Sentences with phrase «filmmaker leaves it to us»

The world Nichols creates for his characters is real and rock - solid; the relationships all make sense... but the filmmaker leaves it to us to form our own opinion of his protagonist.

Not exact matches

None of these courageous women has ever spoken on the record in such compelling detail, and, on this DVD, the filmmakers weave together their passionate narratives as a celebration of the journey to motherhood that will leave viewers with a renewed sense of amazement about the power of women.

The featured documentary chronicled how the filmmakers believe the political Left has been systemically dismantling the constitutional and moral framework of America, in order to move the country towards -LSB-...]

It's quite clear the filmmakers intend for left and right to be equally irritated by the film.

Brian Deer (left) reveals how unscrupulous filmmakers tricked both him and audiences to gain distribution of a propaganda documentary: «The Pathological Optimist»

Yet although Gordon - Levitt presence helps to keep us invested in the story, you'll be left wondering how this dull, overlong film might have turned out in the hands of a less bombastic filmmaker.

As an indie filmmaker and one of the founders of the mumblecore movement, Joe Swanberg (Kissing on the Mouth, Drinking Buddies) has always gravitated to the space between words, to the things left unsaid between people who say they're in love.

And he left something of a legacy to Hollywood through his actress daughter Jennifer Edwards and screenwriter son Geoffrey Edwards.In 2004, just when the world began to think it might never again hear from Edwards, the filmmaker gave a slapsticky acceptance speech in response to an honorary Academy Award.

Often Bay leaves the impression that the serious quest exists mainly to allow the filmmakers to make some social commentary.

Oscar - nominated filmmaker Mike Figgis (Leaving Las Vegas) continues to explore experimental styles of cinema (see Timecode or Hotel) with this playful in - joke about the act of artistic creation.

Left on Purpose is a documentary film about the friendship between an aging anti-war activist who has decided that his last political act will be to take his own life and the filmmaker who is struggling to tell the story.

I feel that Black Panther is a big step for Marvel and a great opportunity for a filmmaker like Ryan Coogler to come into a big budget tentpole and leave his own mark, without much compromise.

What we have left in Godard Mon Amour, after the laughs dry up, is a thin sketch of a filmmaker who inspired a hero worship in his young bride that dissolved in squabbling, as had Godard's first marriage to another of his leading ladies, actress Anna Karina.

The fact that Emily is Chinese makes her unpopularity complicated since the hatred she's encumbered with might be a two-fold attack (the public's distaste for Emily's heroin addiction could be a cover - up for the real issue at hand; she's Asian), which the filmmaker smartly leaves to our imagination; the only mention about Emily's ethnicity comes from her uncle.

The filmmakers have long stopped pretending to find anything troubling or transgressive about Christian's appetites — he might wield that vibrator a bit punitively at times, but really, who doesn't — leaving them little to do besides cut away distractedly to Hyde's harebrained scheme and usher the Greys toward the more ominous prospect of long - term commitment and parenthood.

Although the filmmakers name - check and appear to draw inspiration from Mean Girls, they've missed the mark on truly biting satire, leaving Dear Dictator toothless and silly.

It's hard to leave out material, so there's a tendency for filmmakers to force everything in.

Given In Good Company's small - screen aesthetic, it's ironic that Weitz lets out a sigh of relief that Grace (late of «That»70s Show») didn't need to break any «TV habits,» although he has grown enough as a filmmaker to have developed theories of camera movement, such as that left - to - right pans possess a more «melancholy air.»

Maybe this an answer the filmmakers what to leave in the minds of the viewer, or they've already been planning more.

Politics and consequences, both before and after this mission, are of little interest to the filmmakers beyond wistful musings of Dostum, who makes passing comments about how Afghanistan is the «graveyard of many empires» and how the U.S. forces will be cowards if they leave and enemies if they stay.

Filmmakers love to show bales of money flying out of a plane or being left in the front seat of an unlocked car.

This left Marvel president Kevin Feige in the untenable position of replacing a beloved filmmaker with someone not just competent, but willing to hitch on to a fast - moving train.

I say that because the final act of the film leaves a lot to be desired and with we've seen in the impressive first hour and a half, the ending is a bit disappointing, and you can clearly see that the filmmakers were struggling with the ending.

He feels stuck in a rut and always left in the shadow of his father - in - law (Grodin), another filmmaker who is about to receive a lifetime achievement award.

(Left to right) Actress Kate Capshaw and filmmaker Steven Spielberg attend the Premiere of Walt Disney Pictures and Lucasfilm's «Star Wars: The Force Awakens» on December 14, 2015 in Hollywood, California.

For all of its superb, shock - and - awe - generating visuals — aided by oft - nominated master cinematographer Roger Deakin's (Sicario, Prisoners, Skyfall, The Assassination of Jesse James by the Coward Robert Ford) singular eye for composition — Blade Runner 2049 often feels like Villeneuve, lured by the promise of revisiting a world created by a visionary filmmaker, not only wanted to put his own, auteurist stamp on said world, creating a continuation of a standalone, sequel - adverse film that «fits» on a narrative, thematic, and visual level, but found himself seduced like so many fans over the decades by the pure power of Scott's world - building and simply couldn't leave.

After that, only time will tell, though LaBeouf's character leaves an even wider door open for further options down the road, which the filmmakers acknowledge with a very telling final scene showing that he is primed to wear the fedora, but not just yet.

For the final instalment of the trilogy, filmmaker Todd Phillips takes a sharp left turn, abandoning the formula of the first two movies to send the Wolf Pack on a road thriller that isn't remotely...

The Academy Award - winning filmmaker took over directing «Star Wars» spin - off story after directing duo Phil Lord and Christopher Miller left Disney's project due to «creative differences» with screenwriter Lawrence Kasdan, who penned classic «Star Wars: Episode V - The Empire Strikes Back».

Oscar - nominated filmmaker Mike Figgis (Leaving Las Vegas) continues to explore experimental styles of cinema (see...

To some extent, each of Clark's subsequent features — Another Day in Paradise (1998), Bully (2001), and Ken Park (2002)-- has delved into the secret world of teenagers, leaving writers (Tom Wolfe in I Am Charlotte Simmons) and other filmmakers (Catherine Hardwicke in Thirteen and Lords of Dogtown) huffing and puffing to catch up with hiTo some extent, each of Clark's subsequent features — Another Day in Paradise (1998), Bully (2001), and Ken Park (2002)-- has delved into the secret world of teenagers, leaving writers (Tom Wolfe in I Am Charlotte Simmons) and other filmmakers (Catherine Hardwicke in Thirteen and Lords of Dogtown) huffing and puffing to catch up with hito catch up with him.

Thankfully director Jesse Moss does not tell the audience what to feel, less skilled filmmakers would have left the audience without a choice.

She did that all year round on the court against her contemporaries, leaving you to question whether this exhibition event was worthy of such celebration the filmmakers placed upon it.

Instead of making a creep the hero, the filmmakers have made a film about con artists (all of them creepy) and left you to root for the lesser of all evils.

Yet while the movie is sure to leave most viewers in despair, the filmmakers are smart enough to use their big cast to include gray areas in - between the two factions, making it less preachy and more messily human.

Most of these turn out to be very personal dramas or films about walking and talking, but every once in a while, you get a bat - shit insane film that hits you in the head with a sledgehammer of originality and satire that leaves you dumbfounded and excited to see what's next for the filmmaker.

Their car, however, is dead, and as they try in vain to get help, they come to realize they are not alone on these desolate backroads — a terrifying evil is lurking in the surrounding woods, intent on never letting them leave... The Monster is both written and directed by American filmmaker Bryan Bertino, of the horror films The Strangers and Mockingbird previously.

Not to be left out, Guillermo Del Toro's «The Shape of Water» snagged seven nominations, and Greta Gerwig and Jordan Peele have both earned the rare honor of the nomination trifecta: best director, best original screenplay and breakthrough filmmaker.

The gap left in the broader cultural imagination by this missing footage has, since the time of her death, been one filmmakers have returned to on numerous occasions in an attempt to fill the space she left behind with new visual data, new stories, new ways of comprehending what happened and what its broader cultural meaning could be.

With Mad Max: Fury Road earning plaudits left, right and centre, it's looking increasingly likely that George Miller will get to return to the wasteland for a fifth entry in his post-apocalyptic action saga, and while the director has that Charlize Theron's Furiosa would be absent from any sequel, it now seems the filmmaker may -LSB-...]

Filmmaker Charlie Tyrell seeks to better understand his emotionally distant late - father through the personal belongings he left behind... including a VHS stack of dirty movies.

The film jumped easily and playfully from subject to subject, and Varda became comfortable enough to leave in «useless» — yet interesting — footage that any lesser filmmaker would have cut out.

The European man pretending to be the teen gives an interesting observation that makes sense, but the filmmakers leave enough doubt in your head to keep you scratching it.

Pennebaker, 91, the filmmaker of classics such as «Don't Look Back» and «The War Room,» reminisced about about his 40 year partnership with and marriage to Hegedus, saying «She came to see me for a job and I made sure she never left.»

Whatever side of the coin you fall on in regard to drone strikes, the filmmakers allow you to leave this picture feeling as though your opinion has been validated, and that's no small task.

The filmmaker past work includes a number of interesting and recurring motifs (character types, themes, etc.), so it's encouraging to learn he's taking extra steps to leaves his artistic thumbprint on the screenplay for Interstellar.

When it was confirmed that Will Smith was not set to return for Independence Day: Resurgence, the sequel to 1996's Independence Day, many were left wondering if / how the filmmakers would explain his character's absence in the film.

**** Zachary F November 29, 2012 this movie is sooo funny Jon C November 29, 2012 a fun, crude, and hilarious comedy two girl roomates formulate a plan to make their own sex hotline in order to make ends meet hijinks and raw laughs ensue between two very different people who embrace their sexuality via telephone the performances from both Graynor and Miller are pretty damn fun to watch the dialogue is insanely funny and gratuitous there's a very strange cameo in here too by Nia Vardalos Justin Long adds a nice touch being the supporting gay best friend mentoring these two girls it's just very awkwardly humorous listening to these people talk in this kind of film, there's interestingly no actual sex happening on screen, no boobs, no ass, no exposed body parts the plot mainly focuses on the bonding relationship bewteen the two leads which is a good break from the usual norm we're used to I can't help but feel though that the filmmakers didn't have anything left at the end, some of it felt unfinished and unresolved for all those problems, «For A Good Time, Call..»

Ridiculed and sanctified in equal measure, she's the kind of sop to on - screen diversity that makes you wish the filmmakers had left white enough alone.

Joe Wright took a severe left - turn and made a glorious piece of pop - art with «Hanna» — it might have been as shallow as the day is long, but I'm not sure any other filmmaker seemed to be having quite as much fun.