Sentences with phrase «filmmaking made»

This collaboration's extensive representation of artistic activity including painting, photography, sculpture, ceramics, drawing, installation, video, cartooning, and filmmaking made by today's most significant and innovative artists showcases Chicago, LA, Mexico City, and Vancouver as vibrant and diverse centers for art.

This is intelligent filmmaking made for the masses, it really is impressive.

It's been somewhat fictionalised, but the central facts are accurate, and while the production is perhaps a bit too polished for its own good, the solid acting and filmmaking make the story involving and provocative.

Stylish filmmaking makes this dark thriller worth a look, even if the tricky premise feels rather stale.

A sharp cast, a gorgeous setting and lively filmmaking make up...

And the raw performances and sure - handed filmmaking make it even more powerful.After...

It lacks the subversive politics of Brian DePalma's film (which corrupts the source TV franchise as much as it reboots the thing), but Bird's deft action filmmaking make it among the more visually appetizing American blockbusters released in years.

It's a difficult subject matter, but the filmmaking makes this one vital for anybody who values film.

Old - style filmmaking makes this movie scarier than other recent horror films, simply because director Wan...

Old - style filmmaking makes this movie scarier than other recent horror films, simply because director Wan (Saw / Insidious) takes the time to actually develop suspense.

«His gift for crafting performance - driven stories and his passionate and disciplined approach to filmmaking makes him an ideal choice for this chilling tale.»

His fascination with the unpredictable and his unvarnished style of filmmaking make his films stand apart from much of what we see these days and Sightseers is definitely no exception.

My love of confidence games, card - sharps and great filmmaking makes this the most obvious choice on the list.

Fresh filmmaking makes this really stand out.

But for a director who's often celebrated for his visionary storytelling, his obsession with the long - established style of filmmaking makes him come across as a traditionalist.

Not exact matches

Kevin Smith jumps headfirst into B - movie filmmaking with his latest that stars his daughter, Harley Quinn Smith, and Johnny Depp's daughter, Lily - Rose Depp, as two Canadians who find themselves fighting miniature Nazis made out of bratwursts.

Kodak is framing the announcement as a «Super 8 Filmmaking Revival Initiative,» which it intends to leverage the previously mentioned roadmap and support from Hollywood's biggest directors such as J.J. Abrams, Steven Spielberg, and Quentin Tarantino to make film a mainstream item once again.

It's crazy to even call documentary filmmaking a «business,» because I don't know anybody who's making money off of documentary filmmaking.

Sure, Spielberg and Hanks reuniting for a based - on - reality drama isn't really anything new, but what the movie lacks in innovation, it makes up for in filmmaking mastery.

Filmmaking skill and solid actors can make these movies fun, but the truth and virtues buried in them is what makes these movies important — much like the original Star Wars movies were for the previous generation.

In 2012, he authored Filmmaking For Change: Make Films That Transform the World.

Alpert, who teaches filmmaking to 13,000 low - income kids a year with wife Keiko Tsuno, helped two of his students make «Bullets in the Hood,» which won the Grand Jury Prize at Sundance.

The fellowship was «absolutely critical» in making the transition to filmmaking, says Rubin, because it gave him credibility.

* documentary filmmaker - I make films about social issues * teacher - I teach socially conscious filmmaking to children...

CONGRATULATIONS to every blogger that has made this Top Filmmaking Blogs list!

About Blog A filmmaking blog for the indie storytellers and filmmakers to nurture their craft and creativity with tips, making - ofs, interviews, tutorials and more.

Although it made only a modest commercial impact, Days of Heaven was an immediate critical success and garnered lavish praise and admiration from the filmmaking community.

In The Hudsucker Proxy, the filmmaking Coen brothers make dark, startling, wittily extravagant sport of the American Dream.

This was accomplished by feats of corporate negotiation that likely rivaled the movie's technical work — though, as with the artists and technicians handling the filmmaking, Steven Spielberg, the architect of these unlikely accords, makes it sound perfectly easy.

It also makes Heineman seem like the filmmaking equivalent of an extreme - sports junkie, forever chasing that adrenaline high.

It's not hard to remember that he once made thrillers like Three Days of the Condor (1974), but lately his brand of filmmaking has been closer to lightweights like Presumed Innocent (which he produced) and The Firm.

SPECIAL FEATURES The commentary track, which features director John Milius and Schwarzenegger, is a hoot: They spend most of it alternating between a sort of masturbatory reverie -LRB-» That's a great shot»), play - by - play commentary -LRB-» Here's the scene with the giant snake»), and filmmaking insight (in casting Conan's adversaries, Milius made sure that they were all bigger than Arnold, so that viewers wouldn't see his victory as a foregone conclusion).

As a piece of technical filmmaking, Spielberg has chosen to make Lincoln a straightforward, earnest affair, with minimal nods toward complex aesthetics coming mostly from his trusty cinematographer Janusz Kaminski.

After making this meditative masterpiece, Malick abandoned filmmaking for thirty years, only to return with greater ambition, and similarly spellbinding cinema.

Critics Consensus: Smart, solidly crafted, and palpably tense, 10 Cloverfield Lane makes the most of its confined setting and outstanding cast — and suggests a new frontier for franchise filmmaking.

With this true crime drama set in late 1940s Los Angeles, director Ruben Fleischer looks to make the jump from modestly budgeted action - comedy (Zombieland 73, 30 Minutes or Less 49) to serious dramatic filmmaking.

Taking a break from his either commercially successful or critically acclaimed filmmaking, soderbergh does something only a filmmaker as successful, versatile, and talented is allowed to do: make something totally self - indulgent.

But it proves that Beauvois still masters his uniquely classical brand of filmmaking, coaxing strong performances out of veteran Nathalie Baye and newbie Iris Bry, who makes an impressive screen debut.

Franco has made a fun look at filmmaking done wrong.

Though sporadically inspired, especially when trying to call back to the magic of filmmaking in «The Room,» Franco's film suggests that it's easier to laugh at a clown than to attempt to understand why they're in the make - up.

In his seminal 1972 book Transcendental Style in Film: Ozu, Bresson, Dreyer (written at age 24, two years before he turned from film criticism to filmmaking), Schrader noted that, «The many statements [Robert] Bresson has made in interviews and discussions, properly arranged, would constitute an accurate analysis of his films (a statement which can be made of no other filmmaker to my knowledge)....»

Writer - director Ari Aster's first feature culls from a tradition of slick, elegant genre filmmaking, making up what it lacks in originality with an impressive volume of atmospheric dread.

Despite a few cliches and a slightly predictable climax, this is an atmospheric, well - made feature debut for the new filmmaking partnership of Kevorkian and Murphy.

Features enough in the way of charismatic performances and larger than life action filmmaking to make for an entertaining watch of the popcorn munching variety.

With stunning performances from its cast, the film occur during the First World War, and it shows us the chaos, and considering the fact that this was made in 1930, it's an impressive feat in filmmaking, as what we have here is a picture that captures the fear and agony of combat, and it's a well made movie for its time, and it still looks great after all these years.

Although trimming a source material's story for time constraints is an understandable and widely accepted practice in filmmaking, cutting the already trim depths of emotional arcs of Ana and Christian that were presented in the final novel for its movie made the overall adaptation untitallating and unfulfilling.

James Franco turns the production of one of the worst movies ever made into a filmmaking triumph.

That's not to knock the franchise; what the Fifty Shades movies lack in the mood and atmosphere that stir lustful feelings, they more than make up for with cheese and seemingly intentional shoddy filmmaking and writing that elicits hysterical laughs.

Roth also makes some baffling filmmaking choices (see: a montage where Paul learns to shoot a gun set to «Back in Black») that clash with the harsher realities Paul is dealing with.

I'll admit that it's pretty well - made on a technical scale; the filmmaking is certainly competent and there were few noticeable stylistic errors to be found (in fact, the most stylistic moments actually work pretty well).