Sentences with phrase «filmmaking when»

The source said that while Lord and Miller were supposedly hired for their vision and distinctive brand of filmmaking when it came to the «Star Wars» production, Kennedy did not approve of their shooting style and process of interacting with actors and crew.

«But it's a zeitgeist film it captured a moment in New York independent filmmaking when anything was possible.

It is a sign of intelligent filmmaking when those crafting the movie realize that less is more.

Some just took the opportunity to learn about filmmaking when it came along, found they liked it enormously, and decided to stick with it.

Not exact matches

VR hasn't yet hit the mainstream, but these Montreal producers are pioneering new kinds of filmmaking to be ready when it does

October 4: Learn about early filmmaking tech when Thomas Edison National Historic Park in West Orange, N.J., screens the 1910 film Frankenstein.

Despite the rush to virtual reality, the medium faces major challenges when it comes to filmmaking

Larry began filming for the Wings Documentary six years ago when he was studying Filmmaking at the Maryland Institute College of Art.

One of the things that MM and I talk about frequently is that the barrier to entry is much lower now when it comes to filmmaking.

Especially when you compare it to other Christian movies of late — movies that include bad acting, storylines, and filmmaking.

When blended together however, these vastly different filmmaking ideas are a little disorientating, and you may find yourself emotionally detached from the film as a consequence.

The glossy filmmaking style might look good but it means zero when you can't even muster a legitimate laugh with content.

In the end, Imperial Dreams doesn't break any new ground when it comes to filmmaking, but the story it's telling is just as powerful as any big budget film being released nowadays, if not more.

It's a real shame because the first half is so promising and Jeff Bridges is so good as his character that when the film starts heading downhill with a surplus of tired clichés, cheap dialogue and subpar filmmaking, we're left hoping that it will eventually get better, but it never does.

Though sporadically inspired, especially when trying to call back to the magic of filmmaking in «The Room,» Franco's film suggests that it's easier to laugh at a clown than to attempt to understand why they're in the make - up.

Instead, the movie plays safe by cutting every theme down the middle - a swing that's effective when splitting wood or vampire skulls, but dull when applied to filmmaking.

The result is a seamless, collaborative weave of documentary and narrative filmmaking in which every scene, even when heightened for dramatic effect, has a bone - deep authenticity.

Bringing a story to a halt so a character can rant for a few minutes — even when done eloquently — just isn't good filmmaking.

It's as a documentary that Downtown 81 is most successful, particularly at those moments when the somewhat unfocused filmmaking allows us to look past the foreground characters and catch glimpses of a vanished cityscape.

Although filmmaking focused, De Palma doesn't mince words when it comes to throwing a little shade towards Cliff Robertson and Sean Penn..

When it comes to writing the poetry that Kalindra recites, Murray knows how to do more with less; he needs to apply that lesson to his filmmaking, too.

But who really cares about filmmaking fundamentals when the force of aggression registers off the charts, working countless fights and agreeable acts of heroism into a superbly entertaining blast of brutality.

For those who have enjoyed his work in the past and those who like to be a little adventurous when it comes to their moviegoing, this is the kind of audacious filmmaking that deserves to be recognized and which will no doubt inspire any number of impassioned discussions among its viewers while having dinner afterwards.

While several of the Angulo brothers have camera credits on The Wolfpack, this collaboration doesn't for the most part inform the filmmaking in any noticeable way, and only in these final moments, when under the credits we see a short film that Mukunda, now an aspiring filmmaker, shot with the help of his family, can they be seen to assert a style of their own onto the film.

«Joe and I always talk about it, there's this filmmaking adage that goes, «You make a movie three times over: when you write it, when you shoot it, and when you edit it,»» Anthony Russo added.

When the long end credit sequence features family snaps of the real men who died, soundtracked to Peter Gabriel's version of «Heroes», it's clear that at some point Berg switched from filmmaking to hagiography, and that he's much better at making movies than he is at making saints.

Demonstrates that when independent filmmaking meets the generation that is constantly filming, both good and bad things can come from it.

Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»

Ousmane Sembene was a Senegalese dockworker in Marseilles when the idea of filmmaking came to him.

Since at least 1912, when nickelodeon patrons got a glimpse at the filmmaking process in the one - reeler A Vitagraph Romance, Hollywood has reveled in stories about itself, which range from the sweetly nostalgic (Singin» in the Rain) to the bitterly satiric (The Player).

It is worth noting that when Lee Frost, Race With the Devil's original director, was fired early in the production he was replaced by Jack Starrett, a former AIP actor turned director who, with little artistic pretence, was able to sustain a successful career in exploitation filmmaking throughout the 1970s.

Adam talks to us about Jeunet's work and when he first became enamoured by his filmmaking.

It is the nature of the beast that any filmmaking team doing this sort of movie (particularly in modern times unless you are Guy Maddin) has to be fully committed to such a thing to make it work, green screens and CGI would likely undermine things, but when done right, few genres have such built in potential for white knuckle tension.

There were a lot of movies I loved this year, but what I prized most when I was making my list was extraordinary cinematic experiences — artful filmmaking that was enhanced by big - screen viewing; stories and characters that lingered with me.

This was near the start of his post-May 1968 rejection of the filmmaking establishment; a period in which his determination to respond to the increasing radicalisation of the world with increasingly radical cinematic experiments also coincided with his relationship with the late Anne Wiazemsky (played by Stacy Martin), his wife and muse whom he first cast in 1967's La Chinoise, when she was 17 and he was pushing 40.

I can only assume that Steven Spielberg hoped the inherent silliness of Transformers lore and Michael Bay's notorious propensity toward bad filmmaking would cancel each other out when he enlisted Bay.

As well as being visually rich in colour detail, it is a genuinely moving film and an important example of covert subversive filmmaking since it contains a very strong anti-racist message at a time when racial segregation was still very much alive in the USA.

NEW YORK — When the filmmaking Duplass brothers sat down to list their top 10 movies of all time, one cinematic masterpiece didn't make the cut.

When I reflect on 2017 as it relates to the films we released, the idea of Beauty (and the Beast), strength («Stronger») and «Wonder» surface not only as film titles, or films I'm especially proud of but as ideals to remind myself of as I continue filmmaking.

I'm not sure how the theatrical version would sit with me today — it's hard to believe I'd think much less of it, given that amazing sequence (both filmmaking and acting) when Cruise heads into the city to find De Mornay — but the director's cut is sublime.

But, in an age when CGI and digital technology are taking over the realm of animated filmmaking, I'm willing to give Burton a pass for that needless 21st - century enhancement to his otherwise moving and funny film, and his terrifically old - school approach to animation.

Good filmmaking can happen anywhere and anytime, even during the new - release graveyard of January, when devoted movie buffs are supposed to be catching up with all the award contenders they missed over the holidays.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

And Thraves keeps us engaged with the central relationship even when his filmmaking gets a bit pushy.Tom (Fisher) leaves his wife...

When it comes to blockbuster filmmaking, it's been all but exclusively an...

However, when you look at «Me and Earl» as a movie and not a demonstration of low budget, arthouse filmmaking, it comes off as an all - too cliche and cookie - cutter summer dramedy.

When the action gets underway, Michael Bay unleashes that flashy id of his, and all of his flaws as a titan of blockbuster filmmaking come to the fore.

Though best known for her arch dialogue, Cody has a knack for location, setting stories in sharply sketched places and clearly defined moments in characters» lives — qualities that sometimes make Ricki And The Flash feel like a throwback to the minor - key American filmmaking of the 1970s, when Demme first arrived on the scene.

Gordon's first foray into filmmaking came when he co-wrote and co-produced the independent feature Static, which earned him the Best Actor award at the Madrid Film Festival.

I long for the days when dancing like this is again valued in Hollywood filmmaking, when the Rob Marshalls of the world are no longer allowed to pass off quick cuts of incompetent body parts as musical numbers.