Not exact matches
The
film Memento has a more accurate portrayal of amnesia, or at least the variant known
as «anterograde amnesia».
In 2000 alone, she could be seen in no less than four
films, including the action comedy The Crew, Red Planet, and
as a bartender with questionable motives in director Christopher Nolan's unconventional breakthrough,
Memento.
In this way, Wendigo joins last year's crop of reality - and identity - testing
films — such modern existentialist masterpieces
as Memento and Mulholland Drive.
To make his argument, Bordwell must, of course, ignore those aspects of the
films he studies that do not fit the classical narrative structure, like the non-classical nature of a character such
as Memento's Leonard Shelby (Guy Pearce).
In fact, I'm in great haste to write what I can, like Guy Pierce in
MEMENTO,
as this
film is so forgettable I fear all memory of it will be gone before I am finished.
by Walter Chaw There's the seed of an interesting idea in Neil LaBute's Possession — something traceable to A.S. Byatt's melodramatic novel of the same name: the
film's one clumsily extended trope that it is about keepsakes and the desire for
memento mori and
memento amor
as it manifests amongst intellectuals.
Paul Thomas Anderson for teaching me that it's ALL about the script and if you have the right actors directors don't have to do anything on set but be a fan, Lumet for his
films and his book, a young directors» must read, Coppola for his courage in filmmaking, Steven Soderberg for refusing to ever be put in a box and pushing the form
as far
as he can, Kathryn Bigelow for giving masterclasses in action, James Cameron for Terminator 2 and prove big budget cinema can still be perfect cinema, Sean Penn for bringing his acting chops to directing, David Mamet for his scripts and his dialogue, Nolan for having more heart than most people seem to give him credit for (
Memento, Rises, Inception and Interstellar all made me cry.)
As previously announced, the inaugural LFF Connects will feature British filmmaker Christopher Nolan, internationally acclaimed for some of the most original, compelling and successful
films in contemporary cinema (Interstellar, Inception, The Dark Knight,
Memento), and Tacita Dean, lauded for her art work in
film (and whose grand - scale Tate Modern exhibition FILM transfixed audienc
film (and whose grand - scale Tate Modern exhibition
FILM transfixed audienc
FILM transfixed audiences).
Check out these sexy new promo posters featuring Anne Hathaway
as Catwoman from the upcoming
film «The Dark Knight Rises» by director Christopher Nolan (The Dark Knight, Inception,
Memento) stars Christian Bale (Batman Begins, Terminator Salvation, The 13 Women of Nanjing), Anne Hathaway (The Devil Wears Prada, Get Smart, Alice in Wonderland, The Silver Linings Playbook), Tom Hardy (Inception, RocknRolla, Bronson), Joseph Gordon - Levitt (Elektra Luxx, 3rd Rock from the Sun), Morgan Freeman (The Shawshank Redemption, The Dark Knight, Se7en), Gary Oldman (The Professional, The Fifth Element) and Michael Caine (Cars 2, Gnomeo & Juliet, Inception, Harry Brown).
Nolan's admirers, who have risked dizziness and delirium trying to unpick the knotted twists and time structures of
films such
as Memento and The Prestige, would surely be disappointed if he didn't.
It's also a brilliant template for a thriller,
as films such
as Christopher Nolan's
Memento have proven.
Nolan, who was born in London and holds both British and American citizenship, made his debut
as a director 20 years ago, with Following, but his follow - up to that
film, 2000's
Memento, is what made people sit up and take notice.
There's no doubt that her performance could have been nominated, but the
film falls into the same category
as Memento — a real independent with a real independent budget.
As Following's nonlinear design isn't as dramatic as Memento's reverse, this version isn't terribly different, though it does lack some of the film's artfulness and kic
As Following's nonlinear design isn't
as dramatic as Memento's reverse, this version isn't terribly different, though it does lack some of the film's artfulness and kic
as dramatic
as Memento's reverse, this version isn't terribly different, though it does lack some of the film's artfulness and kic
as Memento's reverse, this version isn't terribly different, though it does lack some of the
film's artfulness and kick.
I'm not sure why Norton should complain,
as The Italian Job is easily one of the most entertaining
films of 2003, and much of the credit should go to director Gray
as well
as cinematographer Wally Pfister (Insomnia,
Memento) for the truly sumptuous visual look of the
film.
I have it
as a
memento of the
film.»
In Patrick Hough's proposal, on the other hand, forgotten artefacts from the Hollywood Dream Factory — props and décor from abandoned
film sets — take on a new life
as precious
mementoes of cinema history: replicas and fakes that have acquired a strange kind of authenticity.