Sentences with phrase «filmmaking with»

Somehow Laudan continues filmmaking with his company Cinéman Films while also navigating a successful career as a full time salesperson with Bosley Real Estate, a family run brokerage headquartered in Toronto.

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Wolbers creates each set by hand, culminating in an artistic practice that combines the modernity of filmmaking with the ageless tradition of handicrafts.

Ballroom Marfa continued its support of the art of independent filmmaking with three special screenings in December.

At Syracuse, where we had a cross-disciplinary program, Transmedia Studies, I studied with filmmaker Mišo Suchý, who taught me cinéma vérité and experimental documentary filmmaking with a particular emphasis on the Maysles brothers, who believed in empathically observing people.

Ballroom Marfa continues its support of the art of independent filmmaking with three special screenings in December.

About Blog Teaching you how to hack your indie filmmaking with stuff they don't teach you in film school.

Get Into Filmmaking: Six Sessions from Story to Screen provides guidance and activities to start filmmaking with your club members.

Writer / Director / Producer Charles Burnett shares his career development process in narrative and documentary filmmaking with Killer of Sheep (1978), his seminal film, which was definitive in highlighting African American cultural experience.

Zama The Argentine writer - director Lucrecia Martel makes a welcome return to feature filmmaking with this feverishly brilliant tale of European colonialism and its discontents, starring a superb Daniel Giménez Cacho as a Spanish magistrate in late 18th century Paraguay.

, and Wim Wender's foray into 3D filmmaking with the dance doc Pina.

The Levelling signals Hope Dickson Leach «s first foray into feature filmmaking with a hugely original piece which she both scripts and directs.

Daniel Espinosa's Safe House is a lesson in «Filmmaking with Parkinson's.»

Based on the 2009 raid of the container ship Maersk Alabama by Somali pirates, it's a triumph of studio filmmaking with a deceptive simplicity that unfolds to reveal surprising complexity, and its palpable tension caused my fingernails to mysteriously grow shorter during its runtime.

The director recently made his return to English - language filmmaking with the rather disappointing «The Young & Prodigious Spivet,» but he's never returned to the studio world (though flirted with «Life Of Pi» at one point).

Mumblecore director Andrew Bujalski steps up to more polished filmmaking with his latest effort, and the first trailer has just arrived.

«Beasts of No Nation» (October 16): Director Cary Fukuanga («True Detective,» the good season) returns to filmmaking with a project that will play both the silver screen and your mobile device with its historic Netflix distribution deal.

Known for his acting chops in Art School Confidential, The Social Network and more recently, a stint on «The Handmaid's Tale,» Max Minghella got into the vocation of filmmaking with Teen Spirit — a feature film debut he also wrote and which becomes one of several 2018 projects for American independent swiss army knife actress Elle Fanning.

The rest of the film, co-starring Charles «Buddy» Rogers and Richard Arlen (both virtual unknowns at the time) as buddies and fellow pilots, is sturdy studio filmmaking with romance, bonding under fire and rousing «war is hell» action.

Always looking forward, Godard remains remarkably capable of seeing the world and thinking about filmmaking with clear eyes and fresh ideas.

Twentieth Century Fox is celebrating its 75 years of award - winning filmmaking with the release of over 300 films on Blu - Ray and DVD that will showcase the greatest movies featuring the stars and directors of the past and present.

Overall, Wanderlust is crude filmmaking with a few cast members that gave it a shot.

I actually started in filmmaking with a narrative short and thought that I'd make narrative features, but the documentary format is a really good fit, obviously, with my training.

Getting to tell the story of Ginsberg is a plum one for Leder, who could be back in major filmmaking with this.

The American director discusses his long - awaited return to feature filmmaking with Logan Lucky.

SIFF competitions are intended to reflect the diversity and excellence of global filmmaking with awards and / or cash prizes given to the winners as determined by independent juries as well as by audience voting.

It combines fantastic filmmaking with the use of horror elements that weave together almost seamlessly.

After a a long hiatus over a decade, Stillman returned to filmmaking with the dark 2011 college comedy «Damsels in Distress,» and later made a pilot for Amazon TV called «The Cosmopolitans.»

From story to costumes, props, sets and locations, Plett discusses every aspect of filmmaking with an eye for fully realized sci - fi that keeps under budget.

A solid piece of filmmaking with three fantastic actresses, Reaching for the Moon is a quiet achiever.

This is boring filmmaking with no spark in the least.

Yet the style, unique framing device and top - shelf execution are what ultimately help sell this mash - up of classic genre filmmaking with new - school tropes.

This is a classic example of genre filmmaking with a political punch, albeit in broad, sloganeering terms.

This time around on the podcast we take a child like journey with low cut dresses and gorilla style bouncers when toon and man collided in filmmaking with Who Framed Roger Rabbit with my guest Josh Spiegel, of Mousterpiece Cinema.

After a few badly received sci - fi blockbusters, M. Night Shyamalan returned to his earthier style of filmmaking with 2015's The Visit and now this edgy psychological horror romp.

She turned to filmmaking with the 2007 Alice Munro adaptation «Away From Her» and then made the semi-autobiographical «Take This Waltz» with Michelle Williams.

Director / co-writer Kelly Reichardt, who established her style of naturalistic, deviously aimless filmmaking with the acclaimed «Old Joy» a couple of years back, gives us a portrait of a gal whose wayward existence — washing up in gas - station bathrooms, picking up cans on the sidewalk, sleeping in her car — makes her every bit as lost in America as her dog.

This version of «Murder on the Orient Express» does not disappoint, thanks to an all - star cast, excellent direction from Kenneth Branagh, and truly spectacular filmmaking with a variety of unusual camera angles.

Although not critically well received, Antonioni's cult classic remains a milestone of psychedelic filmmaking with its beautiful desert landscapes, hypnotic fantasy sequences, and a tailor made soundtrack from artists such as The Grateful Dead and Pink Floyd.

Like his 2009 debut, «Samson & Delilah,» the new film, which won a special jury prize in Venice, finds Thornton expressing a palpable anger at the brutal mistreatment of his country's Aboriginal people, in a style that melds classical western filmmaking with studied art - film longueurs.

It's bare bones filmmaking with little on screen to get excited about if you don't find the subject matter interesting.

After rattling through some news, he begrudgingly looks ahead to the new Hercules movie then tears apart pretentious independent filmmaking with his take on American Blogger.

To many, Terrence Malick, perhaps the most revered of modern American auteurs, has ascended to his own idiosyncratic, esoteric doss, entering his most prolific decade in his forty years of filmmaking with confounding illustrations of pronounced existential ennui.

It was not enough for him to shadow motel managers, he wanted «to participate in [their] world,» and working with Baker — who fuses his filmmaking with authentic real - life locations, characters, and moments — allowed Dafoe to do that in a way he never had before in his career.

Norwegian filmmaker Joachim Trier moves into English - language filmmaking with this drama about a war photographer

He returned to studio filmmaking with The Color of Money (1986), a remake of The Hustler (Robert Rossen, 1961) that is probably Scorsese's worst film.

The film brings Trevorrow back to smaller - scale drama before he returns to blockbuster filmmaking with Star Wars: Episode IX.

He drafted all three classes to become his crew, cast and collaborators: forty - five students rotating through the various production roles (camera operator, sound recorder, editor, electrician, script supervisor, etc...) to learn hands - on filmmaking with Ray as mentor, ringmaster and director.

The director, who last tried his hand at genre filmmaking with the low - key quasi-whodunit Cold Weather, goes all out with the stylized, Los Angeles - set thriller Gemini, his biggest project to date — something about a young movie star (Zoë Kravitz), her protective personal assistant (Lola Kirke), and a homicide detective (John Cho).

After the box office failures of New York, New York, Raging Bull and The King of Comedy, Scorsese returned to independent filmmaking with After Hours (1985), an interesting if minor work.