The BFG like all Disney
films features yet another motherless child (I'm really getting tired of this meme), an orphan named Sophie (relative newcomer Ruby Barnhill) who gets kidnapped (for no explainable reason) by a lonely giant who calls himself the BFG (Mark Rylance).
Directed by Antoine Fuqua,
the film features yet another nonpareil outing by Jake Gyllenhaal who deserved Academy Award nominations for both Nightcrawler (2014) and Prisoners (2013).
Not exact matches
In addition to The Last Jedi and the as -
yet - untitled Episode IX in the Star Wars saga, the franchise will also yield another spinoff
film slated for 2018,
featuring a younger version of the franchise's Han Solo character.
Yet, this topic has never been the central theme of a
feature film.
Magnuson continued to make brief
yet memorable appearances in
feature films (Cabin Boy, Clear and Present Danger, Tank Girl) before releasing her solo album The Luv Show on Geffen Records.
Here's
yet another animated
feature from Disney's mostly barren stretch between its two golden ages, a
film that plays better in nostalgia - tinged memories than in the here - and - now.
As schematic as a popular entertainment needs to be
yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the
film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time
feature director Mimi Leder and fledgling
film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie star.
Though the
film would introduce Morton to her largest audience
yet, it was a pair of independent
features released in late 2002 and 2003 that would garner her even more significant critical attention.
But as an ideological jukebox movie about 20th century art, this
film should interest festivals and spaces in the art world that haven't
yet featured the 13 - screen version.
Yann Gonzalez's second
feature stars Vanessa Paradis as Anne, a gay porn producer who tries to win back her lover (and editor) by shooting her most amazing
film yet.
Beautifully shot and edited, Wenders» latest nonetheless
features his highest - profile documentary subject
yet, and the
film should attract substantial worldwide attention, especially in Latin America.
A
film praised by Variety's Guy Lodge as her «most richly strange
feature yet» and a «willfully, gorgeously out - of - time work, one that tangles past and present with critical concern for the future,» her third
feature is a fable that follows the eponymous peasant on a fantastical journey.
Carloni doesn't
yet have a
feature film under his belt, but worked in the -LSB-...]
There has been no official plot synopsis just
yet, but what I do know is that the Paul McGuigan - directed
film is said to put a new spin on the tale of Frankenstein and will
feature some sci - fi elements.
This short - and - sweet interview with Edgar Wright, whose latest fantastic
film The World's End is his best work
yet,
features the...
Yet, despite costing a meagre # 400» 000 to make, this first time
feature filmmaker, along with an incredible cast and crew, have managed to push through the boundaries of their financial constraints to produce a calibre of
film that rivals many of its Hollywood mainstream siblings, giving them a real run for their money.
At the same time, DreamWorks still has
yet to make a
film to put them on a par with Pixar in terms of being able to make animated family
films that will last the test of time as classics in their genre, rather than populist
features that work primarily in the here and now.
Set in the rural West, the
film features an impressive cast that includes Laura Dern, Michelle Williams, Kristen Stewart, and newcomer Lily Gladstone, all complex and resilient characters,
yet individuals who resist any outward expression of their inner feelings.
Iannotta doesn't have a
feature film to his name
yet, but he's got a credit that isn't just handed to any man or woman with a movie camera — his documentary short, My Big Red Purse, was selected to play at last month's South by Southwest
Film Festival, beating out hundreds of competitors in the process.
The
film also
features Miranda Otto, Jesse Plemmons, Hailee Steinfeld, Tim Blake Nelson & Meryl Streep with an expected premiere at the 2014 Cannes
Film Festival this summer, though no official US release date has been set
yet.
A brief
yet action packed little story that looks at what happens to the Chitauri weapons following the events of AVENGERS, it's a fun little bonus, though unlike the previous Marvel One - Shots from the THOR & CAPTAIN AMERICA Blu - ray releases, it does suffer due to the lack of Clark Gregg as agent Phil Coulson, who previously helped bridge the gap between the
feature films and the shorts.
«Miss Sloane» is
yet another example how the two - time Oscar nominee can singlehandedly elevate a
feature film.
But we'd had good vibes about his seventh
feature, «Moonrise Kingdom,» in the run up to its release, and Wes delivered with a
film that was simultaneously like the most Wes Anderson - y Wes Anderson
film he's made, and
yet also the biggest departure.
While their deal has
yet to be signed, director Cathy Yan is Warner Bros. and DC Entertainment's top pick to helm their upcoming female ensemble
film featuring Margot Robbie's Harley Quinn.
But to date, none has been provided for Road Trip, that
feature not
yet being a standard comedy
film DVD inclusion in 2000.
This was only Miyazaki's third
feature film as director and
yet he already seems to have mastered the medium with this production oozing charm, class, and wonder.
Yet rather than see anti-Semitism in the
film, one could just as easily criticize it for ultra-Zionist revisionism,
featuring baseball bat - armed Jewish supermen, macho enough to make even David Mamet proud, taking matters into their own hands.
There's been a mini-spate of low - budget vehicles for older actresses recently — shoestring - budget
films that feel gossamer - thin,
yet feature stellar, subtle work by their leading ladies.
He's only made four independently financed
feature films, and his fourth is his biggest and best
yet.
Adapted from McEwan's book of the same name, and from a screenplay by the author himself, Dominic Cooke's latest
feature film On Chesil Beach brilliantly conveys all of those repressed feelings and more in this compelling
yet flawed adaptation.
Some of those themes may be handled in a slightly pandering manner, and the fantasy sequences
featuring Aidan as a space adventurer are a little too on the nose,
yet there's an innate sweetness to the
film that compensates for its lack of subtlety.
It also is another less than spectacular showing for lead Josh Brolin, who has
yet to demonstrate marquee leading man value (hits «No Country for Old Men» and «Milk» were ensembles), and also
features Elizabeth Olsen, who still awaits her breakout
film after acclaim in «Martha, Marcy, May, Marlene.»
Nicolas Pesce's debut
feature The Eyes Of My Mother views its deeply disturbed heroine through the lens of hardy, immigrant - born midcentury stoicism, and Pesce chose a similarly controlled -
yet - disturbing
film for our marathon: The Night Of The Hunter, Charles Laughton's classic thriller starring Robert Mitchum as a killer who disguises himself as a preacher.
What's mind - boggling is the fact that La La Land is only Chazelle's second full
feature film; conversely, he stays the course by offering
yet another musical - themed
film.
How this will translate to
film is
yet to be seen, but there was that spectacular test footage which
featured a motion - capture Deadpool with the voice of Ryan Reynolds, who played the part in the aforementioned X-Men
film.
The score
features terrific use of drums and percussion, and the
film provides the best
yet description of marriage: tolerate until it hurts.
«Sully» is an admittedly compelling
film,
featuring a slow - burn performance from Tom Hanks,
yet it is an outlier in Eastwood's oeuvre.
Yet, THE SOUND OF MUSIC also
features some gorgeous cinematography by Ted McCord, that along with the aforementioned music, would make the
film enjoyable even without dialogue.
Peter Strickland's Berberian Sound Studio marks his second
feature film and while he may not have many
films under his belt just
yet, his latest effort proves that he's going to be a force in the industry in the very near future.
The Jungle Book director Jon Favreau is set to update
yet another classic for the studio with a live - action remake
featuring songs from the original
film
The guy hasn't written or directed a
feature film since 2005's «Kiss Kiss Bang Bang,» and
yet here he is, doing that Shane Black thing once again, only this time with superheroes, while trying his best to streamline his R - rated ways for a PG - 13 audience.
And
yet, Richie managed to make a
film that could be a key example of style over substance and is a case study in why that's such a problem when you ask audiences to invest time and money into a
feature film.
It's just that there has already been a glut of penguin
films lately (March of the Penguins, Happy Feet, Farce of the Penguins, Madagascar), and the tedium at seeing
yet another
feature film surrounding them unfortunately takes its toll on someone who has seen their share.
The nineteenth
film in the Marvel Cinematic Universe is the Russo Brothers» most epic team - up superhero movie
yet,
featuring Thanos (Josh Brolin) as the main villain who's taking matters into his own hands.
The truth is, we have
yet to watch the extended version of the
film (it's eight minutes longer, and if we knew where those eight minutes were, we'd go straight to them), but if the deleted scenes in the Special
Features section on the Blu - ray are any indication, the makers of «Horrible Bosses» left nothing in the bag, as it were.
There has
yet to be a Kevin Smith
film that wasn't totally tricked out with oodles of special
features, but the 15th anniversary edition of «Clerks» has so much extra stuff that even fans will find it an exhausting viewing experience.
While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's
film certainly
features some excellent cinematographic moments as well), Atef's
film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The
film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the
film with much of a sense of her life's story);
yet, given it is not a biopic, one wonders what the
film is, or what it tries to accomplish.
First time writer / director Eli Craig's Tucker & Dale Vs Evil is one such example, with the
film making an appearance at the 2010 Sundance
Film Festival and also
featuring on the SXSW bill the same year,
yet remaining unreleased outside of the festival circuit everywhere except Kazakhstan, Russia, Estonia and Lithuania eighteen months later.
I haven't seen Pariah myself
yet so I can't speak for the
film, but the praise its getting and all the buzz I've heard makes it worthy of being
featured anyway.
Yet more star names have been announced for Woody Allen's next
feature film, set to be released in 2013.