Not exact matches
Here are some possible themes: the relationship between civic education and
liberal education, the
use of literature and
film, the heroic approach (Washington, Lincoln, etc.),....
It's not the most promising way to kick things off (Brewer
uses it to illustrate the deadly, post-party car crash that incites the no - song - and - dance law in the
film's setting of Bomont, Tennessee), but its poor impression doesn't last long, as Brewer makes quick work of establishing a
liberal and plausible adolescent atmosphere in which Big & Rich can be listened to just after Wiz Khalifa, an antagonist is offhandedly chewed out for
using the word «fag,» and the black students nearly outnumber the white students in the high school hallways.
It also doesn't help that the
film seems conflicted in its aim to be a family - friendly adventure, while also allowing Eddie to spout of constant vulgarities (this is probably the
film that has the most
liberal use of the word «ass» that I can think of) and also elude to wanting to bed the lovely Kee Nang at every available opportunity alone.
In addition, the movie makes
liberal use of stock footage, being set in New York City, but never for a second suspected of
filming in anywhere but Canada, from where most of the cast hail.
While it may not quite make it into the Gremlins strata of holiday horror classics, its
liberal use of real performers in special make - up and costumes, as well as practical effects did warm my cold heart and gave me a bit of a nostalgic glow for those
films with which I grew up.
In Ulmer's
film, this cheapness — evident in the
liberal use of stock footage and dearth of speaking roles — acts like an extension of the protagonist's desperation.
Baumbach's
liberal use of era - specific folk music (the story takes place in the 1980s) starts to grate in these climactic scenes of realization, but it's not enough to dull the
film's stinging inventory of the knockout blows issued in the throes of divorce.
Mostly, the track benefits from the clear placement of dialogue in the centre channel, but Michael J. Lewis's score gets a nice boost from Rowe's
liberal use of the surrounds (this may be a good or bad thing, depending on how you feel about Lewis's adventure -
film approach).
As he's done in his previous movies, Payne and his casting director, John Jackson, also make
liberal use of nonprofessionals in key roles, especially when the
film gets to Nebraska.
It's a pretty standard production featurette, one which is livened up by
liberal use of clips from other
films, including Disney's Peter Pan, the 1924 silent adaptation, Pirates of the Caribbean: Curse of the Black Pearl and other work from Johnny Depp and Kate Winslet.
The Vantage should look similar to the DB10 that Aston Martin created for the James Bond
film «Spectre,» with an aluminum - intensive body and
liberal use of carbon fiber to help keep weight down.