind the veneer of agrarian Americana.

Two films came out this year that had brilliant cinematography and very little dialogue, the difference is mad max didn't put me to sleep and it had action scenes that pushed the story forward rather than happen in the background and force the audience to squint to even make out what's happening.

A bit of impromptu (and sloppy) cosmetic surgery was also performed on this film by its U.S. distributor, with additional English dialogue scenes haphazardly edited into the already confusing original.

There have been films more implausible to be sure, but the successful ones managed to move briskly, feature more interesting characters, or crackled with smarter dialogue that Man on a Ledge ever does even for one scene.

The trailer doesn't feature any dialogue, instead it shows an early scene from the film where a very young Moana learns that she has the power to control the ocean, specifically the water.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.

The audio track is similarly excellent, especially considering the film's mixing of overlapping dialogue, raucous and noisy crowd scenes, and incidental music — much of which is provided by Frank Zappa and the Mothers of Invention.

With infrequent profanities and several scenes that involve sexual dialogue along with some partial, painted nudity, the film's biggest content issues are the frequent depiction of alcohol and cigarette use.

It's all on the page in terms of dialogue, but the deer scene, for instance, or the scene on the phone near the end, were the moments where I felt she's allowed to be more emotional than anywhere else in the film.

Both scenes are done without audible dialogue which makes them even more powerful, something silent film makers well understood.

Often during the calendar - straddling list - making frenzy of «top ten season» a scene or a line of dialogue or even a whole film will refuse to dislodge itself from any internal conversation you may have with oneself about the year.

This is an abstract making - of alternating B - roll shot in a variety of media, watermarked outtakes (including one from a deleted scene between Phoenix and Amy Adams), and snatches of dialogue from the film that gives the impression of a tight - knit cast and crew there to serve Spike's vision.

This is my long winded way of saying that bad guys and good guys face one another with loads of juicy dialogue and even juicier action scenes that are filmed with absolute precision.

Indeed, Waititi previously revealed that much of the dialogue in the film was improvised, and Hemsworth explains in the clip below that this scene was originally just one line — what we see in the finished film is all improvisation.

As in all of Tarantino's previous films, scenes exist here solely for the sake of dialogue.

The actual dialogue is what brings the film down the most, apart from the languid action scenes.

Adapted from the novel by Chris Fuhrman, there's some funny dialogue and interesting insights delivered during the course of the film, and had the tone stayed within the bounds set during the opening scenes, this would have been an enjoyable slice of life film with humor and heart.

While some artifice creeps in during the sometimes strange dialogue and sensationalist situations, there is an underlying truth to each scene and character that anchors the film from becoming too overwrought, as many other family crisis dramas tend to suffer from.

Its dialogue is repetitive, its characters are underdeveloped, and there are moments in which the film steers into the surreal only to lazily abandon this journey in favor of a more easily presentable resolution to a scene.

He puts his gritty staple on some key and entertaining scenes including an opening that includes the sexy Cruz being pleasured by manly Fassbender however, those are not enough to make up for the film's obvious missteps that include mundane dialogue and unclear character beats.

Whilst emotion is key to a good disaster film, the dialogue in San Andreas is so clunky that these scenes break up the action and drag.

Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of dialogue - free footage (again, the praise for these scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.

We see Tommy go through endless re-takes involving only a few lines of dialogue, an awkwardly staged sex scene, a scene that has no significance to the rest of the film, and a suicide in which the actor writhes on the floor in pain after shooting himself in the head.

It usually involves a ridiculous plot, some cheesy dialogue and a cool action scene or two, but the real draw continues to be seeing how many former action stars Sylvester Stallone can cram into a single film.

And sure, one could justify that choice as a metaphorical one, emphasizing the claustrophobia of the entire situation, but this a film that requires performances to carry what the isn't in the (endless) scenes of dense dialogue.

Although he mostly shows it with snippy dialogue and rigidly controlled schedules, Daniel Day - Lewis» Reynolds Woodcock is a fussy little dude, something made especially clear in a deleted scene that Anderson recently released to promote the film's upcoming home release, showing the Woodcock siblings descend from prodding at each other into a full - on food fight.

Ruzowitzky uses camera angles designed to force audience identification with the prisoners, and one scene late in the film follows suit with subjective audio effects — a very flat soundmix, with muffled dialogue — to put you inside Sol's head, his senses going dull after he witnesses the death of another inmate.

If you watch the film, look at each scene, and listen to the dialogue, Fantastic Four was terrible from Trank's awful script on.

There are more blockbuster action scenes in «Penguins» than in all three «Madagascar» films combined, meaning it will appeal to a younger audience (kids 7 - 12), as well as those who appreciate the gags and clever dialogue.

But Focus will need to make some nifty marketing moves to reach them; despite the age and appeal of the cast, the dialogue is often expressed in a kind of stylized formality, while art house touches like a scene backdropped by «Ave Maria» and an upper - crust manor setting can belie the film's quicker, looser rhythms.

The two stars fell in love during filming of the earlier To Have and Have Not, later marrying, and in fact new scenes in The Big Sleep were shot with extra dialogue between them to play up on public awareness of their real - life romance.

Husted compares several scenes from both versions, and notes both the musical styles of the period, and the extra film footage that added more character information, dialogue exchanges, and plot minutia.

His appearances feature some of the film's finest dialogue, and help energise some more sombre scenes.

8:00 pm — IFC — Clerks Kevin Smith burst onto the indie scene with Clerks, a low - budget dialogue - heavy film about clerks at a convenience store.

Even in his newest film, Darkest Hour, the camera has a sense of freedom in a movie that consists mostly of dialogue - heavy interior scenes.

The first dialogue scene sets the tone and direction for the film.

Shot with all the expressive minimalism of a Dardennes film, the last quarter of Custody, from the dialogue - free party scene to the violent conclusion, is gripping beyond compare, the only film this year during which I forgot to breathe for a good portion of its running time.

The effect is overly sentimental, giving the film a saccharine tone.Their absence would benefit the players» performances and its deft dialogue, giving certain scenes a bleakness that might underline Kay's unhappiness and uncertainty and Arnold's reluctance.