Sentences with phrase «films an image produced»

As the camera goes over a screen and films an image produced a few moments ago, a slow feedback happens, layering and obscuring the present space where the viewer stands, and also the viewer if he has caught a glance at the camera lens.

Not exact matches

The LSST will image the entire visible sky so rigorously that it will produce, in effect, a 10 - year - long feature film of the universe.

In the latest experiment, a camera filming each subject's back produced an image that was projected through a head - mounted display to generate a virtual body 2 metres in front of them.

Additional film credits include TALK TO ME; the 2006 Oscar ® winning Best Picture, CRASH, which Cheadle also produced; HOTEL RWANDA, for which his performance garnered Academy Award ®, Golden Globe ®, Broadcast Film Critics Award and Screen Actors Guild ® Award nominations for Best Actor; OCEAN»S ELEVEN, OCEAN»S TWELVE, and OCEAN»S THIRTEEN, directed by Steven Soderbergh; Mike Binder's REIGN OVER ME with Adam Sandler; the Academy Award ® winning film TRAFFIC and OUT OF SIGHT, both also directed by Soderbergh; Paul Thomas Anderson's critically acclaimed BOOGIE NIGHTS; BULWORTH, SWORDFISH, MISSION TO MARS, John Singleton's ROSEWOOD, for which Cheadle earned an NAACP Image Award nomination; FAMILY MAN, directed by Brett Ratner and starring Nicolas Cage; COLORS, HAMBURGER HILL, and the independent features MANIC and THINGS BEHIND THE SUN.

Sharp and clear, with the typical image quality of a film produced in this era.

Expect the Unexpected was one of the early Milkyway Image films contentiously produced by Johnnie To for other directors.

The appearance onscreen of pointillist swarms of film grain may trigger a specific kind of nostalgia in movie buffs, for chemically produced and mechanically projected images that are rarely seen these days outside of repertory cinemas and museums.

Image Entertainment, an RLJE Entertainment brand, has acquired all North American rights to the Caliber Media - produced horror film, Some Kind of...

Jessie Jones: Working for film obviously uses a different skill set, even ethos, when producing music as there's always an image that you're accompanying.

The title refers not only to films but also to the fact that everything about life in the Hermit Kingdom was managed and directed to «produce» a certain image to its citizens (Sharon B).

Digital radiography produces x-ray images without the use of film, chemicals, or an x-ray darkroom.

Digital x-ray has become the new standard in veterinary medicine because it is faster, cleaner, and easier to use than traditional film x-ray, while also producing superior image quality.

Today's televisions are capable of producing about 70 images per second, a rate that can allow dogs to perceive the images as a film.

The images produced by digital radiography are of much better quality than film radiographs and can be manipulated digitally, giving us the best possible radiographic information to help us diagnose your pets.

Amy Granat creates 16 mm projections in which the artist hand - scratches the film emulsion to produce abstract moving images.

The films and photographs that James Collins produced in the 1970s were very much of their moment: like other proponents of so - called Story Art (an overlooked movement that deserves more attention) such as Bill Beckley, Mac Adams and Peter Hutchinson, he created explicitly narrative images in a photographic - based practice.

Indeed, both photography and film inform his methodology and Borremans has matured into a filmmaker producing moving and provocative images of hallucinatory beauty.

For this film, he produced thousands of woodcuts and then transformed images of each woodcut into 3 - D film, with each frame of film requiring eighteen pictures per second to pass in front of the camera lens.

The film Christie's produced — click through the image to see it — is also a revelation showing how Crichton met Hockney, Rauschenberg and Johns through the Los Angeles printmaker Gemini.

Deeply invested in the histories of photography and film, architecture and design, Williams has produced a concise oeuvre that furthers a critique of late capitalist society in which images typically function as agents of spectacle.

Kodak illustrates celluloid's ability to produce «a near perfect simulacrum of our visual world» in a series of stunning images that reflect elusiveness through both the subject and medium of film.

As part of this experimental residency, Pescador will produce a feature - length film emerging from a set of actions, gestures and images oriented around neighborhoods he has lived in since moving to Los Angeles.

The work Sun Xun will make whilst in the gallery, combined with thousands of images produced in the six months prior, will be filmed sequentially — culminating in an expressionistic, stop - motion animated film, pulsating with creative energy.

At Bell Labs, working with the first moving - image programming language, he produced Poemfields (1966 - 1969), a series of computer - generated films.

Over the last eight years they have worked with teenagers in twenty - five northern communities, from Trout Lake to Tuktoyaktuk, to produce short films based on images and stories from the Inquiry.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

Since this project is predominately created without the use of a camera, the resulting images from the assorted elements cover several inches of the film, neglecting the conventional frame lines produced by camera shutters.

The Walker - produced exhibition catalogue offers an in - depth study of the international Pop phenomenon with essays by scholars, film critics, and curators from Argentina, Brazil, Japan, Britain, the United States, Hungary, and Italy; an extensive visual chronology; a roundtable discussion; and a selection of stunning images, many rarely seen outside their countries of origin.

In recalling early Renaissance masters, still life, anatomical studies or film noirs images, Auburtin produces objects and paintings that toy with reversible feelings like seduction and repulsion, training and perfection, luxury and death, beauty and deformity, etc... Graduated from ENSA Nancy (Fine Arts Academy of Nancy).

For COSMIC RAY, Conner combined images he shot of streaming street - lights and a strip - tease dance with found elements, such as countdown numbers, flash - frames, and head - and - tail indicators, to produce a rhythmic and energetic film.

Her newly produced animated film entitled Dust further captures the unseen through a combination of moving images of a single candle burning.

This reinterpretation of the classic image has involved Murdoch in a painstaking process of finding props, clothes and black and white stage make - up in order to produce a monochrome image on a colour film.

Students have used new media to produce animations, Gifs, films and moving image work and it will be great for them to see their work in one of the main

From 1979 to 2007 — when Polaroid stopped producing 20 x 24 film — Wegman created hundreds of images.

While the tectonic plates of geopolitical conspiracy shift in the background, the film asks us to look, and look again, at images produced by the oil company, together with personal photos taken by its British staff in Iran — including the filmmaker's parents — not for what they show, but for what they betray.

The films coincide, at the mid-point in terms of time, with the tragic murder scene, and the visual doubling this produces lends an extremely monumental quality; the extreme deceleration of events and the lack of an acoustic give the individual image a directness that has a dramatic effect on our perceptions.

This book evolved from an archive of images collected by artist Sharon Lockhart while researching her project Lunch Break — a series of films and photographs she produced from a long - term collaboration with the workers of Bath Iron Works in Maine, whom she portrayed as they took their lunch break, a classic workday ritual.

For «Reversion» at Laura Rathe Fine Art, his first solo show in four years, he's produced a collection based on 1960s and»70s pop - culture iconography, especially heavy on images from film and TV, with frequent trips to the concession stand (Junior Mints or Dots, anyone?).

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Curated by Dorothée Dupuis, the exhibition takes inspiration from Joseph Cornell's experimental 1942 film, By Night with Torch and Spear, and Jerez explores the greater narratives promised by technology and the «increasingly schizophrenic relationship between the mass produced devices / images and the bodies that use and consume them».

However, this is not truly a silent film: carefully deployed sound effects — such as echoing footsteps or birds chirping — produce a distinctly synchronized relationship between sound and image that was unheard of prior to the advent of «the talkies.»

Since 2000 Sturtevant has embraced film and video, advertising and internet - based images, producing work that reflects the fragmented and pervasive nature of our image - saturated culture.

One of the main features of the interior of the Pavilion was the central performance space in a 90 ft diameter 120 degree spherical mirror made of aluminized reflective PET film, which produced real images of the visitors hanging upside down in space.

A screening of select films and reels produced by Goldsholl and Associates — whose films, television ads and other moving image work innovated «designs - in - film» — will be on view at the / Dialogues Stage, as an interlude to the final conversation in the Symposium on Chicago's Mid-Century impact on the advertising and commercial industry at large.

Prejudice, superstition, and resentment inspire the work of Slovakian self - styled «art activist» and documentary filmmaker, Tomas Rafa, who, since 2009, through his ongoing project New Nationalism, has produced a hard - hitting dossier of film and still images representing the resurgence of extreme right - wing, xenophobic, and neo-fascist groups in Central Europe.

He has produced an immense body of films, videos and writings that discourse on the role of images in the wielding of cultural and political power.

Image credit: Outfitumentary, film stills, Directed, produced, photographed and edited by K8 Hardy.

The individual image, which allows visual narration in the film by means of linkage, here becomes an abstract soloist, in which grassy surfaces and empty channels produce a mysterious ornament.

Throughout her career, Carolee Schneemann has produced moving images on film and video intended as cinema, installation, and used as elements in her Kinetic Theater productions.

A well - written resume sample for this occupation mentions activities such as consulting with clients, producing animation for media or film, capturing images, keyframing, and collaborating with storyboard writers and editors.