Best
films about mortality, memory, human connection: «Personal Shopper» (Olivier Assayas), «Marjorie Prime,» elevated by the magnificent Lois Smith (Michael Almereyda), and most especially, «A Ghost Story» (David Lowery) 3.
Not exact matches
For lead actor, dark horse «Biutiful» star Javier Bardem — who portrays a hustler confronting questions
about his
mortality and morality in the Barcelona - set
film — edged strong contenders including «Blue Valentine» heartthrob Ryan Gosling, Robert Duvall's portrayal of a hermit in «Get Low» and Mark Wahlberg's turn as a working - class boxer in «The Fighter.»
They are
films, in other words,
about courage,
about a journey, and
about sex and rituals of
mortality.
More importantly than anything, it cuts close to the bone, with much of the
film feeling like Gilliam confronting his own
mortality: «for all the
film's flaws, it feels like a very personal and moving piece of work as Qohen moves towards some kind of acceptance that his time on Earth will be brief in the grand scale of things... it's not so much a
film about a search for a meaning, as an embrace of meaningless, and it's fascinating in that respect.»
Sichel's choice to make a
film about her illness, of course, not only has the opposite effect of firmly directing her attention to her own
mortality, but it also forces her to engage with technology and stress, two leading triggers of sickness today.
Q: This
film is obviously very much
about facing
mortality, a very real concept, especially for men.
Anyway, the first part of the
film is
about George dealing with fame and
mortality and Ira discovering the essential emptiness of immense wealth and notoriety without the love of a good woman.
Lisa Skapinker has the review of Barney's Version, a
film about a difficult, thrice - divorced, aging man, played by Paul Giamatti, who struggles with memory and
mortality.
Through the characters, we discover that what the
film really is
about is
mortality and the way in which it hovers and shadows each of the stories within WIENER - DOG.
Used in sculptural pieces, room - sized environments, drawings and paintings, performance, artist sketchbooks, LED sample models and documentary
film, Miyajima's electronic counter gadgets draw together a single conversation
about the nature of time, renewal and questions of
mortality.
For 90 minutes, the
film follows Cléo in real time, observing her as she frets
about the results and her own
mortality.
This fascinating
film reveals disturbing facts
about malnutrition and infant
mortality, and the role of insidious corporations in perpetuating these problems.