Sentences with phrase «films as outlaw»

Not exact matches

Sure it doesn't make much sense that the teenagers of this small town that has outlawed dancing for five years could all dance so well, yet this is an enjoyable film with a great soundtrack and John Lithgow as a character who is more complex than your typical zealot antagonist.

Sean Harris is known for creating intense, offbeat characters in an eclectic range of films, such as Rowan Joffre's BRIGHTON ROCK, HARRY BROWN, THE RED RIDING trilogy, 24 HOUR PARTY PEOPLE, and the 2005, award - winning horror thriller ISOLATION, OUTLAW AND CREEP.

If this film does well it will not be the last of the space outlaw known as Riddick.

The films are Christine Vachon's «A Man In Your Room» (1984), about a priest haunted by his desire for an impish young man and Haynes» first film «Assassins: A Film Concerning Rimbaud» (1985), which depicts the poet as a homosexual outlaw.

This year's midnight lineup includes new films from Rob Zombie («31») and Kevin Smith («Yoga Hosers» which stars Lily - Rose Depp and her dad, Johnny Depp) as well as new films starring Chad Michael Murray («Outlaws and Angels»), Natasha Lyonne and Chloë Sevigny («Antibirth») and Adrian Grenier («Trash Fire»).

The events from that film also lead into this one as we find Dominic Toretto (Vin Diesel) and his crew of former outlaws doing their best to adjust to the world that they left behind after taking down Owen Shaw (Luke Evans), an international villain who presented more danger than they ever did.

With Henry Fonda as a sinful and alcoholic man of God fleeing the police in a tyrannical, anti-clerical Latin American state, Pedro Armendariz as his relentless pursuer, Dolores Del Rio as their mutual love (a point fudged in this censor - bound film), and Ward Bond as the gringo outlaw.

The film follows the intersecting lives of an elite unit of the Los Angeles County Sheriff's Department and a successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank in downtown Los Angeles.

The episode ends with a preview of next week's episode «When Knighthood was in Flower» (the 1953 film released theatrically as The Sword and the Rose) and the feature film The Littlest Outlaw.

The film reveals a deadly underworld where beats pound as bullets fly, and even outlaws must live by the code.

As the title suggests, the film follows an octet of outlaws who hole up in a remote trading post during a blizzard.

Even more paradoxically, for a notoriously tough, unsentimental genre, Ray's film presents a sympathetic portrait of the doomed outlaw lovers, who, as the opening credits affirm, «were never properly introduced to the world we live in.»

The legendary outlaw thief gets a cinematic upgrade as Liongate / Summit Entertainment releases the official teaser trailer for their upcoming film Robin Hood.

The opening sequence featuring outlaws Purvis (David Arquette) and Buddy (horror vet Sid Haig doing his best Slim Pickins imitation) sets the stage for the brutal violence to come in the third act, as well as the film's crackling dialogue that's clearly influenced by The Coen Brothers, Quentin Tarantino, and Elmore Leonard.

If there is any gripe at all about Eastwood as a director it is his tendency to let films run on too long and weakening the pace and tension, and unfortunately The Outlaw Josey Wales is another example.

Lawrence Roeck's film has been explicitly conceived as an opportunity for the younger Eastwood to emulate the persona that cemented his elder's legend, fusing elements of The Outlaw Josey Wales, High Plains Drifter, Unforgiven, and the Dollars trilogy into a revenge narrative spanning portions of the American West during the period of unrest following the Civil War.

Hugh Jackman stars in the film as an ex-boxer who has seen all forms of human fighting outlawed, with robot boxing taking its place.

Only in the final few scenes does the film set up for (perhaps) future adventures with Robin and friends as outlaws, but, in a film that fruns about the 2.5 hour mark, the shortcut taken in the narrative to push Robin from hero to outlaw seems to be fudging things a might too fast.

Chopper is an interesting reference point when starting to analyze... Jesse James..., as both films look at legendary outlaw personas and treat them and their violence without condoning it, even mythologizing their compulsively violent disposition.

The Hollywood Reporter, John De Fore (April 19, 2018) As the hostage who will come to most closely identify with the outlaws, Rapace has the film's biggest job.

Created and directed by John Hillcoat (the director of The Proposition and the Road), this short film chronicles a slice - in - time of protagonist John Marston as he tracks down his former outlaw and friend, Bill Williamson.