Our debut screening is curated by Emi Finkelstein, and will presents three
films by female artists: Mona Hatoum's Measures of Distance, Shigeko Kubota's My Father, and Hito Steyerl's Lovely Andrea.
-- ranking of the best
films by female directors.
This September, TIFF welcomes 117
films by female directors.
With Joanna Hogg's third film, Exhibition, confirming her as among our best new filmmakers, we look back at some of the greatest British
films by female directors.
Women at Sundance Selects DVD collector's set, featuring recommended
films by female film artists
Speaking in an exclusive interview with the Observer to be broadcast tonight on the Variety Live@Cannes internet TV show, Jacob said the festival set a tough precedent in picking four
films by female directors in 2011, including Lynne Ramsay's We Need To Talk About Kevin.
Tangerine Entertainment produces narrative feature
films by female directors, consults on various aspects of the filmmaking process, and works to create audience and community for work by women.
If not a lot of films have females involved, it is only natural that the possibility of us seeing
a film by female filmmakers is lower.
Though Unbroken made it in, the NBR threw a polite but very insulting bone to the other
film by a female director who is on the rise, Ava DuVernay's powerful film Selma.
Not exact matches
Much like the success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a
female superhero movie helmed
by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters of color.
Brenda Chapman, an animation writer - director with a storied career (Disney's The Lion King, DreamWorks» The Prince of Egypt), made headlines three years ago when she penned a New York Times op - ed addressing her painful experience being removed as the first
female feature
film director for Pixar's Brave, a mother - daughter fairytale she created, and replaced
by a male colleague.
Lions Gate Entertainment (No. 54) has had box office success with two major franchises: The Twilight series (produced
by Summit Entertainment, a Lions Gate subsidiary) and Hunger Games, which have much in common as they are both
film adaptations of bestselling young adult book series, are fantastical (one is about vampires and the other about a futuristic dystopia), and are anchored
by a dynamic young
female character (portrayed
by Kristen Stewart in Twilight, Jennifer Lawrence in The Hunger Games).
On it you shall not do any work, neither you, nor your son or daughter, nor your male or
female servant, except that they should fetch your beer from the fridge and make thy snacks for the game, nor any foreigner residing in your towns, except for the National Football League players and the coaches and the trainers and the referees and the ticket takers and the purveyors of hot dogs and beer and the color commentators and the play
by play commentors and the cameramen and the... skip a bit Brother Maynard 11 For in six days the coaches trained the players with drills and
films, but they contest on the gridiron on the seventh day.
New York's attorney general is accusing Hollywood movie producer Harvey Weinstein of «repeatedly and persistently» sexually harassing
female employees at his
film company, according to a lawsuit filed on Sunday
by the state prosecutor that could impact...
The movie is the first
female superhero
film since 2005's box office dud «Elektra,» and the first to be directed
by a woman, Patty Jenkins.
The
film, which premieres tonight at the University of Wyoming in Laramie, will be accompanied
by a touring photo exhibit showing black - and - white shots of some 40
female scientists donning beards,
by photographer Kelsey Vance.
You'll see me in Namibia getting attacked
by a
female cheetah, because I didn't know she had cubs, but the cameras are right there in a four - wheel - drive,
filming me.
Join HUB seventeen and Rooftop
Films for an evening of short
films directed
by female directors to celebrate our March month long celebration of women!
This
film is directed
by Jennifer Aniston and Hudson plays the role of a
female veteran struggling with posttraumatic stress disorder.
Director Tom Dey's
film is yet another
by - the - numbers romantic comedy where the same tired escapades ensue, including one character's climactic discovery of the other's secret (in this case, when Tripp finds out about Paula's career as a
female Hitch), and their eventual reunion at the end.
Carpenter recently completed production on the psychological thriller THE FACTORY as the
female lead opposite John Cusack in the Warner Bros. and Dark Castle Entertainment
film directed
by Morgan O'Neil, and produced
by Joel Silver, David Gambino, and Robert Zemeckis.
Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral «Art»
film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten
by an aggressive
female vampire (Annabella Sciorra) and soon spirals into a nightmarish world of blood addiction and existential angst.
In 2008, Pixar announced that they were beginning work on a
film called «Newt,» about a male and
female blue - footed newt that were the last of their kind, paired up
by scientists to save the species.
The story of a 10th century Scottish princess named Merida (voiced
by Kelly Macdonald) is the first Pixar
film to have a
female lead.
There are no obvious hits in its lineup, though the studio has once again enlisted major or critically acclaimed directors, including Imitation Game helmer Morten Tyldum (for the sci - fi
film Passengers), Paul Feig (for a
female Ghostbusters reboot), Antoine Fuqua (a Magnificent Seven remake co-written
by True Detective's Nic Pizzolatto), Ron Howard (Inferno), and Ang Lee (Billy Lynn's Long Halftime Walk).
Take the scene early on in which the
film's heroes — an all -
female government expedition, led
by biologist Lena (Natalie Portman), tasked with exploring a quarantined zone known only as «Area X» — encounter a mutated alligator large enough to be mistaken for a small dinosaur, surreal enough to be a mass hallucination.
Paul Feig's
film has gambled on women, assuming that
female moviegoers are sick of being reduced to man - starved, materialistic shopaholics
by Hollywood, and want to see a mainstream comedy which gives them a chance to live and breathe as honest to god, funny, interesting people with their own point of view.
And MY point is that the failure of SOME
female - led
films is often used
by the industry as an excuse not to make more, even when the failure of SOME male - led
films never stops them from making more.
Much of the
film's emotional punch comes from the ever - optimistic Dug and his relationships with three key supporting characters: caveman tribe chief Chief (Timothy Spall), who admits he's old for... 32, Goona, a
female football phenom who Dug digs (she's voiced
by Maisie Williams of «Game of Thrones») and Hognob, Dug's pig pal, who's much more than a pet (he's got a little Gromit in him).
Unsurprisingly, Persepolis has attracted the wrath of the Iranian government, but more captivating than the
film's depictions of cultural repression (a scene where Marji, out to buy a black market Iron Maiden album, is beset
by weasel - bodied
female Guardians of the Revolution because she wears a jean jacket and «punk» sneakers is but one well - handled example) are its more understated portraits of Iran's intellectual elite, at once removed from the proletariat it so pompously champions and sadly delusional about the real threat of the fanatic trajectory of the revolution.
I am frustrated
by the lack of modern - or future - set
films without strong
female characters, but I'm aware that, historically speaking, women haven't been given much training in warfare or an equal share of about anything.
What's most stunning about the anecdotes recounted
by Dick's interviewees is how alike they are, and if his
film doesn't delve quite deeply enough into the type of culture that breeds such conduct (specifically, the way in which the army projects strength as a masculine trait, thereby subconsciously disparaging
female victimhood as an undesirable weakness), its spartan use of graphics and statistics conveys arguments with little grandstanding.
In 2011, she starred in the leading role of Estella in Mike Newell's
film adaptation of GREAT EXPECTATIONS followed
by one of the
female leads in THE RIOT CLUB.
The
film by talented director Pedro Almodóvar is about a predominantly
female family and how they deal with situations that unfold.
Though it's loose in narrative, the general plot of the
film focuses on six
female spirits (played
by Colette Kenny McKenna, Krystle Fitch, Anastasia Blue, Tanya Paoli, Kara A. Christiansen and Makaria Tsapatoris), all recently murdered
by the same serial killer (Bryant W. Lohr Sr.), seemingly stuck on the threshold of reality and the afterlife, confined to the labyrinth passageways of a sort of purgatory-esque edifice.
In fact, eight of the ten movies I included in my top ten of the festival were led
by a
female performance, five of the ten
films were directed
by women.
His final
film for Shaw, Come Drink With Me (66) revolutionized the industry, and gave Hong Kong not only one of its first period swordplay
films shot in a new, modern style (inspired
by Japanese swordplay
films of the time), but also its first
female action lead.
Towne prepped what would have been a big - budget endeavor
by helming the smaller - scale drama «Personal Best,» about
female track - and - field athletes, but in order to be allowed to complete the
film, Towne had to give Warner Bros. the rights to his beloved «Greystoke» script.
The «Girls With Guns»
films featured strong
female leads, usually supported
by ineffective or soon - to - be-killed male counterparts, and blended martial arts action with heavy gunplay, usually supported
by eye - piercing 80s fashion, heavy synth scores, and lots of explosions in empty warehouses and abandoned construction sites.
The
film accolades continued with a 2014 Screen Actor's Guild nomination for Judi Dench for Outstanding Performance
by a
Female Actor in a Leading Role and 2014 Golden Globe ® nominations for Judi Dench for Best Performance
by an Actress in a Motion Picture — Drama, Steve Coogan and Jeff Pope for Best Screenplay — Motion Picture, and Best Motion Picture — Drama.
For every movie featuring an Ellen Ripley, Sarah Connor, Alice or Katniss Everdeen, Asian
film industries managed to produce several dozen more entertaining, hard - hitting action flicks featuring strong
female characters portrayed
by butt - kicking heroines, many of them real - life martial arts champions or physically gifted dancers or performers.
They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished
female voiceover artist (played
by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the
film,
AWFJ, a nonprofit organization of leading
female film journalists with active members in the United States, Canada and the United Kingdom, recognizes outstanding achievements
by women filmmakers
by presenting its prestigious EDA Awards at year's end and at select
film festivals.
ABOUT THE AWFJ and EDA AWARDS The Alliance of Women
Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional
female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting
film work
by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and
by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst)
by and about women in the movies.
Marvel's previous twenty
films have all been helmed
by male directors, including the upcoming Ant - Man and the Wasp, which features Marvel's first
female lead, albeit still alongside a lead male hero.
TheWrap editor - in - chief Sharon Waxman moderates a panel featuring
film executive Chaz Ebert, director Lucy Walker, producer Cassian Elwes, Creative Coalition CEO Robin Bronk, Swedish
Film Institute CEO Anna Swerner and actress Dionne Audain participate in TheWrap and The
Female Quotient's «Changing Hollywood: The Road to 50/50
by 2020» panel at The Girls Lounge in Cannes.
Directed
by Matt Reeves, the
film revolves around a bullied young boy who befriends a young
female vampire who lives in secrecy with her guardian.
You might recall the
female chimp's appearance in the first
film as portrayed
by dancer Devyn Dalton, but this time around, Cornelia is due for a significant expansion and Greer's husband is likely more excited than anyone.
For a spell, it feels as if the
film will transcend the unpromising irony of its title with a
female protagonist painted as unflattering and tortured, but
by the time the final credits roll after an unforgivable third act, Murder
by Numbers washes out as just another imminently forgettable movie starring Sandra Bullock.
In all of Trier's
films, emotion, subjectivity, and intuition are in their fullest forms
by female characters: from Grace (Nicole Kidman) in Dogville, She (Charlotte Gainsbourg) in Antichrist, and Justine (Kirsten Dunst) in Melancholia.