TIFF also has a significant offering of
films by black filmmakers.
Not exact matches
Probably more than any other
filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking
black comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and
by the mid -»20s he was making his first
films.
Adding excitement to the project beyond all the thinkpieces the media can run about what this means for diversity in cinema is the fact that
Black Panther is written and directed
by Ryan Coogler, a young
filmmaker who followed his acclaimed debut Fruitvale Station with a successful studio
film in the endearing Creed.
Red Christmas is both written and directed
by Australian actor -
filmmaker Craig Anderson, making his feature directorial debut after numerous short
films and TV work including «Double the Fist», «
Black Comedy», and «How Not to Behave».
Black Panther marks this as being one of the greatest superhero
films I've seen since it not only does the movie offer some tour - de-force performances
by Chadwick Boseman, Michael B. Jordan, and Lupita Nyong» o, but this is also one of the most mesmerizing, entertaining, and exhilarating experiences I've had at the movies this year so far, and it also proves that Ryan Coogler is one of the best
filmmakers working today.
Check out the clip below and pick up a copy of the Blu - ray, which features 11 deleted scenes; commentary
by Anderson and Owen Wilson; The Making of Bottle Rocket, an original documentary
by filmmaker Barry Braverman with interviews with the cast and crew; and the original
black - and - white Bottle Rocket short
film.
Robin Hood is directed
by English
filmmaker Otto Bathurst, a veteran TV director (episodes of «Peaky Blinders», «
Black Mirror», «Criminal Justice», «Hustle», «UGetMe») making his feature
film directorial debut with this.
In its first weekend alone,
Black Panther slashed its way through records worldwide, becoming both the highest rated superhero film ever made and the top grossing movie directed by a black filmm
Black Panther slashed its way through records worldwide, becoming both the highest rated superhero
film ever made and the top grossing movie directed
by a
black filmm
black filmmaker.
And the first
film led
by a
black cast, directed
by a
black filmmaker, expected to become a global blockbuster before it even opens.
4 — Pioneers of African - American Cinema (Kino Lorber, Blu - ray, DVD) is the first comprehensive effort devoted to collecting and preserving feature
films and shorts produced between 1915 and 1946 for
black audiences, most of them made
by African - American
filmmakers.
Four of five
films vying for Best Documentary were made
by black filmmakers, including the poignant 13th from Ava DuVernay, the first
black woman to be nominated in this category.
I have never heard of this critic, though I think its interesting that someone pointed out that he'll rush to the defense of
films made
by black filmmakers, regardless of quality, and its probably true.
is both written and directed
by acclaimed American
filmmaker Darren Aronofsky, of the
films Pi, Requiem for a Dream, The Fountain, The Wrestler,
Black Swan, and Noah previously.
The strong opening suggests «
Black Panther» will easily set a box - office record for films directed by a black filmm
Black Panther» will easily set a box - office record for
films directed
by a
black filmm
black filmmaker.
It's a daring choice
by a
filmmaker to make a nearly silent
black and white
film, and that he's able to pretty much pull it off is quite amazing.
An older title brought back into circulation is All Day's expanded DVD release of Ganja and Hess (1983), which features an overly appreciative commentary with the director, co-star, cinematographer, and the
film's composer, Sam Waymon, bubbling about a seminal work
by independent
black filmmakers that's either a lost masterpiece, or an indulgent, narrative mess to some.
Highest grossing
film by a
Black Director: It has been a watershed year for black filmmakers, with Barry Jenkins» «Moonlight» winning Best Picture, Jordan Peele getting a Best Director Oscar nomination for «Get Out» and F. Gary Gray directing a billion - dollar hit with «The Fate of the Furious.&r
Black Director: It has been a watershed year for
black filmmakers, with Barry Jenkins» «Moonlight» winning Best Picture, Jordan Peele getting a Best Director Oscar nomination for «Get Out» and F. Gary Gray directing a billion - dollar hit with «The Fate of the Furious.&r
black filmmakers, with Barry Jenkins» «Moonlight» winning Best Picture, Jordan Peele getting a Best Director Oscar nomination for «Get Out» and F. Gary Gray directing a billion - dollar hit with «The Fate of the Furious.»
Ryan Faughnder and Daniel Miller looked at what the
film's box office potential means, noting, «Crucially, «
Black Panther» could help shake up the way Hollywood does business by defying assumptions about films with predominantly black casts and filmmakers.&r
Black Panther» could help shake up the way Hollywood does business
by defying assumptions about
films with predominantly
black casts and filmmakers.&r
black casts and
filmmakers.»
Crucially, «
Black Panther» could help shake up the way Hollywood does business by defying assumptions about films with predominantly black casts and filmma
Black Panther» could help shake up the way Hollywood does business
by defying assumptions about
films with predominantly
black casts and filmma
black casts and
filmmakers.
BODY AND SOUL
By Charles Musser This 1925
film reveals the formal and political radicalism of America's most prolific
black filmmaker, Oscar Micheaux.
NOAH is a crazy
film by Darren Aronofsky (THE FOUNTAIN,
BLACK SWAN) manifesting the
filmmaker's trademark tussle with the unknowable and a feverish attempt to reconcile good and evil, faith and fear, while yoking the otherworldly to concrete reality.
The first American
film by acclaimed French
filmmaker Jean Renoir («The Grand Illusion» / «The Human Beast» / «Madame Bovary») is shot in
black and white and on location in Georgia's Okefenokee swamp.
The new Men in
Black film is being written
by Iron Man's Matt Holloway and Art Marcum, with Fast and the Furious
filmmaker F. Gary Gray directing.
The
filmmaker Fred Dekker (The Monster Squad) has revealed on his Facebook that he's «just turned in» the latest draft for the fourth Predator movie directed
by Shane
Black who co-starred in the old original Predator
film.
The
film The first American feature
by an African - American lesbian, Dunye's «The Watermelon Woman» stars its director as a video - store clerk and aspiring
filmmaker working on a project about a long - forgotten
black actress of the 1930s.
It's rare for the
film about the
black experience, made
by black filmmakers, to break into in the conversation at all, and when they do, the standards are always ridiculously high.
Claire Denis» High Life and Barry Jenkins» If Beale Street Could Talk are top anticipated
film items for 2018 that were October items, but here are a slew of
films that we are keen on that are overlapped into October and or November: Stéphane Brizé's Un autre monde (with Vincent Lindon), Jamie Adams» Bittersweet Symphony (with Suki Waterhouse), Brittany Poulton and Daniel Savage's Them That Follow (with Olivia Colman), Carol Morley's Out Of Blue (with Jacki Weaver), Pippa Bianco's untitled debut based on her short Share (with Rhianne Barreto), Edward Zwick's Trial
by Fire (with Emily Meade), Miles Joris - Peyrafitte's Dreamland (with Margot Robbie), Claudia Myers» Shadow Girl (Zosia Mamet), Tim Sutton's Donnybrook (with Jamie Bell), Chiwetel Ejiofor's The Boy Who Harnessed the Wind (he also stars), Koen Mortier's Angel (with Vincent Rottiers), Neil Jordan's The Widow (with Chloë Grace Moretz, Maika Monroe and Isabelle Huppert), Spike Lee's
Black Klansman (with Adam Driver), Julius Onah's Luce (reteams Funny Games» Naomi Watts, Tim Roth), Eli Roth's The House with a Clock in its Walls (with Cate Blanchett), Michael Goi's Mary (with Gary Oldman), Martin Krejci's debut The True Adventures of Wolfboy (with Jaeden Lieberher), Joel Edgerton's Boy Erased (Lucas Hedges, Nicole Kidman, Edgerton, Russell Crowe and
filmmaker Xavier Dolan), Laure de Clermont - Tonnerre's Mustang with Connie Britton and Matthias Schoenaerts, Geneviève Dulude DeCelles» Une colonie and Paolo Virzì's Magic Nights.
Coogler concluded his letter
by thanking
Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the
film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world before even seeing the
film... To the press who wrote about the
film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of
filmmakers the greatest gift: The opportunity to share this
film, that we poured our hearts and souls into, with you.»
We briefly mentioned the then - upcoming
film Baggage Claim as an example of a movie, written and directed
by an African - American
filmmaker, that exists outside of any perceived «
black genre» (whatever that means), which is really just a comedy that happens to feature African - Americans rather than whites of European descent.
The exhibition will include 100 of his unfired clay objects in addition to two documentary
films on his work: «Sonny Ford:» Delta Artist, made
by William Ferris in Leland, Mississippi in 1969 and JAMES «SON FORD» THOMAS: ARTIST made
by filmmakers Jeffrey Wolf and Zach Wolf, using footage shot of Thomas in 1982 while exhibiting his work as part of the seminal touring exhibition
Black Folk Art in America, 1930 - 1980, which has been edited on the occasion of this exhibition.
This acclaimed
film was the first wide release
by a
black female
filmmaker.
He figures in the recent books, 100 New York Painters
by Cynthia M. Dantzic (Schiffer, 2006),
Black Paris Profiles
by Monique E. Wells (2012) and is also the subject of a projected
film by the well - known documentary
filmmaker Louis Massiah.
12 Years a Slave became the first
film directed and produced
by a
black filmmaker — Steve McQueen, and also the first to be written
by an African - American — John Ridley, to win the Academy Award for Best Motion Picture of the Year.
These works will be displayed in a dreamlike, painted environment inspired
by British
filmmakers Michael Powell and Emeric Pressburger's 1947,
film «
Black Narcissus».
In addition, at the Niland
Black Box, there was a series of
films by Andy Warhol and other
filmmakers to interpret artistic activities at the Factory - Andy Warhol's painting studio in New York.
These works are displayed in a dreamlike, painted environment inspired
by British
filmmakers Michael Powell and Emeric Pressburger's 1947
film Black Narcissus.