Sentences with phrase «filmmakers whose»

An annual celebration of experimentation, imagination and inspiration, the award recognises artist filmmakers whose creative practice defies conventional classification or definition.

Each year, LACMA also honors exceptional artists and filmmakers whose achievements have greatly influenced their respective areas.

Silvia Maglioni and Graeme Thomson are filmmakers whose work interrogates potential forms and fictions hidden in the ruins of cinema and moving image.

An annual celebration of experimentation, the award recognises artist filmmakers whose creative practice defies conventional classification.

Red Hook Labs and Nataal present New African Photography III, their third annual exhibition featuring emerging and established photographers and filmmakers whose work engages with contemporary Africa.

As an entertainment journalist, I like to do as many interviews as possible even with actors or filmmakers whose work I have seen but careers I don't know much about.

Writer - Directors Andy and Lana Wachowski are visionary filmmakers whose ambition and flair have lately outweighed their innovative storytelling skills.

But we've screened some important American filmmakers whose subsequent films have gone on to longer theatrical runs in Toronto, whether it's films like Krisha and Queen of Earth, or Eliza Hittman's first feature It Felt Like Love, which we co-presented with cléo.

Chairs were left poignantly vacant for two absent filmmakers whose films are in competition for the Palme d'Or at Cannes.

Upcoming film series will highlight Figueroa's work with Spanish surrealist Luis Buñuel, the Hollywood films that the cinematographer shot over his 50 - year career for directors such as John Huston and John Ford, the films of the early 1930s that spurred Figueroa, and contemporary Mexican filmmakers whose work invokes Figueroa's legacy.

Film Independent is a non-profit arts organization that produces the annual Spirit Awards and the LA Film Festival; the Spirit Awards pulls double duty as the primary fundraiser for the non-profit's year - round programs while also honoring artist - driven films made with «an economy of means» by filmmakers whose work embodies diversity, innovation and a unique perspective.

Away from the action of the festival, our Documentary Film Program (Bruni Burres and Rahdi Taylor), in collaboration with EICTV and The Guardian, led a Story Edit Workshop to support five filmmakers whose short docs offered a personal lens into the transitions taking place in Cuba today.

The performances are deft, the pacing is fleet, and the viewer is left with the agreeable impression that «Band of Robbers» is a promising work by filmmakers whose next one probably will be even better.

But it's a sweet and disquieting excursion made by filmmakers whose eyes and ears and imaginations are in marvelous sync.

AWFJ is partnering with IDFA (International Dcoumentary Film Festival Amstersam) for the third consecutive year to honor female filmmakers whose documentaries are on the festival schedule.

Wolf Creek (2005) There have long been filmmakers whose ultimate goal is entertainment; the idea being that art is meant to affect, not entertain.

At the same time, those who claim to really «get» Anderson, making him one of those filmmakers whose high IMDb vote count is disproportionate to modest attendance levels, may be overly forgiving.

«The Big Lebowski: Limited Edition» (Universal) is the definitive edition of the most beloved film from a team of filmmakers whose career is built on cult classics big and small.

Moreover, first - time writer - director Sam de Jong aligns himself with Brian De Palma as one of few contemporary filmmakers whose work plays as if in direct dialogue with another film.

The film is directed by Steve James, one of many filmmakers whose career was impacted by the late film critic.

Yesterday, on my third day in Park City, I played it safe and banked on new efforts from filmmakers whose previous work I had admired.

John Sloss has represented filmmakers whose pictures have successfully mined this path such as Richard Linklater's «Boyhood» and «Before Midnight,» Ethan Hawke's «Seymour: An Introduction,» Steve James's «Hoop Dreams» and «Life Itself,» Todd Haynes's «Far From Heaven» and «I'm Not There,» Jonathan Dayton and Valerie Faris's «Little Miss Sunshine» and Kimberly Peirce's «Boys Don't Cry.»

Their curious non-competitive status notwithstanding, these narrative and documentary premieres read like a wanna - see list for major indie names, either behind the camera or in front of it: movies you'd see whether it was the world premiere or not, with auteurs / filmmakers whose surnames stand on their own, like Solondz, Lonergan, Reichardt, Lee, Herzog, and much more.

Filmmakers whose short films charm us to a degree of wanting to promote them stay with C&B forever — we'd like to support them, follow their work, the idea is that our doors are always open to them.

There have long been filmmakers whose ultimate goal is not entertainment; the idea being that art is meant to affect, not entertain.

Tracy Droz Tragos and Andrew Droz Palermo are American filmmakers whose first collaborative feature, Rich Hill, won the Grand Jury Prize at Sundance in 2014.

There are filmmakers whose work is characterized by thrift, efficiency and devotion to the subtleties of cinematic expression.

In 1996, the Sundance Institute / NHK Award was established by Sundance Institute in partnership with NHK (Japan Broadcasting Corporation) to celebrate 100 years of cinema and to honor and support emerging independent filmmakers whose originality, talent, and vision contributes significantly to the future of world cinema.

These include directors, writers, actors and filmmakers whose work was showcased throughout the evening.

Claire Denis is a renowned filmmakers whose work includes Bastards (2013), The Intruder (2004), Beau Travail (1999), and Chocolat (1988).

In a special conversation with The Mary Sue, he broke down what it means to shoot on film versus digital and also highlighted a number of women and POC filmmakers whose work excited him.

Amid all the controversy surrounding this year's Fantastic Fest, there's one group that should not get lost in the shuffle: The female filmmakers whose works screened at the festival.

Ever since he first burst upon the scene in 1988 with his hypnotic debut feature «Tales from the Gimli Hospital,» Guy Maddin has been one of those filmmakers whose new work I most eagerly look forward to seeing.

Prey at Night is directed by Johannes Roberts, a horror filmmaker whose work includes the shark drama 47 Meters Down and its upcoming sequel, called (I kid you not) 48 Meters Down, which I guess is marginally better than Great Whites: Prey at Night.

Though Spielberg could do with a sequel, for now it's a useful retrospective of a filmmaker whose influence on cinema can not be overstated.

If «Ice» never really solidifies, it's nonetheless the work of a filmmaker whose seriousness is worth watching out for.

ADDENDUM: Another way of looking at it: Is there a filmmaker whose style is so recognizable that it could be parodied — and mainstream moviegoers, from their 20s to their 40s, would know what was being parodied, as was the case with Bergman, who was lampooned by the likes of «SCTV,» Woody Allen, and «Bill and Ted's Bogus Journey»?

Paul Schrader is an American filmmaker whose work as a screenwriter and director hold a significant place in the history of American cinema, including Taxi Driver, Raging Bull, American Gigolo, Mishima: A Life in Four...

Instead of coming from a filmmaker whose last movie had won Picture and Director Oscars, this version hailed from Bille August, a Danish cinematographer turned director with few English language credits (among them, The House of the Spirits and Smilla's Sense of Snow), who would subsequently return to working in his native Scandinavia.

Coming from a filmmaker whose last feature seemed the epitome of a calling card, it's also proof that going small can be a big move forward.

It risks a late detour into magic realism and comes out the other end as an even stronger and more idiosyncratic piece of work — and, thanks to Mortensen's presence, a possible international breakthrough for a filmmaker whose cult could stand to grow a little going forward.

Shonzi is an aspiring filmmaker whose production company is called «Rainbow Time.»

Stephen Cone is a Chicago - based filmmaker whose latest, Princess Cyd, opens in theaters November 2017.

Nanette Burstein is an acclaimed filmmaker whose work has won her several awards, including an Academy Award nomination for her documentary «On The Ropes,» two Emmy awards for «NY77,» and a Sundance Best Director award for «American Teen.»

The film comes, in part, from the desk of Luc Besson, the French filmmaker whose crime - and - action preoccupation led to an initial burst of cinematic promise with films like La Femme Nikita and Leon: The Professional.

Life and art intertwine in the mind of a French filmmaker whose wife disappeared 21 years earlier.

Franco is a filmmaker whose ideas are nearly always more interesting than their execution, so fans of «The Room» had reason to be concerned when he announced his intention to do «The Disaster Artist.»

Laurens Grant is a three - time Emmy and Peabody award - winning filmmaker whose has premiered three films at the Sundance Film Festival.

EXCLUSIVE: Bart Layton, the award - winning filmmaker whose latest movie American Animals wowed at Sundance Film Festival and SXSW earlier this year, has signed with CAA.

Venice Film Festival Coming as it does from a filmmaker whose previous work has bent over backwards to reclothe and perfume the unglamorous body of the prestige biopic, the opening beats of Julian Schnabel's latest, «Miral,» couldn't be more prosaic.