Sentences with phrase «filming the documentary really»

You mentioned at the Q&A that filming the documentary really helped with couples» therapy.

Not exact matches

It was a wonderful way to celebrate API «s 20th Anniversary with some really special bonus events, like Friday night's showing of «The Milky Way» film with live Q&A with the lactation consultants who produced the documentary on the U.S. cultural view of breastfeeding support as well as Saturday night's anniversary celebration reception with Irish music provided by Kennedy's Kitchen.

To call it a film or even a documentary does not really represent the scope of your offering.

But he eventually gave a nod to the film the next day, stating: «Fly - on - the - wall #LabourSummer documentary really captures the chaos, complexity and comedy of politics.»

The cool variation comes in the form of his drug - addled brother who believes the film crew that's following him around is documenting his big comeback — when they're really making a documentary on the effects of drug addiction and using his name as former contender to add impact.

In the documentary, director Robert Zemeckis explains that the movie is really «three elaborate films in one»» a period live - action movie, an animated movie, and a special - effects extravaganza required to blend the two.

It won two jury awards at Sundance, and arguably an appreciation for Nick Cave the artist would influence any viewer's perception of 20,000 Days On Earth, but what really affects ones viewing of this film is entering into it and viewing it as a documentary disguised as a fictional film, or a fictional film disguised as a documentary.

Really interesting documentary about director James Cameron and his crew exploring the remains of the Titanic with their adorable filming robots, comparing the wreck to original footage and telling the stories of the people involved in the tragic catastrophe.

Reese Witherspoon really tries to turn this over dramatised film into something to take serious, unfortunately with the many great documentaries this story has this film falls short.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

The performances from the cast are what really save this film from being a total dud and the story is quite interesting of course, but if you want to know the full facts, read books on the subject and watch a few documentaries as well.

Also still playing at the Hillsboro Village theater are the Ruth Bader Ginsburg documentary RBG (read our interview with the directors here) and the remarkable You Were Never Really Here — which, as we close in on 2018's midway point, I still think is the best film of the year so far.

Arguably the most conventional of all the documentaries listed, and really we have a film similar to Amy where we come to understand an iconic figurehead in the music industry.

Chantal Akerman's From the East (D'Est) isn't a fiction film, and it isn't really a documentary (it has no narration, dialogue, or subtitles).

«What if a filmmaker made a few films no one really wanted to see then made a documentary about those films no one wanted to see?»

The rest of the documentary covers the way the film has resonated in popular culture, and that's where it gets really interesting.

The line of annual nature documentaries looks out of place in the current Disney company plan, which has shunned smaller films in favor of really big ones.

«Cameraperson» — This documentary feels very little like a fully composed film at all, and yet that's really the beauty of it.

With «Robin Hood,» generations unfamiliar with the Technicolor look can get a really good sampling of why film historians and cinematographers rave and are overcome with a peculiar nostalgia for the color schemes that literally glow, as evidenced from interviews with cinematographers Jack Cardiff and Vittorio Storaro in the excellent documentary on Disc 2, «Glorious Technicolor,» an overview of the company and key personnel, derived from Fred Basten's 1980 book.

It was over 10 years after the Holocaust before a film really touched on that in a meaningful way, but that film (Alain Resnais's Night and Fog) was a short documentary.

Her section of the film is closely aligned with DA Pennebaker's 1967 documentary Don't Look Back, as Jude teases the British press (personified by BBC reporter Bruce Greenwood) with a series of non-sequiturs and riddles; and Blanchett comes closer than anyone to really capturing the spirit of the man, with the dry humour and cocksure swagger of her performance being brilliantly observed.

I've got a brief preview of some of the films we're looking forward to over this first week, including Paul Schrader's First Reformed, documentaries on Freaks & Geeks, MIA, and John McEnroe (that's three separate films, though now I'm imagining a Fast, Cheap & Out of Control - style doc about the three of them all together and that would be really cool), and archival presentations of classics by Derek Jarman (Edward II) and Kenji Mizoguchi (Sansho the Bailiff).

The intriguing documentary marks the feature film directorial debut of Randall Wright, who does a great job of humanizing his subject to the point where you really feel as though you know this inscrutable, if charismatic public figure.

But actually 2012 has been vintage, with some really brilliant films from the biggest names doing their best work — and some fascinating documentaries.

I've never really understood the artistic benefit to filming a biography after a spectacular documentary on that person has already been produced, made the rounds, and racked up awards.

How did you gain his trust when discussing making a documentary about him, especially now that he seems to appear slightly reclusive, and for the film some of his family members were going to have be discussing the really painful part of his life?

About the Artist: William E. Jones has made the films Massillon (1991) and Finished (1997), which won a Los Angeles Film Critics Association award, the documentary Is It Really So Strange?

I'd really like to reinvent the wedding video... no one ever takes me seriously when I say that but could you imagine filming a wedding as an observational documentary piece?

«A film claiming to be a science documentary that is really a non-scientific political tract is poisonous.»

Dr. Wunsch said «A film claiming to be a science documentary that is really a non-scientific political tract is poisonous.»

After seeing this documentary film, you will decide who really profited from spilling hot coffee.

After working on a few low budget documentary films, he applied for a chance to become an unpaid intern in a big budget film for Fox that he thought could really be something special.

I really enjoyed my experience working with the Carbon Media team during the documentary filming of I Heart My People.