Sentences with phrase «filming skits»

Truth is, Boston Dynamics has so far revealed little about the SpotMini, choosing instead to modify it before filming skits and posting them on YouTube.

We thought Mr. Spock was from actually from the Late Night with Conan O'Brien show and they were filming a skit obviously.

For instance, fourth - grade teacher Kevin Durden gives kids additional choices, such as creating a PowerPoint slide show or a comic strip (using Comic Life software) or filming a skit (using Flip video cameras).

Not exact matches

Singh's videos, usually filmed at home, take the form of personal comedic monologues and skits about banal but relatable topics.

Beatrice would no doubt use her newfound skills from her film classes to post witty skits of her and her friends on her Youtube channel, mixed in with a few feminist rants here and there.

The humor is EXACTLY like the previous Stooges shorts / skits, so you should know before buying your ticket if you're going to like the film.

This is all fine until the film digresses into a Nickelodeon skit gone horribly awry, turning into a boring extended episode of All That.

And I wouldn't mind that concept, if the film at least had a story to go along with it, instead of segments (or skits) of humans acting like selfish, reactionary assholes.

It's weird how films like Wonder Woman, Star Wars: The Last Jedi, Spider - Man: Homecoming were so heavily represented whether via skits or presenting awards, but get slighted for the real awards.

The early parts of the film, getting the audience acquainted with Wilson's particularly colorful personality, contains some generally bizarre and funny moments that feel right out of a SNL skit.

But c'm on, if you thought the Coneheads skits on SNL were stupid, how bad could the film be?

Rotten: Can you inflate a gimmick - driven comedy skit into a full - fledged feature film?

In the pantheon of feature films born out of SNL skits, there's a big hit - and - miss factor; for every Wayne's World, there's three It's Pat's.

In true Independent Spirit Awards tradition, the 2015 show began with a hilarious skit mocking some of the nominated films this year.

But while «I Am Chris Farley» is an enjoyable tribute that will make you want to spend the next few hours watching old «SNL» skits and film clips on YouTube, the documentary feels like it's just barely scratching the surface at times, especially in regards to Farley's struggle with substance abuse.

Portions of the film are laugh - out - loud funny, but in between, it's all merely a set - up for the next skit - like segment built on the same premise.

It's a one - joke film that might have worked better as a short skit or featurette, but at two hours in length, the material is spread too thin to keep it from inducing boredom, regardless of how many explosions director Doug Liman (The Bourne Identity, Go) flings at us in order to alleviate the oft recurring lulls.

Writer / director Sean Anders returns from the first film with the standard playbook for lazy comedies: a series of zany skits loosely connected with little regard for logic or continuity.

Freeman got his first real acting break in a 1998 short film, I Just Want To Kiss You, before landing the BBC skit show Bruiser, back in 2000.

Tying in with the film's release in the US, a number of the primary members of Thor: Ragnarok «s cast took part in the Late Late Show skit, which saw Corden hijacking a preview screening of the film to bring his «live» 4D version to one lucky movie audience.

We may be in the minority on this, considering the warm reception that has greeted the film at festival screenings, but The Disaster Artist struck us as less a movie than an over-extended Funny Or Die skit packed with celebrity cameos — which is to say, it makes little sense if you haven't already seen The Room.

The six comics — Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin — fashion the film as a series of skits, preceding them with the Python-less short film The Crimson Permanent Assurance.

Life of the Party is essentially a series of comedy skits based around a common theme (40 - something mom goes back to college) and strung together with enough plot to sustain a feature film.

In THR's annual actor roundtable, this season's six top awards contenders — including Ethan Hawke, Michael Keaton, Eddie Redmayne and Timothy Spall — open up about why a Hollywood film is preferable to a classical theater role («Stick Polonius straight up your arse»), flunking out of college and how a meeting with Stephen Hawking turned into the equivalent of a «Saturday Night Live» skit

But director Liza Johnson makes sure this story doesn't come - off as a bad «SNL» skit, handling the tricky material appropriately, resulting in one of the most enjoyable film experiences I've had in a long time.

Toby Jones (The Painted Veil, Mrs. Henderson Presents) as Karl Rove and Jeffrey Wright (The Invasion, Casino Royale) as Colin Powell also look much smaller than their real - life counterparts, and more mannered, seeming like they would be more at home in an «SNL» skit than in a serious film about these public figures.

The film is more a series of skits with the guys going from little adventure to little adventure.

Perhaps it seems like over-thinking to quibble with the ideological talking points of a movie that mostly dawdles from one skit or cameo to another, interspersed with the occasional song - and - dance number, and which contains one of the best comic set pieces of the Coens» career: a director and his recently re-cast lead trying to work through a single awful line of dialogue («Would that it were so simple») while filming a turgid melodrama.

This film has so many moving parts, spending little to no time perfecting any of them (or adequate - ing any of them, really), that it feels more like a series of skits left on the cutting room floor with no connective tissue to keep the momentum up or drive interest in any of its characters, the outtakes of a better and more accomplished film.

It's just that all in all it seemed like an SNL skit that was stretched out well - beyond what it should have to fill 90 minutes of feature film length.

Picture: Maya Rudolph - Andy Samberg reunites with Maya Rudolph to film a funny skit for the season finale of Saturday Night Live in downtown Los...

Whoever decided it might be a good idea to try to flesh out this two - minute skit into an hour - and - a-half long feature film, must be the same genius who thought that what the world needed was another SNL - inspired, stretch - o - matic spinoff like such abysmal offerings as The Ladies Man (2000), Superstar (1999), A Night at the Roxbury (1998), Stuart Saves His Family (1995), It's Pat (1994) and Coneheads (1993).

Unlike some SNL skits, Sisters never feels long or overdrawn, even if you (like me) decide to watch the extended version of the film offered on the DVD.

One seemingly interminable skit sees Eggsy roving around the Glastonbury music festival, trying to implant a fingertip - mounted tracking device inside the genitals of an enemy's socialite girlfriend (Poppy Delevingne)-- a bit of lip - licking, GCSE - level smut which the film presents as a piece of fearless taboo - smashing worthy of Sacha Baron Cohen at his wildest.

Set in 1944 in NYC (though the film was shot entirely in the UK), it begins with Florence and her husband, St. Clair Bayfield (played by Hugh Grant), performing theatrical skits at the Verdi Club, which Florence founded a quarter century earlier.

It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).

Monty Python and the Holy Grail: 40th Anniversary Edition (Sony, Blu - ray)-- After a career of inspired skit comedy, the unbalanced minds of Monty Python pounded the Knights of the Round Table into their own skewed square hole for their first «real» feature film (I'm not counting their skit comedy And Now For Something Completely Different) and Camelot has never been the same.

Carrey is still a marvel, and Oedekerk often quite inventive, but in the end, the film feels much more like a series of 5 - minute «Ace Ventura in Africa» skits than as a unified project, leaving the momentum hit and miss throughout for most viewers.

Recently The Onion did a small skit about the latest car - porn film Fast & Furious 5, taking the usual pot - shot at the action extravaganza by claiming the script was written by a small child obsessed with explosions.

Syms» use of humor in the film instantly calls to mind the many late night comedy show skits that have the tendency to poke fun at a perceived notion of black womanhood.

Back in 2009, numerous anime studios, including Studio 4 °C, Production I.G, Toei Animation, and Bones teamed up to create the anthology film Halo Legends; Halo 4: Forward Unto Dawn is a 2012 live - action web series designed to tie into and market the game, and the comedy web series Red vs. Blue started back in 2003 as skits filmed in the Halo multiplayer mode and is still airing to this day.

Performed in various skits on film covering a multitude of scenarios, roles and levels of complexity.