And you could even lump The Post in with the cadre of
films about women striking back at the patriarchy through Kay Graham's willful choice to ignore the advice of her (male) lawyers and board members and publish the Pentagon Papers.
Not exact matches
Normally, I'm eager for a story
about a
woman humiliating herself for love, but the tone of this fanciful
film at times
struck me as all wrong.
It's been nearly 20 years since Bette Midler, Goldie Hawn and Diane Keaton starred in the comedy
about three
women striking back at their ex-husbands and getting what they deserve, and now the trio of actresses will reunited for a new feature
film project at Netflix called Divanation.
I would overhear hushed conversations on the bus
about Republican relatives who won't stop gloating; directors would introduce their
films, even the most purportedly apolitical, with sly allusions to the new President; a
woman even
struck up a conversation with me before a screening to complain
about the
film industry's closed - minded attitude towards her particular brand of libertarianism (I didn't have much to add).
Closing Night It Stains the Sand Red Colin Minahan, USA, 2016, 92m The solo feature directorial debut of Colin Minahan, one half of the Vicious Brothers (Grave Encounters, Extraterrestrial), makes his strongest impression yet with this engaging, visually
striking film, set during apocalyptic times,
about a
woman, Molly (a fearless Brittany Allen), who finds herself stranded in the desert after her dumbass boyfriend is killed by a zombie.