Sentences with phrase «films director again»

But with these two projects announced he's now a full time feature films director again.

Directed by Kenneth Branagh — who's made a concerted effort at becoming a viable commercial film director again thanks to Marvel's «Thor» and «Jack Ryan» — the title role is being played by a relative unknown.

Not exact matches

Kodak is framing the announcement as a «Super 8 Filmmaking Revival Initiative,» which it intends to leverage the previously mentioned roadmap and support from Hollywood's biggest directors such as J.J. Abrams, Steven Spielberg, and Quentin Tarantino to make film a mainstream item once again.

American actor Jim Caviezel has revealed a conversation he had with film director Mel Gibson, in which he was told he may never act again if he played the role of Jesus in The Passion of the Christ.

Where the first film was something of a teen horror film, the follow - up, again from writer - director Stefan Ruzowitzky, is more of an unintentional comedy.

it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

Less than three years after the film made its theatrical debut (to many boos and jeers), the director comes back to tweak Alexander AGAIN with what I like to call the This Time for Real Cut.

There are no obvious hits in its lineup, though the studio has once again enlisted major or critically acclaimed directors, including Imitation Game helmer Morten Tyldum (for the sci - fi film Passengers), Paul Feig (for a female Ghostbusters reboot), Antoine Fuqua (a Magnificent Seven remake co-written by True Detective's Nic Pizzolatto), Ron Howard (Inferno), and Ang Lee (Billy Lynn's Long Halftime Walk).

Again, the film's style is pretty frantic, but it's also refreshingly nifty, offering anything from editing snaps to comic panel and onomatopoeia bounces that Randall Miller, as director, utilized well enough to sustain a degree of entertainment value, kept up after style dies down by directorial plays on music.

More of the same can be said for Crowe's debut as a director with the excellent Say Anything, showing once again he had a knack for taking what would ostensibly be a «just another...» film and taking it to depths no one had bothered exploring before.

Inspired by the director's interaction with street actors who portray religious figures by night and pursue more commercial endeavors by day, the film once again received a Best Foreign Film nomination at the Oscars and swept the Genies — this time in 12 categories.

But in 1994, Burton again rode high in film - critic circles thanks to his long - awaited Ed Wood (1994), the biopic of another visionary filmmaker, Edward D. Wood Jr., widely celebrated as the worst director in movie history.

Once again a bad film is written by its director - when will they learn?

Director Shane Black has covered familiar territory before in the 2005 movie «Kiss Kiss Bang Bang» (a massively underrated film in my opinion), but he has managed to win me over once again here.

Director David Yates clearly has his sights set on franchise country again — since rounding off the POTTER cinematic saga he ruffled the BBC's feathers by putting a new Doctor Who film in development, with TARZAN perhaps forming another opening gambit until that can be finalized.

The Help's director has recruited some of the cast from that film to assist in telling this story, with Viola Davis as Brown's negligent mother, who walked out on the family when he was young, only to show up again when he becomes well known, and Octavia Spencer as his aunt, who helps care for him.

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

The perfect holiday gift for romantic comedy fans of all ages, Home Again on Blu - rayTM, DVD and Digital features a bonus commentary with the director and the producer of the film, taking viewers even deeper into the heartfelt story.

After a successful outing in First Contact, Jonathan Frakes (Thunderbirds) takes the director's helm once again with a pleasant but uninvolving outing which seems more in tune with the style of the TV series than the film series, special effects notwithstanding.

Greengrass was previously nominated for Best Director for United 93 and Captain Phillips has him once again navigating timely material, so it's possible that the film could draw multiple nods.

Brawl in Cell Block 99 is the latest film from director S. Craig Zahler, of Bone Tomahawk previously, and he once again proves his prowess at delivering totally gnarly moments of violence.

Following the exploits of the Paris police department's «child protection unit,» Polisse (which screened early on) helped to establish this year's Croisette - spanning theme of children in peril, which could be found to varying extents in fellow Competition entries Michael (kidnapping and pedophilia), Lynne Ramsay's We Need to Talk About Kevin (teenage sociopathy), Aki Kaurismäki's universally admired Le Havre (illegal immigration), and the Dardenne Brothers» Grand Jury Prize co-winner The Kid with a Bike (child abandonment); in the Directors» Fortnight entry Play (bullying); and in just about every film at the 50th - anniversary edition of the Critics» Week, from French actress - director Valérie Donzelli's opening - night Declaration of War (pediatric cancer) to Israeli actress - director Hagar Ben Asher's The Slut (pedophilia again), the fact - based 17 Girls (teen pregnancy), and the profoundly disturbing Snowtown, which recalled Henry: Portrait of a Serial Killer in its verité sketch of Australian serial killer John Bunting, who lured local youths into aiding and abetting his violent crimes throughout the Nineties.

What You Need To Know: You may not have seen it, but Vince Vaughn is clearly a fan of French Canadian director Ken Scott, as «The Delivery Man» is a remake of Scott's 2012 film «Starbuck» with Scott at the helm again.

After their lukewarm collaboration Your Sister's Sister, director Lynn Shelton and actress Rosemarie DeWitt reunite again for the equally unsatisfying dramedy Touchy Feely, a film that squanders the potential of an intriguing premise.

But this is something else again, the spirited product of wonderfully dissonant collaboration: the pointlessly cutesy title may show the hand of directors Josh and Benny Safdie (cf. Go Get Some Rosemary aka Daddy Longlegs), but they've chosen some vocal partners who keep the film fired up.

Well, the Golden Globes have come and gone again - leaving Ben Affleck with the best director award for his film Argo, which also won best drama.

As the film's star once again tramples across a vast expanse of land — albeit in rather different circumstances to The Hobbit trilogy — first - time feature director duo Ben Howling and Yolanda Ramke turn a zombie pandemic into a musing on parental love, environmental destruction and the nation's cultural disharmonies.

«Retired» director Steven Soderbergh (Logan Lucky) is back yet again with another unorthodox film experience, titled...

Wonder of wonders, we get another film that recalls the fun of the first, with original director Sharon Maguire again at the helm (she sat out the second one).

«Midnight in Paris» McAdams teamed up with Owen Wilson (again) and Woody Allen for the 2011 Oscar winner «Midnight in Paris,» kicking off a stretch of prestige films in which she worked with auteur director such as Terrence Malick on «To the Wonder,» Brian de Palma on «Passion» and Wim Wenders on «Every Thing Will Be Fine.»

Nominated for Best Feature, Best Director, Best Cinematography and Best Editing at the 2018 Independent Spirit Wards, Ms. Zhao is following up her highly - lauded 2015 film debut «Songs My Brother Taught Me» with another important story, once again centered on the Pine Ridge Indian Reservation inSouth Dakota.

Writer / director Mike Flanagan (Oculus, Hush) once again delivers a nail - biting genre film that utilizes editing to its full potential.

His famous twists felt like a director attempting to re-create the triumph of «The Sixth Sense,» where the twist of the film was so successfully withheld from audiences that people went back to see the film again and again.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

As with his previous film, Funny People, Apatow again cast his real - life wife (Leslie Mann) and daughters (Iris and Maude Apatow) in a bid for something like verisimilitude, with a pot - bellied Paul Rudd standing in as the writer - director's surrogate.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

Now, in a move that should please anyone who likes to see the development of a great actor / director team, they're poised to work together again on a film called Low Life.

Well the «Training Day» duo, Ethan Hawke and Washington are teaming up again for the upcoming movie the «Magnificent Seven» and casting directors are looking for actors, models, and talent to work on the upcoming feature film.

Bringing in their superb knowledge of martial arts films, they helped director James McTeigue, (V for Vendetta) again create a film that pushes the boundaries.

On a third viewing of «Milk», one of the best films of they year and a major accomplishment for director Gus Van Sant, I was again struck, no, blown away by the brilliance, the joy, the remarkably loving work of Sean Penn as the doomed politician.

We'll be seeing Saoirse again in January when director Josie Rourke's debut film for Working Title, Mary, Queen Of Scots, opens (though it will most likely play the autumn film festivals first).

We are all very excited to see the legendary Nick Castle don the iconic mask and overalls again in director David Gordon Green's new Halloween film...

Tribeca, which runs until April 27, also closes with Begin Again, a film about a music executive, played by Mark Ruffalo, and a young singer - songwriter, played by Keira Knightley from Once director John Carney.

And while most screenwriters or directors would make that the entire premise of their film, Holofcener proves once again why her films feature some of the most satisfying and well drawn observations about men and women and how they relate.

Again, these films were a throwback to film history, with O Brother riffing on the work of director Preston Sturges, Cruelty being inspired by the screwball comedies of the 1930s and Burn owing a heavy debt to the paranoia political dramas of the 1970s - a period which appears to have inspired a cast amount of Clooney's cinematic output.

Isabel Coixet) Cast: Sophie Turner, Jonathan Rhys Meyers, Claire Forlani, Rhys Ifans, Geraldine Chaplin A director that's hard to pin down, Isabel Coixet has moved from Hollywood arthouse movies to European film and back again with ease, and in 2009 she hit Cannes with «Map of the Sounds of Tokyo» which didn't make a big splash.

Neither the film nor Haynes made the picture or director cuts, which must be déjà vu again for him.

Michael Bay is again directing Transformers 4, or Transformers: Age of Extinction, from a screenplay by Ehren Kruger, as his last film in the blockbuster series before handing the franchise off to another director.

In its laid - back, gently probing first half, the usual celebrated art film director (Jeong Jae - yeong) meets an aspiring artist (Kim Min - hee — again, see # 6; she stars in that, too) and utterly fails to seduce her, in part because he's trying so damn hard.

One of the reported stand outs is the character X-23, played by Dafne Keen, and director of the film James Mangold has said in a Facebook live Q&A that he would be shocked if we don't see her again.