And while the script isn't the best, those fans of such
films as Alien, Blade Runner and Gladiator will love to see where one of their favorite directors got their start.
Offered a job as assistant director by Marco Modugno after appearing as an extra in Modugno's Bambule (1979), Soavi continued to act in such
films as Alien 2 and City of the Living Dead (1980) while serving in multiple capacities including assistant director to filmmaker Aristide Massaccesi in the early»80s.
While mostly showing off sets, props and effects, actor Simon Pegg popped up during the footage, confirming that he will play a role in
the film as an alien.
Not exact matches
We have all heard of the concept used in horror
films of
aliens invading our bodies and minds, such
as in movies like Invasion of the Body Snatchers.
Also, while the pages devoted to dissection of classic modern
films such
as Performance,
Alien and Full Metal Jacket make compelling reading, they defeat the utter disposability so crucial to the modern: what can't be instantly forgotten becomes an impediment to what can next be accessed and experienced.
Trained
as an astrobiologist at Stanford and Caltech, Loretta has been to the Canadian Arctic to study plant life in extreme environments and to the hydrothermal vents at the bottom of the ocean with «Titanic» director James Cameron to
film a 3D IMAX documentary, «
Aliens of the Deep.»
This was no doubt a real undertake
as he looked pretty slim when he starred in the previous
film «Cowboys and
Aliens».
Landin's
film - opening
alien - eyeball sequence dandles with ocular imagery to introduce Laura
as an artificial humanoid coming to life.
Epically bad in virtually every way imaginable, Battleship follows several one - dimensional characters
as they attempt to defeat a squadron of heavily - armed
aliens - with the
film, impressively (and laughably), incorporating elements from the eponymous children's game.
Which is to say that the
film's interpretation of apartheid may reflect most poorly on the
film not because it's wrong but because it's intellectually lazy and, here's the real kicker, LESS INTERESTING than it would have been to show the
aliens as not yet another oppressed minority (which has been done to death) but a mass suppressed by an elite group, made to feel like an «other» when, in fact, it's imprisoned in its own homeland.
From here on out, War of the Worlds is one lengthy but always gripping chase
film as the massive
alien tripods stalk hapless humans over hill and dale, blasting them into ash with vicious, serpentine ease while the military runs afoul of their seemingly invincible shields.
As on the bonus discs afforded Kung Fu Panda, Monsters vs.
Aliens, How to Train Your Dragon, and Shrek Forever After, the title attraction of Disc 2 is an all - new spin - off short retaining the
film's original voice cast (well, two members of it).
Just
as films about misunderstood benevolent
aliens in the 1950s (The Day the Earth Stood Still, It Came from Outer Space) were calling for an end to the Cold War us - and - them mentality, District 9 is likewise making a strong statement about the damage that can be done when refugees are treated with suspicion before being given any compassion.
A straight - faced updating of the 1950s space monster formula,
film stars Charlie Sheen
as the rogue scientist who battles E.T.s, uncovers government conspiracies and, most impressive of all, suppresses giggles when confronted with some of the silliest
alien effects in memory.
It is a fascinating contrast to the politics of
alien invasion
films such
as Independence Day and War of the Worlds (original and remake).
Well the
film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of
alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the
film changed gears, I just thought it would have been better to focus on other things,
as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?
Director David Fincher («
Alien 3,» Madonna's «Vogue» and «Express Yourself» videos) used a
film - processing technique that deepens tonal qualities, making whites harsher and casting lots of shadows,
as if the city were blanketed by a sinister shroud.
District 9 is partly presented
as a faux documentary (rather than a mockumentary, which is what Roger Ebert wrongly labels the
film... there is nothing funny about this movie), detailing how 20 years earlier, a huge
alien spaceship (think Independence Day) parked itself over Johannesburg and... sat there.
Jeunet, the imaginative French director behind such
films as Amélie, Micmacs, and The City of Lost Children, turns to Reif Larsen's novel The Selected Works of T.S. Spivet
as the source for only his second English - language feature (the first being
Alien: Resurrection) and first shot in 3D.
To be fair, the game IS an excellent attempt at a polished addition to a now tiresome franchise, if you loved the Ridley Scott and James Camerons heralded
Alien films, and like me, consider Predator
as a must - have classic in the DVD collection, you won't put down the controller.
The old Flash Gordon and Buck Rogers serials were not science fiction, the «
alien invaders» flicks of the 50s were likewise fantasy, and it continues today with such non science fiction
films as Independence Day, Red Planet and Event Horizon trying to claim a genre title of which they are not worthy.
The
aliens who created this environment are not shown
as the
film ends on this very mysterious note, which has been a source of much commentary and has inspired meanings ranging from: it's all rubbish to something divine has happened.
As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himsel
As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama
as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himsel
as told by an
alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the
film adaptation,
as well as portraying Wiseau himsel
as well
as portraying Wiseau himsel
as portraying Wiseau himself.
Plus most of the Decepticons don't even look like Transformers they look more like robotic
aliens from another
film «Batteries Not Included» and «Short Circuit» springs to mind, the Decepticon disguised
as a female student was the worst offender.
The
film watches aghast
as Jerry gives vent to his cruel streak and courts professional destruction, most notably while writing for what he calls an «
alien puppet sitcom.»
A load of fun,
as the senior citizens from the original
film come back to Earth to help their
alien friends.
Stewart plays out the
film as if it were a traditional «haunted house»
film, but because we already know it is about
alien life, we merely watch the characters go through predictable motions until the story catches up with what we already surmise, and the only things keeping viewers reeled in are basic questions such
as, «why are they doing this?»
«I have to say, this
Alien: Covenant is going to be — I'm really excited to see it and everybody in the
film was saying that there's a
film that we all wan na see, it's much scarier than Prometheus, but it's got that sort of same scope
as Prometheus, that imminent sort of disaster feel, that
Alien had,» he continues.
Together with her husband, CDC director Dr Peter Mann (Jeremy Northam) and an incredulous cop (Charles S. Dutton, the closest the
film comes to comic relief), Susan investigates, at which point the
film starts to successfully mimic
Aliens,
as Susan faces off against the giant creatures and the supporting cast (including a youthful - looking Josh Brolin) gradually get picked off.
I really enjoyed using the assault rifle which once again channeled my inner -
Aliens film fantasy and the shotgun was another enjoyable weapon to use
as I blasted these
alien creatures away.
Beginning his career on stage, the English actor made his
film debut in 1992's «
Alien 3» before landing roles in such
films as «Moulin Rouge,» «Doom,» «Pirate of the Caribbean: On Stranger Tides» and «Dredd.»
The big bad at the center of John Krasinski's
film, while visually reminiscent of what we've come to recognize
as the prototypical
alien — with modifications, including a head that seemingly functions like a giant ear — is a species of flesh - eating hellion that happens to be blind, and thus its potential prey can successfully evade capture by being silent at all times.
The most notable lesbian feature
films in the programming were Jamie and Jessie are Not Together (d. Wendy Jo Carlton), or
as I preferred to call it «Jessie can do better», Hannah and the Hasbian (d. Gordon Napier) and Codependent Lesbian Space
Alien Seeks Same (d. Madeleine Olnek).
The first
film work from the terrifyingly young Levi, the score is both organic and
alien,
as woozy
as a dream and
as persistent
as a nightmare, living up to the title and digging into your very bones and remaining there for days.
In these
films, the world has usually turned against humanity in some way — a zombie apocalypse, an
alien invasion, or simply the indomitability of nature itself — and the relative resourcefulness of characters who were previously reliant on now - absent tools or technologies provide the major dramatic beats
as outside forces close in, driving these characters into action.
The
film «E.T.», which the family sees together, becomes a dynamic symbol both for the family's acceptance of Frankie's «return home» to heaven, but also for their own status
as aliens in America.
The
alien mother ship floating over Johannesburg, South Africa,
as well
as the creatures themselves fit seamlessly into this
film in a way that bigger, more expensive releases have failed miserably in achieving this summer (Wolverine, G.I. Joe: The Rise Of Cobra).
The plot — initially incomprehensible, but easier to figure out once it gets rolling — posits that only an
alien known
as Leeloo (Milla Jovovich in the
film's most affecting performance) has the power to save our world from being destroyed by an approaching fireball of pure evil.
Reinvigorating the look of
Alien Resurrection is the sensibility of French director Jean - Pierre Jeunet, whose previous
films Delicatessen (1991) and The City of Lost Children (1995) point directly to the familiar yet exotic and new confines of the Auriga and the Betty (which have the same spooky, almost Victorian feel
as the interior of Orson Welles» magnificent Amberson mansion)
as well
as strange obsessions with flesh (the new Ripley is described
as a «meat byproduct») and cloning (both Perlman and Pinon co-star in City).
Essentially, this is Ancient
Aliens as a found - footage horror
film.
No, it's not half
as good
as John Carpenter's 1982 version, nor of Ridley Scott's 1979 masterpiece, «
Alien,» another
film that obviously influenced this
film's production.
The first action set piece, in Greenwich Village, stands
as a highlight of all the Marvel
films, a witty world - outside - your - window dustup full of team - ups, tech upgrades, and a wizard fighting space
aliens at high noon in Washington Square Park.
District 9 is not only an action thriller, but a thought provoking critique on our own culture that can't be ignored
as the
Aliens or Prawns (derogetory term given to them by the humans) play a much larger emotional and dynamic role in the
film than the trailer or bits of viral marketing let on.
Another installment to the recent onslaught of
alien invasion
films, Battle: Los Angeles is based on famous historical UFO sightings and events such
as the 1942 LA incident where an unidentified aircraft entered military airspace and was subject to artillery fire.
And this year promises further
films, including female - fronted blockbusters such
as Wonder Woman, Beauty and the Beast,
Alien: Covenant and Star Wars: The Last Jedi.
The
film follows Natalie Portman
as a biologist who volunteers for an expedition into cordoned - off
alien territory after her husband (Oscar Isaac) goes missing.
Moving in the same orbit
as the original
film, Men in Black 2 is splattered with
alien innards, sexual content and violent action scenes.
It's interesting to see a
film about a space
alien that doesn't resemble anything we've ever seen before,
as most others have some sort of humanoid appearance, (or reptilian, etc.) Indeed, it's a much more plausible depiction of an
alien threat than most other sci - fi efforts have featured, almost the opposite in terms of story
as The War of the Worlds which featured
aliens defeated from exposures to germs and viruses of our own.
Battle: Los Angeles» early 2011 release date positions it before competing
alien invasion
films such
as the comedy Paul (if that even counts), Jon Favreau's Cowboys &
Aliens, Michael Bay's Transformers 3 and the August release of The Darkest Hour.
The
film takes place in Los Angeles
as we spend our time with a platoon of Marines fighting for survival, but in the background the
aliens are attacking locations all over the planet, hence the international title of the movie being World Invasion: Battle Los Angeles (franchise alert!).