Sentences with phrase «films by female»

Our debut screening is curated by Emi Finkelstein, and will presents three films by female artists: Mona Hatoum's Measures of Distance, Shigeko Kubota's My Father, and Hito Steyerl's Lovely Andrea.
-- ranking of the best films by female directors.
This September, TIFF welcomes 117 films by female directors.
With Joanna Hogg's third film, Exhibition, confirming her as among our best new filmmakers, we look back at some of the greatest British films by female directors.
Women at Sundance Selects DVD collector's set, featuring recommended films by female film artists
Speaking in an exclusive interview with the Observer to be broadcast tonight on the Variety Live@Cannes internet TV show, Jacob said the festival set a tough precedent in picking four films by female directors in 2011, including Lynne Ramsay's We Need To Talk About Kevin.
Tangerine Entertainment produces narrative feature films by female directors, consults on various aspects of the filmmaking process, and works to create audience and community for work by women.
If not a lot of films have females involved, it is only natural that the possibility of us seeing a film by female filmmakers is lower.
Though Unbroken made it in, the NBR threw a polite but very insulting bone to the other film by a female director who is on the rise, Ava DuVernay's powerful film Selma.

Not exact matches

Much like the success of last year's Warner Bros. film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters of color.
Brenda Chapman, an animation writer - director with a storied career (Disney's The Lion King, DreamWorks» The Prince of Egypt), made headlines three years ago when she penned a New York Times op - ed addressing her painful experience being removed as the first female feature film director for Pixar's Brave, a mother - daughter fairytale she created, and replaced by a male colleague.
Lions Gate Entertainment (No. 54) has had box office success with two major franchises: The Twilight series (produced by Summit Entertainment, a Lions Gate subsidiary) and Hunger Games, which have much in common as they are both film adaptations of bestselling young adult book series, are fantastical (one is about vampires and the other about a futuristic dystopia), and are anchored by a dynamic young female character (portrayed by Kristen Stewart in Twilight, Jennifer Lawrence in The Hunger Games).
On it you shall not do any work, neither you, nor your son or daughter, nor your male or female servant, except that they should fetch your beer from the fridge and make thy snacks for the game, nor any foreigner residing in your towns, except for the National Football League players and the coaches and the trainers and the referees and the ticket takers and the purveyors of hot dogs and beer and the color commentators and the play by play commentors and the cameramen and the... skip a bit Brother Maynard 11 For in six days the coaches trained the players with drills and films, but they contest on the gridiron on the seventh day.
New York's attorney general is accusing Hollywood movie producer Harvey Weinstein of «repeatedly and persistently» sexually harassing female employees at his film company, according to a lawsuit filed on Sunday by the state prosecutor that could impact...
The movie is the first female superhero film since 2005's box office dud «Elektra,» and the first to be directed by a woman, Patty Jenkins.
The film, which premieres tonight at the University of Wyoming in Laramie, will be accompanied by a touring photo exhibit showing black - and - white shots of some 40 female scientists donning beards, by photographer Kelsey Vance.
You'll see me in Namibia getting attacked by a female cheetah, because I didn't know she had cubs, but the cameras are right there in a four - wheel - drive, filming me.
Join HUB seventeen and Rooftop Films for an evening of short films directed by female directors to celebrate our March month long celebration of women!
This film is directed by Jennifer Aniston and Hudson plays the role of a female veteran struggling with posttraumatic stress disorder.
Director Tom Dey's film is yet another by - the - numbers romantic comedy where the same tired escapades ensue, including one character's climactic discovery of the other's secret (in this case, when Tripp finds out about Paula's career as a female Hitch), and their eventual reunion at the end.
Carpenter recently completed production on the psychological thriller THE FACTORY as the female lead opposite John Cusack in the Warner Bros. and Dark Castle Entertainment film directed by Morgan O'Neil, and produced by Joel Silver, David Gambino, and Robert Zemeckis.
Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral «Art» film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten by an aggressive female vampire (Annabella Sciorra) and soon spirals into a nightmarish world of blood addiction and existential angst.
In 2008, Pixar announced that they were beginning work on a film called «Newt,» about a male and female blue - footed newt that were the last of their kind, paired up by scientists to save the species.
The story of a 10th century Scottish princess named Merida (voiced by Kelly Macdonald) is the first Pixar film to have a female lead.
There are no obvious hits in its lineup, though the studio has once again enlisted major or critically acclaimed directors, including Imitation Game helmer Morten Tyldum (for the sci - fi film Passengers), Paul Feig (for a female Ghostbusters reboot), Antoine Fuqua (a Magnificent Seven remake co-written by True Detective's Nic Pizzolatto), Ron Howard (Inferno), and Ang Lee (Billy Lynn's Long Halftime Walk).
Take the scene early on in which the film's heroes — an all - female government expedition, led by biologist Lena (Natalie Portman), tasked with exploring a quarantined zone known only as «Area X» — encounter a mutated alligator large enough to be mistaken for a small dinosaur, surreal enough to be a mass hallucination.
Paul Feig's film has gambled on women, assuming that female moviegoers are sick of being reduced to man - starved, materialistic shopaholics by Hollywood, and want to see a mainstream comedy which gives them a chance to live and breathe as honest to god, funny, interesting people with their own point of view.
And MY point is that the failure of SOME female - led films is often used by the industry as an excuse not to make more, even when the failure of SOME male - led films never stops them from making more.
Much of the film's emotional punch comes from the ever - optimistic Dug and his relationships with three key supporting characters: caveman tribe chief Chief (Timothy Spall), who admits he's old for... 32, Goona, a female football phenom who Dug digs (she's voiced by Maisie Williams of «Game of Thrones») and Hognob, Dug's pig pal, who's much more than a pet (he's got a little Gromit in him).
Unsurprisingly, Persepolis has attracted the wrath of the Iranian government, but more captivating than the film's depictions of cultural repression (a scene where Marji, out to buy a black market Iron Maiden album, is beset by weasel - bodied female Guardians of the Revolution because she wears a jean jacket and «punk» sneakers is but one well - handled example) are its more understated portraits of Iran's intellectual elite, at once removed from the proletariat it so pompously champions and sadly delusional about the real threat of the fanatic trajectory of the revolution.
I am frustrated by the lack of modern - or future - set films without strong female characters, but I'm aware that, historically speaking, women haven't been given much training in warfare or an equal share of about anything.
What's most stunning about the anecdotes recounted by Dick's interviewees is how alike they are, and if his film doesn't delve quite deeply enough into the type of culture that breeds such conduct (specifically, the way in which the army projects strength as a masculine trait, thereby subconsciously disparaging female victimhood as an undesirable weakness), its spartan use of graphics and statistics conveys arguments with little grandstanding.
In 2011, she starred in the leading role of Estella in Mike Newell's film adaptation of GREAT EXPECTATIONS followed by one of the female leads in THE RIOT CLUB.
The film by talented director Pedro Almodóvar is about a predominantly female family and how they deal with situations that unfold.
Though it's loose in narrative, the general plot of the film focuses on six female spirits (played by Colette Kenny McKenna, Krystle Fitch, Anastasia Blue, Tanya Paoli, Kara A. Christiansen and Makaria Tsapatoris), all recently murdered by the same serial killer (Bryant W. Lohr Sr.), seemingly stuck on the threshold of reality and the afterlife, confined to the labyrinth passageways of a sort of purgatory-esque edifice.
In fact, eight of the ten movies I included in my top ten of the festival were led by a female performance, five of the ten films were directed by women.
His final film for Shaw, Come Drink With Me (66) revolutionized the industry, and gave Hong Kong not only one of its first period swordplay films shot in a new, modern style (inspired by Japanese swordplay films of the time), but also its first female action lead.
Towne prepped what would have been a big - budget endeavor by helming the smaller - scale drama «Personal Best,» about female track - and - field athletes, but in order to be allowed to complete the film, Towne had to give Warner Bros. the rights to his beloved «Greystoke» script.
The «Girls With Guns» films featured strong female leads, usually supported by ineffective or soon - to - be-killed male counterparts, and blended martial arts action with heavy gunplay, usually supported by eye - piercing 80s fashion, heavy synth scores, and lots of explosions in empty warehouses and abandoned construction sites.
The film accolades continued with a 2014 Screen Actor's Guild nomination for Judi Dench for Outstanding Performance by a Female Actor in a Leading Role and 2014 Golden Globe ® nominations for Judi Dench for Best Performance by an Actress in a Motion Picture — Drama, Steve Coogan and Jeff Pope for Best Screenplay — Motion Picture, and Best Motion Picture — Drama.
For every movie featuring an Ellen Ripley, Sarah Connor, Alice or Katniss Everdeen, Asian film industries managed to produce several dozen more entertaining, hard - hitting action flicks featuring strong female characters portrayed by butt - kicking heroines, many of them real - life martial arts champions or physically gifted dancers or performers.
They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,
AWFJ, a nonprofit organization of leading female film journalists with active members in the United States, Canada and the United Kingdom, recognizes outstanding achievements by women filmmakers by presenting its prestigious EDA Awards at year's end and at select film festivals.
ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.
Marvel's previous twenty films have all been helmed by male directors, including the upcoming Ant - Man and the Wasp, which features Marvel's first female lead, albeit still alongside a lead male hero.
TheWrap editor - in - chief Sharon Waxman moderates a panel featuring film executive Chaz Ebert, director Lucy Walker, producer Cassian Elwes, Creative Coalition CEO Robin Bronk, Swedish Film Institute CEO Anna Swerner and actress Dionne Audain participate in TheWrap and The Female Quotient's «Changing Hollywood: The Road to 50/50 by 2020» panel at The Girls Lounge in Cannes.
Directed by Matt Reeves, the film revolves around a bullied young boy who befriends a young female vampire who lives in secrecy with her guardian.
You might recall the female chimp's appearance in the first film as portrayed by dancer Devyn Dalton, but this time around, Cornelia is due for a significant expansion and Greer's husband is likely more excited than anyone.
For a spell, it feels as if the film will transcend the unpromising irony of its title with a female protagonist painted as unflattering and tortured, but by the time the final credits roll after an unforgivable third act, Murder by Numbers washes out as just another imminently forgettable movie starring Sandra Bullock.
In all of Trier's films, emotion, subjectivity, and intuition are in their fullest forms by female characters: from Grace (Nicole Kidman) in Dogville, She (Charlotte Gainsbourg) in Antichrist, and Justine (Kirsten Dunst) in Melancholia.
a b c d e f g h i j k l m n o p q r s t u v w x y z