We would often
film a scene just once or twice.
Not exact matches
She begins clobbering computer chips with a hammer,
just as the stereo switches to «Still,» the gangsta - funk Geto Boys track made famous in the printer - whupping
scene from the 1999
film Office Space.
Instead of selling their own SLRs, which use a mirror and prism mechanism to allow a
scene to be viewed by the photographer and recorded on
film, Panasonic, Olympus, and others started selling selling smaller cameras that relied
just on digital sensors.
The import - export strategy hinges on introducing the Japanese to American bourbons, while also convincing Americans to think of Japanese whisky as more than
just the inspiration behind a humorous
scene in a Coppola
film.
My peek behind the
scenes reinforced something I've always believed: The TV and
film industry is central not
just to New York's cultural vitality, but to our economic strength as well.
We won't spoil much about the character if you haven't seen the
film, but the droid, masterfully played by Marvel veteran Paul Bettany, steals
just about every
scene in which he appears.
He often delivered scripts one
scene at a time,
just as those
scenes were about to be
filmed.
Unlike other independent
films in which big names are ridden into the ground like a sweaty mule, shoehorned into every possible
scene in the movie, «Moms» Night Out» has an ensemble cast - an amazing feat for a
film with a budget
just under $ 5 million, according to Andrew and John Erwin, the brothers who directed the
film.
And while this was undoubtedly Han Solo's
film (God bless Harrison Ford, limping around on a broken leg) the new characters felt at home straight away: Daisy Ridley as Rey was an absolute star (the
scenes between her and Leia ensured the
film passed The Bechdel Test) and Oscar Isaac's Poe stole each of the few
scenes he was in (even if his character was
just Han Solo in a jumpsuit).
He remarked that whenever he sees heart - rending
scenes of famine victims he wonders, «How come the
film crew didn't
just give the kid a sandwich?
If you're making a short
film, and you want to illustrate a society that's falling into tyranny, you can
just cut away to a
scene of a pile of books burning, and everyone will know exactly what you meant.
There's a
scene in the
film where Krasinski's character and Emily Blunt's character (who are husband and wife in the
film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song —
JUST LIKE JIM AND PAM DID.
Speaking about the
film recently in Los Angeles, Cera — who in this
film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the
film, the stretching Cera had to go through for the role, and the way in which the
film's hyperkinetic action sequences are really
just the same as the dance
scenes in Grease or a Gene Kelly movie.
Fast forward to today, and DigiSpecMedia have recreated the
film,
scene - by -
scene (or as good as given limitations) using Assetto Corsa «s new Dream Pack 1 content, which
just so happens to include the McLaren P1 and the ribbon of tarmac infamously known as the Green Hell.
I was passionately engaged in the music
scene in New York City and married my husband
just after
filming a video for MTV...»
While the
film makes the point that the children are exposed to advertising, the
scenes of these families seem to say that working - class people
just can't make good food choices or get exercise.
During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the
film thanks to corny dialogue and maudlin
scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed
just before he could say anything).
In the typical science fiction
film circa 1950, there's that
scene in which scientists return from the
just - landed flying saucer and tell the Army brass that no tool known to humankind can cut, burn, bend, or otherwise scar the hull.
At this new exhibition, you are invited to step into Cameron's role as director and
film scenes in 3 - D with a camera
just like the ones used in the making of the movie.
With the contest deadline
just three weeks away, Metz worked busily to choreograph the dance,
film the
scenes, and select the best sequences.
In fact, he told Twitter he got up to 5 sets of 75 reps (
just days before
filming a Hercules movie fight
scene).
The actress was spotted in New York City
filming scenes for the
film Second Act with a long bob that hits
just below her shoulders and has clean, blunt ends.
The
film's soul, however, belongs to Patinkin, a great actor who even in his most stubborn
scenes never fails to instill Saul with the best intentions; a dad
just looking to do right by his kids with the only handbook available to him.
The
film's most joyous musical
scene comes not at the big climax performance (which is definitely pretty great), but rather about halfway through, when the campus» four a cappella groups meet at the bottom of an empty swimming pool (
just go with it) and have a battle.
He's good at speed and deception, and although his hand - to - hand fight
scenes are
just a smidgeon too jittery, his work is both confident and enthusiastic; he handles the lengthy 131 minute running time better than most directors handle shorter
films.
(Oddly enough, that shopping spree makes The Apparition only this summer's second most Costco - obsessed
film, after The Watch, which stopped short of featuring a
scene in which cancer - stricken children were healed
just by walking through the store's aisles.)
The 3:47 «Meet Katie» focuses on the story of the furry little yak who
just steals her
scenes in the
film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.
But where the first
film's sex
scenes, however tame in the grand scheme of things, were integral to setting the terms and tone of the relationship under scrutiny, by this point they're mostly
just (very) attractive digressions, while the once - tremulously mentioned Red Room of Pain has become merely another indulgent facility at Casa Grey, not to mention a handy spare bedroom in the event of a soon - resolved marital squabble.
I really liked it too, It's
just a sticking point with me, that the storyline; Wikus and his ordeal is the focal point of the
film, and all the buzz, the trailers (which has doco - like
scenes that were NOT in the
film) and the synopsis, initially did not mention any of it.
Well the
film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human
scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the
film changed gears, I
just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?
Just as Jason Reitman's «Up in the Air» — a
film that took a mildly more sanguine view of the past decade's far - reaching financial crisis — made its viewers endure repeated
scenes of humiliating personal disenfranchisement at the hands of corporate America, so does «99 Homes.»
Sure, there are some entertaining and amusing parts and, of course, a few sex
scenes that show a lot of Johnson, but once the whips are whipped out things get really repetitive until there suddenly isn't much of an ending and the
film just stops.
The
scenes at Auchwitz were
filmed just outside of the actual concentration camp.
There is very little fat in the 120 minutes of transitions, but the actual chess tourney is somewhat of a letdown,
just because the originality that is in the rest of the
film didn't translate to static
scenes of people playing chess.
The
film's best
scene involves Ultron and the Avenger - aligned but no less alien Vision discussing the fact that humanity will probably
just screw everything up, but we've got ta let them keep trying anyway.
There are jump - scares that are more than
just scares, as you'd imagine in a wilderness where the flora and fauna have mutated like cancer cells (a metaphor made plain in a classroom
scene early in the
film).
Yet McEwan has also used the
film's final
scenes to expand out the novella's relatively understated, though still well - earned conclusion to include not
just one, but two flash - forwards that hinge on weak coincidences and still worse old - age makeup.
My personal favorite being the first bar
scene in the
film with the song choice and the choreographed dance
scene was
just beautiful.
For the most part, «My Life Without Me» ably transcends TV - movie, disease - of - the - week waters (thanks to Sarah Polley's gritty performance), but even she can't save the
scene in which a neighbor (whom we
just met) gives an incredibly maudlin monologue that grinds the whole
film to a halt.
Haigh is nothing if not a sensitive, compassionate director, and he puts a lot of faith in Plummer in the
film's many quiet
scenes, especially those where it's
just Charley and his horse.
The actors are really
just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening
scene of the
film rewinds through the entire
film, showing every action beat, which was a really bizarre move.
A 4:06 Gag Reel is mostly
just breaks that happened during
filming, but there are also a few moments from
scenes that didn't make it into the final
film, pointing out there are deleted
scenes we didn't get a chance to see.
The only real thing I liked in this
film was the
scene with the three little pigs being bad mercenaries, but the funny thing about it is that Cheech marin plays one pig and Chong plays another, and I found that pretty funny actually, but the rest of the
film is
just crap, and Is undoubtedly the worst
film I've seen this year.
Having never read the book I'm rating it as
just a
film and it's really a
film that starts well then gets predictable then got silly and confusing, The story was not new but it had a different take on it, It wasn't acted very well but it had some good intense
scenes that were done well, With a good cast the story should of been told more deeper and we never really know how it all started which was quite annoying, I did like the ending but the
scenes before that completely ruined the
film as they didn't make sense or were done that well, It's not a bad
film it's
just poor for what was on offer.
The
film had plenty of potential to being great, but instead it suffers from long, tired
scenes of painful dialogue and the
film's story
just lingers and goes no where and when there's something that actually is interesting that happens, it's too little too late.
there were a few moments where
just a little more dialogue would have improved certain
scenes and the
film was not without a few of the cliches of this genre, but overall it stands as a personal favorite of mine.
In
just a handful of
scenes Django Unchained reminds us that it is a
film set in one of the darkest and most shameful periods of American history.
But the horrible
filming of the dance
scene, the movement from 1st to 3rd person camera often and irritatingly,
just failed on a whole for me.
His
film moves along quickly and muscularly, from one serious action
scene to the next, to the extent that it almost stops mattering what the particulars of this conflict are,
just that various twists and obstacles are set up engagingly.
A lot of
scenes in the
film just don't make any sense and don't add anything to the thread of a narrative that runs through it, but they are striking and do have an effect on you, which is perhaps the purpose.