Not exact matches
The
films of indie
auteur Perry («Listen Up Philip») are known for a certain verbosity, but here there's no undertow, just bromides dressed up
as profundities.
Starring writer - director - producer and enigmatic «
auteur» Tommy Wiseau, who had unlimited funds but questionable talent, the $ 6 - million
film has been hailed «The «Citizen Kane» of bad movies,» a fascinatingly inept and endlessly quotable cult sensation that has carved out a place for itself
as a midnight - movie communal experience.
After all, the 71 - year - old French
auteur, whose
film Beau Travail remains one of the great works of the last few decades, has taken an especially grim turn
as of late, with movies like Bastards, White Material and The Intruder exploring some of the darker sides of contemporary humanity.
Critics have seemingly cooled on Tarantino's pop culture patchwork technique over the years, mistaking cleverness for ironic detachment and his singularly innovative mode of theory - to - practice
film geekery for plagiaristic slapdash kitsch just
as Tarantino is reaching personal heights
as an
auteur, and it begs the question: did Shakespeare have to deal with cooler - than - thou backlash from his detractors?
Austrian filmmakers Veronika Franz (wife of
auteur Ulrich Seidl) and Severin Fiala first present Goodnight Mommy
as a mystery with a horror
film premise — two nine - year - old twin brothers question their mother's identity after a facial surgery leaves most of her...
This is the
auteur's second project to utilize the real - life passing of time
as a storytelling device, following his Before series (whose latest entry, Before Midnight, was my favorite
film of 2013), a trio of romance movies separated by 9 years each starring Hawke and Julie Delpy.
The movie is credited to two directors, Wanda Tuchock and George Nichols Jr., but
film scholar Jeremy Arnold believes Tuchock, who also wrote the screenplay, should be regarded
as the
film's sole
auteur: «This one has Wanda's fingerprints all over it.»
Planet Terror's not nearly
as smart
as it thinks it is; Death Proof's smarts are so edged and complicated that they could only be the product, unintentional, of an
auteur who's assimilated the undertow of his favourite
films and, rarest of the rare, is able to reproduce those undertows in works that, however familiar, are completely original.
And then, there were a decent number of
auteurs who appeared at the Cannes Market who should (hopefully) pop up in Venice, such
as Lido regular Benoit Jacquot with his adaptation of Don DeLillo's The Body Artist, apparently retitled Never Ever, while Wim Wenders could be a contender with The Beautiful Days of Aranjuez (though he may hold out for Berlin 2017, the same guess we'd wage for a new
film from Volker Schlondorff, Return to Montauk).
as the kind of unpredictable, risk - taking,
auteur - driven movie our
film landscape desperately needs.
«Midnight in Paris» McAdams teamed up with Owen Wilson (again) and Woody Allen for the 2011 Oscar winner «Midnight in Paris,» kicking off a stretch of prestige
films in which she worked with
auteur director such
as Terrence Malick on «To the Wonder,» Brian de Palma on «Passion» and Wim Wenders on «Every Thing Will Be Fine.»
Brady Corbet is a familiar face on screen
as an actor in independent in a number of
films by today's quintessential
auteurs.
It's not much of an achievement that co-directors Anthony and Joe Russo (held over from Captain America the Winter Soldier) make a better
film than Zack Snyder... but it's worth noting that Marvel (corporation
as auteur) have nurtured their characters (even in weaker
films like Iron Man 2) to the point when they carry more screen weight than lasting icons Batman and Superman.
Baumbach and Paltrow entertain those notions, but the
film remains a serious examination of De Palma
as an
auteur, coming through one of the most fevered epochs of Hollywood history and surviving to tell the tale.
But though it derives from an ancient Greek myth,
auteur Yorgos Lanthimos» most recent English - language
film, The Killing of a Sacred Deer, spoke to me of a more Freudian concept: the idea of psychology
as an impossible, inner dystopia.
Joan Micklin Silver By Shonni Enelow The director of such lovingly idiosyncratic
films as Crossing Delancey and Hester Street merits reconsideration
as a true offbeat American
auteur
I thought about changing my prediction to a shock win for Michael Haneke until I remembered that no director of a foreign language
film has ever won this prize — no not even Federico Fellini or Ingmar Bergman, Oscar's indisputable favorites
as foreign
auteurs go.
Unlike the «
Auteur» or «Shreiber» theories favouring either the director or the writer
as the true author of a
film, the «Fís» Theory holds that a true singular voice can only be attained when the director is also the writer.
The storytelling maestro, whose
auteur status was championed by the French New Wave for the way he defined
film as a manipulative medium, was overlooked by his industry peers because his playful, sexually menacing thrillers were seen
as genre
films.
Before starting to write this review, I decided to read the pro-Shyamalan arguments in the attempt to get the flip side opinion
as to what I consider to be one of the worst
films of 2008, and perhaps the worst
film from an
auteur of Shyamalan's reputation in some time.
Sure, his name doesn't ring a bell for a lot of cinephiles and doesn't carry the same weight
as internationally renowned Iranian
auteurs such
as Kiarostami, Panahi or Asghar Farhadi, but consider this: He is the only filmmaker to have had his
films shunned by both the Academy and the Iranian committee that submits them!
From the outset, the loss of Greengrass
as director should have a detrimental effect on the overall quality of this
film, but this isn't the main obstacle facing Legacy,
as they have a very capable
auteur in the form of Gilroy, and it should be remembered that the franchise was kick - started by Doug Liman some ten years ago.
I'm not the only one who regards it
as Lewton's greatest
film, and I assume the main reason for its neglect is auteurist thinking — only directors are seen
as auteurs — and the absence of stars.
But while the Miike review that doesn't contain the word «gonzo» is a rarity, he is no scattershot shock
auteur, rather his
films, unpredictable
as they may be, are always guided by a clever intelligence.
As a window into the auteur's late - career preoccupation with adolescent angst, «Bertolucci Makes The Dreamers» is illuminating, bookended as it is by telling quotes («When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about young people when I was young») that make one wish Bertolucci would do a film about the vanishing act of youth rather than these pitiful attempts to trap it in a ja
As a window into the
auteur's late - career preoccupation with adolescent angst, «Bertolucci Makes The Dreamers» is illuminating, bookended
as it is by telling quotes («When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about young people when I was young») that make one wish Bertolucci would do a film about the vanishing act of youth rather than these pitiful attempts to trap it in a ja
as it is by telling quotes («When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about young people when I was young») that make one wish Bertolucci would do a
film about the vanishing act of youth rather than these pitiful attempts to trap it in a jar.
Austrian filmmakers Veronika Franz (wife of
auteur Ulrich Seidl) and Severin Fiala first present Goodnight Mommy
as a mystery with a horror
film premise — two nine - year - old twin brothers question their mother's identity after a facial surgery leaves most of her face covered with bandages.
Without giving anything away, the 72 - year old
auteur's filmmaking remains incredibly sprightly; one scene is
as shocking and heart - stopping
as anything a younger British filmmaker might serve up, and the final third of the
film lets him tackle the issues facing today's youth with surprising credibility and nuance.
Franco stars
as Tommy Wiseau, the
film's quixotic, oddball
auteur; Dave Franco and Rogen are in it too, reportedly along with Alison Brie, Zac Efron and Kate Upton.
Young
auteurs took the western, the detective movie, the sci - fi flick, the gangster
film, and even the «inspirational teacher» genre, and turned them into
films as smart and subversive
as those below.
Its opening
film is the British - produced mountaineering thriller Everest, featuring Anglo - American glamour in the shape of Jake Gyllenhaal, Keira Knightley and Josh Brolin; its competition strand has an impressive list of international
auteurs, including Tom Hooper (The Danish Girl), Alexander Sokurov (Francofonia), Luca Guadagnino (A Bigger Splash) and Charlie Kaufman (Anomalisa); and a number of authentic coups, including the world premiere screening of Black Mass, the much - hyped gangster
film featuring Johnny Depp
as James «Whitey» Bulger, and a first look at Beasts of No Nation, the African - set war thriller that represents Netflix's most serious shot yet across Hollywood's bows.
Incredibly, ace -
auteur Julian Schnabel adapted that memoir into a breathtaking, lyrical, haunting
film that is
as much his creation
as Bauby's.
The
film that first established Haneke
as an international
auteur name was Funny Games (1997), a lacerating, menacing parody of a home invasion thriller.
Her books include Rape - Revenge Films: A Critical Study (McFarland, 2011), Found Footage Horror
Film: Fear and the Appearance of Reality (McFarland, 2014), a 2016 monograph on Dario Argento's Suspiria (part of
Auteur's Devil's Advocates series), a 2017 book on Abel Ferrara's Ms. 45
as part of Wallflower / Columbia University Press's Cultographies series, and in 2018, a book on Robert Harmon's 1986
film The Hitcher, published by Arrow Books.
Abderrahmane Sissako, one of the underrated
auteurs currently working, has never made a
film as formally impressive and socially significant
as this.
Fans of the Korean
auteur (
as well
as fans of good sci - fi in general) were understandably very vexed by the decision to cut the
film down by twenty minutes and add expository voice over, eager to see the director's original, uncompromising vision.
The indie
auteur behind such lauded
films as Dead Man and Broken Flowers wades into the rich mythos of vampires to pick and choose what appeals to him.
One of the many reasons
as to why the Coen Brothers remain two of the industry's only thriving «mainstream»
auteurs is purely due to their
films» nearly mass appeal in even their most ambitious form.
I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful
film from the South Korean
auteur Hong Sang - soo, the story of a female student's «sentimental education»
as it were,
as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night
film) is an engaging and drily humorous alternative vampire
film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the
film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little
film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.
The latest episode of Observations on
Film Art, an exclusive Criterion Channel program that explores elements of cinema
as used by great
auteurs, features professor Kristin Thompson highlighting one device that has earned the
film its permanent spot in the cinematic canon: Renoir's characteristically subtle yet elaborate staging.
While,
as always, there were many worthwhile
films by filmmakers new and old, two of the finest were by bona fide
auteurs: Wong Kar - wai's The Grandmaster and Lav Diaz's Norte, the End of History.
Already they're branding the
film, setting it up
as the work of an
auteur.
This is only Anderson's second stop - motion animated
film, but the symmetrical
auteur has already established himself
as the source of some of the coolest collectible movie tie - in toys.
I'm one of those oddball folks that considers Fantastic Mr. Fox
as Wes Anderson's best
film, so next year's Isle of Dogs has me very excited for the
auteur to take another dive into the stop motion pool.
David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A
film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that
film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the
auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo,
as well
as those of his first collaboration with inamorata Tippi Hedren, The Birds).
A bit of a double edged sword for a prolific
auteur like Allen,
as he sticks with his strengths
as a filmmaker but when you've made
as many
films as he has about this subject, it's difficult to find enough wiggle room to emerge with an original work.
Julieta, the 20th
film from Spanish
auteur Pedro Almodóvar is referred to
as Banal in Shelagh's less than impressed review
Another cinephilic
auteur, Volker Schlöndorff (who began his career in France
as an assistant to Louis Malle, Alain Resnais, and Jean - Pierre Melville before returning to make his own
films in his native Germany), was an inspired choice
as this year's Guest Director in Telluride.
Twenty talking heads taking turns to discuss the great
auteur as inter-titles recount his biography in between sounds a bit boring, but Magnusson and Pallas» work is anything but — if not inventive, the
film is well structured and funny, thanks to the charismatic speakers.
Denis Cote French Canadian
auteur examines the lives of six bodybuilders in his new documentary, which has been described
as a compelling companion piece to his 2012
film Bestiaire.
On the one hand, I could hardly argue, not least since we'd both just emerged from a
film — Chilean
auteur Pablo Larrain's brilliant nightmare of a black comedy «Post Mortem» — that stands
as much chance of securing an invitation to the Kodak Theater
as Kim Kardashian does to the Kennedy Center Honors.