Sentences with phrase «filming his scenes underground»

Not exact matches

But the new film Kiki avoids this mistake as it revisits a subject first explored in the landmark 1990 documentary Paris is Burning: the New York's underground ballroom scene.

The opening scenes of unsavory S&M in the underground club (think a slightly lighter version of «Salo: The 120 Days of Sodom») provide an inclination of the type of depravity hinted at in the film's title.

He then immersed himself in the underground art and music scenes making short films, album covers and music videos with a burgeoning group of influential and groundbreaking artists.

After all, underground cinema is less in thrall to the establishment of a name (filmmakers may often either move on to independent film or into other areas of activity), and much more likely to be a scene of greater experimentation.

However, some of the film's most immersive audio can be heard in District 13's underground, echoey surroundings and of course, during the film's explosive scenes.

That a movie about the «underground» scene contains so much highly familiar British and American music was a source of much conversation following the film's Cannes premiere — shouldn't a movie with characters based on real - life Leningrad rockers contain more actual Leningrad rock?

The film falters slightly during an imagined scene in which Churchill sneaks off for a ride on the London underground and talks policy with a melting pot of commoners.

EXTRAS: There's a pair of featurettes on the returning cast and the film's new characters, a behind - the - scenes look at designing the Turtle's underground lair and battle - ready garbage truck, deleted scenes and more.

Independent filmmaker and underground music aficionado David Markey's films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all of which represent a unique record of the punk scene in Southern California throughout the 1980s and 1990s.

(Synapse / CAV, Blu - ray, DVD), the 1975 underground cult film by Curt McDowell and co-writer / star George Kuchar, is a gothic romp that veers into horror, sex, and camp parody, with explicit scenes and graphic horror.

Both Goldin and Dick were key figures of the «No Wave» movement, an underground music, art and film scene associated with New York's avant - garde in the late 1970s.

A major figure in the American underground scene, Tony Oursler has worked since the mid-1970s in a variety of mediums — video, drawing, photography, film, sculpture, and sound.

If Dalwood demands of his viewers a certain art historical diligence and knowledge, so the Otolith Groups's film works demand a familiarity not just with auteurs, but also goings - on in the underground art and film scenes of the patchouli - drenched late 1960s.

Living in New York City in the late 1970s and early «80s, Wool immersed himself deep into the underground film and music scene that centered around the East Village, finding a kind of nihilistic camaraderie in the punk rock aesthetic that thrived amidst the city's crumbling decay.

The exhibition is the first retrospective dedicated to John Giorno, American poet, performance artist, and iconic figure of the underground scene of the Sixties, whose work was influenced by the encounter with artists like Andy Warhol (he played in many of Warhol's early films), Jasper Johns, Robert Rauschenberg, John Cage, Trisha Brown, and Carolee Schneeman.

Conrad's work in film ranged from experiments in physically transforming the film's surface to theatrical productions featuring New York's underground scene.

Livingston's influential, era - defining film about New York City's underground ballroom scene introduced «voguing» to mainstream audiences.

A seminal influence on John Waters amongst many others, these uniquely irreverent films were at the forefront of the New York underground film scene alongside avant - garde filmmakers like Andy Warhol, Jack Smith, Stan Brakhage, and Jonas Mekas, who championed the Kuchars in his influential Village Voice column.