In his earlier films, such displacements are made to seem characteristic of Taiwan itself — a country in an existential crisis, not knowing how much its identity belongs to other countries that have occupied or otherwise dominated it, such as Japan, China, and the U.S. — but here they seem a more general condition of contemporary urban livin
In his earlier
films, such displacements are made to seem characteristic of Taiwan itself — a country
in an existential crisis, not knowing how much its identity belongs to other countries that have occupied or otherwise dominated it, such as Japan, China, and the U.S. — but here they seem a more general condition of contemporary urban livin
in an existential crisis, not knowing how much its identity
belongs to other countries that have occupied or otherwise dominated it, such as Japan, China, and the U.S. — but here they seem a more
general condition of contemporary urban living.