Sentences with phrase «filming direction from»

Katniss eventually accepts the role of spokesperson, working under the direction of President Coin (Julianne Moore) accepting advice from Plutarch (Philip Seymour Hoffman), and receiving technical assistance from Beetee (Jeffrey Wright), as well as filming direction from Cressida (Natalie Dormer) and costume / hair / makeup advice from Effie Trinket (Elizabeth Banks).

Not exact matches

Last week, Deadline reported that a new installment of the Chronicles of Narnia franchise will take a different direction from the earlier, Disney - influenced films.

Netflix has commissioned 10 episodes from the 2018 season, and the production team will film and reveal the intense fight for the heart, soul, and direction for the future of this multibillion - dollar business.»

When you shine natural light on the developed film from the same direction as the original laser beams, all those mirrors reflect light at precisely the same angles at which it originally bounced off the object.

A fashion story from New York, starring Daniella shot on film by Emon Toufanian with creative direction by Jenni Hensler.

It twists and turns multiple times throughout its short running time, borrowing heavily from a variety of films in the horror genre (and other genres as well), but under the sure direction and

A GREAT FILM jonathan demme chance a concert for a film great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plFILM jonathan demme chance a concert for a film great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plfilm great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plfilm please

One of Elvis Presley's best films, Viva Las Vegas benefits from the exuberant direction of MGM vet George Sidney, the young and sexy Ann - Margret as romantic interest, and over 12 melodic songs that take up half of the running time (only 85 minutes).

The cast here are well chosen in the parts they play and with effective direction, the film becomes a worthwhile viewing experience that is lots of fun from start to finish.

All of this made me read the film less through the lens of its story (adapted from a 2013 novel of the same name) or its direction (by Francis Lawrence, who directed Jennifer Lawrence through several Hunger Games films), and more through the lens of its star.

The film's humor hits with absolute accuracy, and the twists and turns throughout keep the viewer guessing about which direction the next threat (or next comedic beat) is going to come from.

Well, Koster's direction is far from consistently subtle, or at least graceful in its subtlety, for there are times in which thoughtfulness leads to a blandness that is among the last things a film this problematically written needs, but can not avoid, due to limp touches to the - you guessed it - writing, which I was expecting to be tighter in this ambitious epic of only about 135 minutes.

If you forget the similarities between the films, this is a fun, entertaining picture that is worth seeing because there are several worthwhile moments due to a well crafted script, good cast and good direction from director Jon Favreau.

A searing Oscar - nominated performance from Paul Muni as the desperate James Allen and powerful uncompromising direction ensure that this film is as harrowing and vital today as it ever was.

Regardless this is a good film with a great cast and some sensitive direction help keep this film from being nauseatingly sentimental.

When it's finally ready to resemble a horror film, it borrows liberally from the art direction and creature designs of the Silent Hill games, including several monsters specific to Silent Hill 2 and a slew of sets from Silent Hill 3 (already the first game in the series to drift away from what made it special).

Spielberg starts off the discussion with commentary about he didn't want to create just another «War Is Hell» film, and the featurette continues with a look at the creation of the film, from location scouting to on - set direction to costuming.

What separates «Gosford Park» from films like «Nashville» and «Short Cuts,» however, is the lush set direction and costume design, which helps build the completely immersive period setting for the audience to get to know the characters in.

Some new writers point the goings - on in a different direction but Curse, filmed the same year as Ghost, just can't distinguish itself away from its last 3 ragged forebears.

Thanks to tight direction by Brian Goodman and lively performances from Antonio Banderas and Jonathan Rhys Meyers, the film's engaging even when it's ridiculous.

«Goodbye Solo» is reminiscent of the cinema verite of films like «The Bicycle Thief» and «The White Balloon», but the template that Bahrani and his screenwriter use, from Kiorastami's «A Taste of Cherry», seems in conflict with the natural direction the performers want to take the

The film is ugly on so many levels — from art direction to human values — that it's hard to know where to begin.

Fortunately, Hicks's direction has an elegance and dignity that rescue Shine from the exploitative and give the film an acute, genuinely sensitive style.

It's really the direction, along with breathtaking cinematography from Erik Wilson, that takes what might be a fan video and makes it feel like a real feature film.

- The fallout from the Sony email hack continues, with Sony Pictures» new film chief Tom Rothman being put to the test with the interstellar love story Passengers, set to star Jennifer Lawrence and Chris Pratt under the direction of «The Imitation Game's» Morten Tyldum.

Winner's superb direction and the screenplay by David W. Rintels and Gerald Wilson keep the film from vanishing into a morass of plot holes, surprise twists, and confusing narrative developments.

Recognition for Best Cinematography and Best Art Direction went to «The Last Family,» a particular favorite of the jury and one that had them specifically staying for the Q&A to see from director Jan P. Matuszyński how he pulled off making the film.

From Hans Zimmer's beautiful score, to cinematographer Sean Bobbitt's shots, to McQueen's direction and all of the performances within, this film is a grand achievement and should not be missed by anyone.

In lesser hands, such a prolonged emotional break from the action might not have worked, but under Webb's direction it provides one of the high points of any Spider - Man film.

For those who enjoyed Radnor's first effort, this is leaps and bounds better in writing and direction while still retaining what made his Audience Award Winning film from Sundance 2010 such a beloved festival film.

Only tentative direction from John Wells holds the film back from its full potential.

The film plays like an awkwardly edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace in the subgenre — jumping from scene to scene with little direction or purpose.

There isn't one element of that film that stands out from the rest, with the performances, direction, -LSB-...]

Infernal Affairs, a 2002 gangster film from the directing team of Andrew Lau (aka Lau Wai - keung) and Alan Mak, was less a return to form than a new direction: an ingeniously scripted tale of cop and gangsters featuring the top talent of the Hong Kong film industry and directed with a dramatic intensity and gritty realism that had been absent from most recent Hong Kong crime films.

It's tough to put the blame on Bolger's ability because almost every young actress in this film suffers from a similarly stinted performance, suggesting it might be a result of poor direction.

Despite rather flat direction from brothers Anthony and Joe Russo («Welcome to Collinwood»), the film picks up momentum as the mayhem escalates.

She particularly excels when working with Paul Feig, as films like Spy and the Ghostbusters remake deftly show, but when she takes direction from husband and screenplay collaborator Ben Falcone, McCarthy's talents are wasted on formless star vehicles that don't serve any purpose beyond further exposing McCarthy's popular presence.

I respect his artistic decision to go in that direction, but that makes it difficult for the casual viewer and even for the serious film buff to recognize all of the out - of - sight artistic talking heads from novelist Italo Calvino to screenwriter Tullio Pinelli.

And above all else, from the outstanding direction of Ryan Coogler to performances by stars Chadwick Boseman, Michael B. Jordan and Lupita Nyong «o, what's going to ensure this film's staying power is that it's not just «good for a Marvel movie.»

Rating: 5/10 — a man (Lowery) drives across country after the death of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that sees him on the run from the police but determined to prove his innocence; a gritty, hard - boiled film noir, They Made Me a Killer adds enough incident to its basic plot to keep viewers entertained from start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas's direction ensures it's another solid effort from Paramount's B - movie unit, Pine - Thomas.

It garnered seven Academy Award nominations, including Best Picture, Best Director, Best Actor (Walter Huston, recreating his earlier stage role, who should have won the Oscar with his sensitive portrayal against winner Paul Muni for The Story of Louis Pasteur (1936)-RRB-, Best Screenplay, Best Supporting Actress (Maria Ouspenskaya, reprising her role from the earlier stage production, and in her film debut), and Best Sound Recording, and won only one Oscar for Best Art Direction - Interior Decoration.

The film has other good things going for it too including first class direction and an exquisitely judged performance from Kristin Scott Thomas as Clementine Churchill (above with Oldman)

This award - winning film from Iran is a stunning piece of work, beautifully telling a raw human story with expert writing, direction, photography, editing and acting.

Sparkling direction by James Ivory, distinguished performances from the ensemble cast, and a charged score by Richard Robbins all combine to create a film of immense power.

The film was rated 93 % fresh on Rotten Tomatoes and received critical praise for its story, direction, acting from lead Hugh Jackman and supporting actor Patrick Stewart, including editing, cinematography, original score and sound design.

Aided by an excellent screenplay and assured direction from Nicole Holofcener, Lovely and Amazing is a film that plays for catharsis and empathy and achieves a good draught of both, content to leave expeditions into stickier climes to more serious - minded films.

The film does kind of hint at the futility of revenge in a coens kind of way that is not too drawn out, a lot is concealed from us and we are only shown the grit and the action that gives the film its direction.

From John Williams» thrilling score to the wonderfully gleeful performances, to Spielberg's confident and energetic direction, the film is a treasure trove of creativity and a joy from start to finFrom John Williams» thrilling score to the wonderfully gleeful performances, to Spielberg's confident and energetic direction, the film is a treasure trove of creativity and a joy from start to finfrom start to finish.

Instead, thanks to heartfelt direction from Destin Cretton as well as spectacular performances from the cast, it is exactly the opposite — a touching, genuine film that quietly leaves its mark in our hearts.

Very little footage of the film has been released, so watching a trailer should give us a good idea of what to expect from Ant - Man, and which direction the film will be going in.