The movie doesn't seem very different from the other
films in the genre apart from its premise, and while that formula worked for David Gordon Green's «Pineapple Express,» that was mainly as a result of some excellent chemistry between the two leads.
Not exact matches
With an astoundingly funny vein of dark comedy running through the entire
film, this
film sets itself
apart as a treatise of the horror
genre, something that Scream accomplished a decade previously but Cabin
in the Woods elevates to another level.
This is what sets this
film apart others
in the
genre.
In the hours surrounding teaser trailer, Trank and screenwriter Simon Kinberg talked with Collider, Empire Online and Yahoo! Movies about their frame of mind for the
film and setting it
apart from what they see as the commodified superhero action
genre.
It's a story of Native American culture that's also a thriller and a story of empowerment, and
in an era
in which so many
genre films look alike, it's so refreshing to see something like «Mohawk» that stands
apart from the crowd.
The script came from Alex Garland, who wrote the novel on which The Beach was based, and while those two
films are miles
apart in terms of budgets and
genres, they have surprisingly similar themes.
With this
film, Guest nails down his command of the comedy mocumentary, a
genre he helped to invent by co-writing and starring
in «This Is Spinal Tap» (about a rock band coming
apart at the seams) and by writing, directing and starring
in «Waiting For Guffman» (about a small town hiring an allegedly hotshot Broadway director for its 150th anniversary pageant).
More often than not, it resembles a formulaic, over-sentimentalized made - for - TV movie that lacks the big talent, great writing, and efficient character development to help set it
apart from other
films in its
genre (not to mention the fact that it's overlong and way too bland to resonate on an actual emotional level.