This year's Oscar documentary feature race is full of
films about musicians both tortured and triumphant
That's Jimi Hendrix in Jimi: All Is By My Side,
a film about the musician that, famously, doesn't have his music in it.
Not exact matches
The
film,
about a
musician and his young daughter traveling home, was directed by Patrick Osborne, who won the Oscar for Best Animated Short in 2014 with his
film Feast.
This
film is
about a socialite (Crawford) whom falls in love with a
musician (John Carfield).
«Clean» might be a
film in code
about the most infamous of all rock - and - roll widows, but I hope not, since Allison Anders» «Sugar Town» had already done a fine job of eviscerating (again, in code) this woman, who nevertheless, love her or hate her, arguably served the important and underrated function of muse for the troubled drug - addled
musician.
«Miles Ahead,» actor - director Don Cheadle's unconventional
film about the jazz trumpeter Miles Davis, is odd and audacious — in other words, the kind of movie you should make if you're going to make a movie
about the revolutionary and unconventional
musician.
Even if the
film in question isn't already a vanity project
about the
musician's life (Glitter, Purple Rain, Moonwalker and so on), there's a tendency for singers to either play themselves or needlessly draw attention to their presence.
From Japanese anime filmmaker Masaaki Yuasa (Mind Game, «Devilman: Crybaby»), this «joyously hallucinogenic»
film is
about a lonely, awkward
musician boy in a small Japanese town on the water.
More than just
about music and
musicians, it is a
film about the human condition.
1 and 2 (Netflix, Feb. 1) and Kathryn Bigelow's The Hurt Locker (Netflix and Hulu, Feb. 1), though of the
films that came out yesterday, we're most jazzed
about Walk Hard: The Dewey Cox Story (Netflix, Feb. 1), the deeply underrated John C. Reilly vehicle that parodied the
musician biopic — which has some great songs, too.
Led by a fantastic performance by Paul Dano, the
film's
about a struggling
musician trying to keep...
Not to be confused with Samuel L. Jackson's other snake movie, «Black Snake Moan» is the sophomore effort from writer / director Craig Brewer, whose debut
film «Hustle & Flow» (another movie
about a Southern
musician battling his inner demons) earned the director critical acclaim in 2005 as one of the generation's most promising young talents.
My first
film was a documentary called They Will Have to Kill Us First
about musicians in Mali, Africa who were trying to bring music back to their country after Sharia Law made music illegal.
The
film follows
about a young wannabe
musician, Jon (Domhnall Gleeson), who finds himself out of his depth when he joins an avant - garde pop band led by the mysterious and enigmatic Frank (Michael Fassbender), a musical genius who hides himself inside -LSB-...]
Indiepix Festival Favorites, Volume 2 Value - priced, three
film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,»
about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young
musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
But while there isn't much to distinguish Born To Be Blue's dramatic stakes from any number of stories
about self - destructive, self - centered artists (or «movies
about jazz
musicians,» as they're more commonly known), the
film is given a spark of life by the inspired casting of Ethan Hawke.
The
film is
about a blind
musician, played by Natalie Dormer, who hears a murder committed in the apartment upstairs from hers that sends her down a dark path into London's gritty criminal underworld.
From the perfect production design and washed out look, to the cast and lead performance by Oscar Isaac (who I will be rooting for to get the Oscar) as folk
musician Llewyn Davis, to the amusing but tragic story at its core, everything
about this
film is near perfect.
We're talking
about biopics: those
films that take the real - life stories of
musicians, politicians, artists, atheletes and other famous folks, and mine them for reel - life fodder.
«Reel Chicago» will include Raul Zaritsky and Linda Williams's Maxwell Street Blues (1981),
about the
musicians who shaped the city's electric - blues sound as they performed in the legendary open - air market; Tom Palazzolo's Chicago, which collects key short works by the veteran city chronicler; The
Films of Gordon Weisenborn, a quartet of half - hour educational
films by the little - known director; and The People vs. Paul Crump (1965), a profile of the death - row inmate turned novelist that was one of the first
films by director William Friedkin (The Exorcist, The French Connection).
The latest in the Guardian's watch on demand
films is a brilliantly observed story
about a
musician — played by Paul Dano — who tries to connect with his small daughter during a custody battle
Acclaimed Irish director Lenny Abrahamson follows up his award - winning
films Adam & Paul, Garage and What Richard Did with an offbeat comedy
about a young wannabe
musician, Jon, played by Gleeson, who finds himself out of his depth when he joins an avant - garde pop band led by the mysterious and enigmatic Frank, (Michael Fassbender) a musical genius who hides himself inside a large fake head, and his terrifying bandmate Clara, played by Maggie Gyllenhaal.
Ryan Gosling has opened up
about his «unique experience» working alongside a variety of
musicians on his latest
film «Song To Song», including the...
Like most
films of its ilk, Walk Hard may go too over-the-top to prove itself, but there is something charming
about it, underscored by its genuine love of music and affinity for
musicians.
The first of the two
films on this list
about troubled
musicians, Love & Mercy is surprisingly sprightly biopic
about the life of Brian Wilson.
«Whiplash» is, as they say, a tough sell — I don't know how many adults will be interested in watching the travails of a teen
musician, and I don't know how many teens will rush to a
film about the work and agony required to play jazz drums.
Cagney's a great actor, of course, but both he and Day seemed totally lacking in energy, as did the direction by Charles Vidor — I swear there were only two camera setups through the first 30 + minutes of he
film: Day on stage in a flat composition in front of
musicians and a solid color backdrop with neither camera nor actors moving much at all and Day and Cagney in her dressing room arguing
about something.
You might know him as a stand - up comedian or
musician but Bo Burnham is
about to make his
film feature debut with Eighth Grade.
Greenfield - Sanders has produced and directed 11
films, including a feature documentary
about legendary
musician Lou Reed that premiered in the United States at The Sundance Film Festival and in Europe at the Berlin Film Festival, and was recognized with a Grammy Award for «Best Music Documentary.»
About Gordon Parks and The Gordon Parks Foundation A groundbreaking photographer,
musician, writer, and
film director, Gordon Parks allowed his talents to shape the public's understanding of pressing social issues.
A
film about three Syrian refugee
musicians has been a labour of love for SFU staffer Lindsey Ridgway.
Its opening lines were appropriated from a poem by
musician and performance artist Genesis Breyer P - Orridge, to which Geffriaud appended the announcement of the French release date of Marie Losier's 2011
film about him, The Ballad of Genesis and Lady Jaye, which documents P - Orridge's and his second wife Lady Jaye's manipulation of their bodies in order to become a single ``
The triennial, which coincides with New Orleans» tricentennial celebration, brings together 73 artists dealing with issues of colonialism and displacement, with projects including: Odila Donald Odita creating a new work for the Algiers Point ferry, and John Akomfrah debuting a
film about jazz
musician Buddy Bolden.
Mercurially applying the logic, aesthetics and politics of his subjects — who include the composers /
musicians Cornelius Cardew and L. Voag, and the psychologist R.D. Laing — to the
film he is making
about them, he creates atmospheric, sampled histories that reverberate with the vitality of the people he studies.
Its opening lines were appropriated from a poem by
musician and performance artist Genesis Breyer P - Orridge, to which Geffriaud appended the announcement of the French release date of Marie Losier's 2011
film about him, The Ballad of Genesis and Lady Jaye, which documents P - Orridge's and his second wife Lady Jaye's manipulation of their bodies in order to become a single «pandrogynous» being.
He's acclaimed for his cinematography and art direction work with
musician Jack Johnson, as well as for his beautiful short
films, such as «Tranquil Music,»
about the summery musical vibe in a pre 9/11 NYC, «The Half Way Tree,» a tale of Jamaican surfing made with Dan Malloy, «Oxfam Make Trade Fair,» documenting Minnie Driver's trip to Cambodia to raise awareness on sweat shop labor.