Sentences with phrase «filmmaking do»

Studies indicate that students involved with art forms such as filmmaking do better in academics and life in general, and this experience seems to be crucial to a student's overall success.
As usual, Soderbergh bucks the trend of modern franchise building special - effects pieces, and goes right to the point of letting the acting, character - building rhythms, and snazzy filmmaking do the heavy lifting.
If he can, this could be the kind of smart, adult genre filmmaking we don't see enough.
However, classic tragedy and 21st century tentpole filmmaking don't mix well, so I can see why that's not an obvious read.
Franco has made a fun look at filmmaking done wrong.
However, meaningful filmmaking does not merely remind the viewer of truisms or elementary biological facts.
If only Entebbe's screenplay had as much life as its filmmaking did.
The film does drag ever so occasionally — some of the deep and meaningfuls have less impact than others — but for the most part the cinéma vérité style filmmaking doesn't work against the enjoyment factor.
Admittedly, this kind of high - gloss, eye - candy filmmaking does look awfully good, and a few of the action pieces are very impressively created.
As much as we love Christopher Nolan (and our controversial review for «Interstellar» to the contrary, we mostly do — here's our retrospective), his enormous, ambitious approach to blockbuster filmmaking does mean that at times it feels like he can't quite capitalize on the unpredictable human element within all his whiz - bang spectacle and Lofty Themes.
Like Shane Carruth's dazzling Primer from 2004, Sound of My Voice is a too - rare example of intelligent, ambitious genre filmmaking done with the extremely minimal resources usually reserved for Jean Eustache - lite explorations of a filmmaker's own navel.
Drive is perfect evidence that while there may be no new original concepts in Hollywood, excellent filmmaking doesn't have to suffer.
Yet the filmmaking doesn't go much beyond its admittedly arresting surface.

Not exact matches

Unlike many in the business of live - action filmmaking, Armes does not fear for the B.C. industry's future amid competition from Ontario and Quebec with ever more generous tax credits.
«With virtual reality filmmaking, most of the tools either don't exist yet or aren't suited for what we want to do.
It's crazy to even call documentary filmmaking a «business,» because I don't know anybody who's making money off of documentary filmmaking.
VR hasn't yet hit the mainstream, but these Montreal producers are pioneering new kinds of filmmaking to be ready when it does
You might not have seen anything he's ever created but you're watching something he's created now and you're seeing his sense of timing, framing, lighting, cinematography, the sentiment, concepts and whether you understand filmmaking or not you can buy into what it is he's doing.
Neveldine «Taylor don't yet work in 3 - D, but they've mastered the previous standards of digital - era filmmaking as part of their constant critique of media overload and cultural excess and moral anarchy.
Narrator and actor Sergio Castellitto («Don't Move,» 2004; «The Chronicles of Narnia: Prince Caspian,» 2008; «Twice Born,» 2012), is a symbol of Italy's tradition of fine filmmaking, expertly revealing the secret of the young Luigi Lavazza and telling the story of an Italian who is full of curiosity and courage.
Warren has undoubtedly taken inspiration from gangster filmmaking legend Guy Ritchie, even if he doesn't like to admit it.
«I had fun doing science,» he says, «but I decided I enjoyed filmmaking even more.»
The pressure I do feel is that filmmaking is not sculpting; it requires millions of other people's dollars.
Her take on the matter is a rallying call for all artists in all fields, including filmmaking: True artists, she says, just want the opportunity to do their best work.
It's still good, don't get me wrong, and the vast majority of viewers, particularly avid horror nuts and Whedon fans will get a lot out of it, but Joss «The Boss» did stumble at the last hurdle trying to prove himself talented at all styles of filmmaking (like he needed to!)
Today's studios are less like factories than finance companies, doling out money to artists and technicians who do the hands - on work of filmmaking.
I do prefer the first two acts and think those represent the strongest filmmaking on display.
Does the filmmaking equipment in the attic still work?
If only I could get to see majority of Snatched without getting cringed, then maybe I could have given this one a chance, but this had to be done for the greater good in filmmaking.
It's as though the Coen's became so absorbed by the filmmaking process they forgot what they were doing it for.
In any shot that isn't a close - up, the transfer doesn't quite scream HD, although the aesthetic of the film as a whole, a definite throwback to the 70s style of indie filmmaking, doesn't necessarily lend itself as fair competition to a more polished 21st century production.
Chuckle along at the ultra-early filmmaking genius of Ron Howard's The Deed of Daring Do (3:01), Cards, Cads, Guns, Gore and Death... (2:11), and Old Paint (7:52).
This is bad filmmaking and not worth the viewing, any moment one of the actors is doing something, every crowd member watches in anticipation e.g. the first kiss.
As examples of fantasy filmmaking, as opposed to relics of worship, the «Harry Potter» movies do not, except in snatches, have the lyrical wonderfulness and visionary power that I associate with the finest examples of childhood imaginings on film — the animated films of Hayao Miyazaki («Spirited Away»), for example, or «The Black Stallion» or «The Red Balloon» or Alfonso Cuarón's «A Little Princess.»
While it doesn't exactly re-invent the wheel in regards to filmmaking, it holds enough excitement and emotional nostalgia to keep the viewer engaged.
But he can't resist, so near the end there are a few missteps as things do become more simplistic and sentimental as Spielberg weakens and brings into play some of his usual filmmaking faults.
Why do we need filmmaking equipment?
This is a nice look at a side of the filmmaking process that usually doesn't get much attention.
In the end, Imperial Dreams doesn't break any new ground when it comes to filmmaking, but the story it's telling is just as powerful as any big budget film being released nowadays, if not more.
Taking a break from his either commercially successful or critically acclaimed filmmaking, soderbergh does something only a filmmaker as successful, versatile, and talented is allowed to do: make something totally self - indulgent.
It's a real shame because the first half is so promising and Jeff Bridges is so good as his character that when the film starts heading downhill with a surplus of tired clichés, cheap dialogue and subpar filmmaking, we're left hoping that it will eventually get better, but it never does.
In terms of filmmaking prowess, «remarkable» may not do Laszlo Nemes» holocaust drama «Son of Saul» justice.
Foley also doesn't allow much room for the audience to get inside of the characters» heads, to feel what they feel — the most intimate filmmaking a director could accomplish.
The lead role is played with impressive emotional and physical openness by cisgender actor Victor Polster, an issue acknowledged by critics, but one that for most did not diminish the power of the filmmaking.
a filmmaking exercise from someone eager to stretch his legs, do something goofy, and experiment, all of which Soderbergh does without losing his audience
Bringing a story to a halt so a character can rant for a few minutes — even when done eloquently — just isn't good filmmaking.
Although filmmaking focused, De Palma doesn't mince words when it comes to throwing a little shade towards Cliff Robertson and Sean Penn..
When it comes to writing the poetry that Kalindra recites, Murray knows how to do more with less; he needs to apply that lesson to his filmmaking, too.
The plot, as you know, calls for the widow to (I don't believe this is a spoiler, unless you are absolutely oblivious to the rules of Hollywood filmmaking) hook up with the hooded hero; chastise me later for succumbing to alliteration.
The dialogue is hilarious and shallow, and the graphic violence is dispensed casually, as if it doesn't matter, which is seldom the hallmark of serious filmmaking.
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