Sentences with phrase «films in its best moments»

films in its best moments.

Not exact matches

Last night at the Academy Awards, audiences witnessed the most awkward moment in Oscar history: Somehow, the wrong film was announced for Best Picture.

There's a scene in the film where Krasinski's character and Emily Blunt's character (who are husband and wife in the film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.

As he finally opted to break his silence following the controversial moment which landed him in hot water, Evra is on holiday but is still working hard as he was filmed pulling a car with a fella sat on top of it just for good measure.

SEE MORE Riquelme's greatest moments — A film is going to be made about the player Man United in awe of di Maria — Teammates can't believe how good he is (Video) Slovakia 2 - 1 Spain — Reigning champions suffer surprise loss

A three - minute film about a tiny molecule that lights up brain tumors so neurosurgeons can better distinguish cancer from normal tissue has a chance for its own moment in the spotlight in the Sundance Film Festival in January.

I wanted to make this dress as well from the moment i saw it in the film — and now i have even more inspiration!

(And although Galifianakis too often falls back on his ostentatiously off - kilter shtick, the comedian fares much better here than he did in The Hangover and actually does a decent job with the film's dramatic moments.)

It is easily the best moment in a film that probably shouldn't have been made.

at the Oscars, the film still stands as one of the defining moments in 1980s cinema, for better or worse.

Also, the way in which the film goes from serious tones to tongue in cheek moments is not really handled well either — from the knife wielding belly dancer to one of Samuel L. Jackson's trademark monologue, it feels rather forced at times.

Poetic Justice is like that - so much worse than it should have been, and yet, for brief shining moments, so much better than any other 2 - star film in sight.

Setting aside for a moment the question of when exactly it was finished, the answers seem obvious: there were already too many action films jostling for position this summer (including the ill - fated Batman & Robin), and the film is just too smart and well - crafted to have risked getting lost in that shuffle, a fate which the equally worthy Face / Off narrowly escaped.

Of course, he also wants us on the edge of our seats in tense moments and maybe getting a little misty at others, but it's his use of utterly inappropriate humor in such a blatant manner — and to such good effect — that makes his films his films.

A great deal of the impact in The Piano Teacher comes from Isabelle Huppert's performance, which comes as her finest career moment, as well as one of the year's early choices for 2002's Best Actress (personal list, of course: I highly doubt that the conservative Academy of Motion Picture Arts and Sciences will be able to make it through the film).

But the film's best scenes — including a haunting moment on the beach and a weirdly poignant encounter with a disfigured potential victim — also suggest a dawning moral awareness in the femme fatale.

There are some good scenes and moments, mind you — the film coheres somewhat in the back half, and there's a good 30 - 40 minutes where you can happily lose yourself — but not enough to shake the idea that Jackson has gone back to Middle - earth out of habit.

There is a scene where Gonzalez, the youngest member of the cast, delivers the most emotionally raw moment in the film, and it is gut - wrenching in the best way (think Hiro's «I'm satisfied with my care» moment in «Big Hero 6,» times infinity).

In a less well - written film, Cody and Reitman could have lost their way with the path the film takes, and while it feels like a bit of a jarring bait and switch in the moment, it never cheapens anythinIn a less well - written film, Cody and Reitman could have lost their way with the path the film takes, and while it feels like a bit of a jarring bait and switch in the moment, it never cheapens anythinin the moment, it never cheapens anything.

The interacting with Killmonger and the secondary character and the final few scenes that he and T'Challa get to spend together are honestly some of the best moments from any of these films in a very long time.

With these three films, Spielberg has crafted something like a Trilogy of Good Decisions, in which, at pivotal moments in our nation's history, more or less decent people took the opportunity to make the right choices based on fundamental beliefs in foundational American values.

The film's best moments in particular have Owen portraying the shock and paranoia of having your vision compromised while being fully conscious, or more specifically, to be unsure if what you're looking at is just someone hacking your mind.

Based on the best moments of Atomic Blonde, I would very much like to see a series of films in which Charlize Theron's ruthless, brutal and glamorous secret agent dispatches a variety of Cold War - era enemies to the accompaniment of hit songs from the 80s.

That moment is the most shocking in the film: the violence, and then the lifetime of care needed to contain and control its consequences, are well suggested; the movie soberly keeps Marjorie away from any suggestion of black comedy.

The film tries to pack in a little bit too much in its running time, and there isn't a comedic moment until well into the film, a strange choice in a movie for kids, but The Wild Life has its moments of charm, hilarity, and slapstick that worked really well.

Later in the film, Christian has an «it could have been me» moment about a fellow group - home kid who didn't turn out as good -LRB-?)

Without spoiling some of the best jokes in the film, these meta moments are brilliantly presented and not overused, with some particular running jokes that become fresher with each delivery.

Most of the film's best moments come in this middle section, as we watch the couple deal with the strain and anxiety of deciding whose needs should be put first, and for how long.

The best performance comes from Jason Patric, whose monologue in the sauna is one of the most haunting moments in the film, and his character's «It's my time now» philosophy is articulated in some of LaBute's best sentences.

Kerry Washington's Broomhilda has less to do and subsequently has a hard job to stand out amongst everyone else, but her scene with Waltz as they converse in German is one of the best moments of the film.

A handful of the Marvel movies have been quite good but «Black Panther» is the first one that feels like a passion project; it can be felt in just about every moment of the film.

Contrary to popular opinion, the best moment in the film isn't when Jimmy Cagney shoves a grapefruit in his girlfriend's face.

These moments aren't failures in the least, they're just such a departure from the other material, which is so wildly amusing, you can't help but to wish the film would just get to the good stuff.

Things get more stylish as the film approaches its climax, taking an hour to make good on the visual promise made in its opening moments.

Even though her role is minuscule in this movie, her scenes are, by far, some of the best moments of the entire film.

It should be noted that while Huxley may have acted as «Darwin's bulldog,» the filmmakers have exaggerated somewhat in making him a miltant atheist, as well as in casting him as an uncritical supporter of Darwin's theory, at least given the historical moment in which the film takes place.

The film is decently well shot, and does have it's occasional rousing moments, but in the end, I personally prefer John Singleton's Four Brothers.

Like in the earlier films where the space for personal monologue and storytelling is expanded for even very minor characters, Elvira's brutally honest tape - recorded interview in the final moments combines with the image for one of Fassbinder's most moving and penetrating moments in one of his best films.

As the film jumps from location to location, chyron to chyron, picking up storylines listlessly while letting others lay fallow for a while, out of sight but without any sort of urgency at their displacement, the best moments emerge as those featuring Mark Ruffalo as Bruce Banner / Hulk, conveying an ocean of regret in the delivery of the word «Nat» to his lost love, Black Widow (Scarlett Johansson)-- or those between Paul Bettany's «Vision» and Elizabeth Olsen's «Scarlet Witch,» who share a stolen moment together in Scotland before what they believe will be their deaths.

The film is at its best when it drops its focus from action beats, superb though they may be, and redirects itself towards quieter moments of clandestine favors and conversations between old contacts: of Zharkov and Cross drinking together and discussing the merits of Communism; of Zharkov's heart - felt talk with an Austrian contact whom he rescued decades ago from a Nazi concentration camp; of Cross and Scorpio confronting each other first in a midnight botanical gardens and then in a shadowy parking garage.

As portrayed by the film, the rules make very little sense, and consequently vested interest in the proceedings doesn't have the impact it should during key moments when victories fizzle instead of pay off, and jokes fare little better.

The Aviator is a well made film, and one of the year's best, with enough great moments to make the three hours not seem so long, although some trimming down of certain characters and scenes could still be done (Jude Law's cameo as Errol Flynn seems to be just an excuse to get him in the movie for a few minutes).

There have been quite a few let down moments in the previous 7 films & the less said about X-men Origins - Wolverine, the better, but this was hands down my favourite in the series.

Providing more tug - of - war moments than you might expect, the film champions doing what is best for the child — but shows some of the challenges involved in determining exactly what that course of action maybe.

In fact this film features some of the best opening moments in a comedy ever (seriously, up there with Monty Python And The Holy GrailIn fact this film features some of the best opening moments in a comedy ever (seriously, up there with Monty Python And The Holy Grailin a comedy ever (seriously, up there with Monty Python And The Holy Grail).

In fact, there are moments in the film when a repressive world does seem to get the better of its heroines; still, even in their darkest hours, these sisters» tresses are never less than lustrouIn fact, there are moments in the film when a repressive world does seem to get the better of its heroines; still, even in their darkest hours, these sisters» tresses are never less than lustrouin the film when a repressive world does seem to get the better of its heroines; still, even in their darkest hours, these sisters» tresses are never less than lustrouin their darkest hours, these sisters» tresses are never less than lustrous.

Well ever since Rockwell picked up best supporting actor, it seemed like it was the night for Three Billboards, a film that many voters might think is a film that speaks to the moment that we're in due to its story about a woman taking on abusers in a small town.

The fantastic Bruno Ganz (best known in the US for «Wingsof Desire») plays Hitler with a broken kind of humanity that makeshis evil subtler than expected, but by extension all the more chilling.His senior staff is accounted for nearly every moment of the detailed film, but none of them stands out except Ulrich Matthes as psychotically loyalpropaganda minister Joseph Goebbels, and Corinna Harfouch as his wife.She has the film's most disturbing scene, poisoning her children to «save «them from growing up in a world without National Socialism.

The film is anything but rushed and that is in its favor; a string of fast - paced set pieces weighs down any movie and Miyazaki has the good sense to balance the adventure with quiet but meaningful character moments.

Bill Skarsgard brought a wonderfully threatening physicality to Pennywise, making it feel as if he could rip the Losers Club kids to shreds at any time, but the film's best moments echo the ones from the book: spending time with a lovable group of misfits and being along for the ride as their bonds strengthen in the face of unimaginable terror.