Sentences with phrase «films opening on»

That last metric is, as always, most useful when discussing the week's limited releases, which can never compete with wide release films opening on thousands of screens in terms of sheer weekend gross.

The following short reviews of films opening on Tuesday, Sept. 14 at the 2010 Toronto International Film Festival are by James Adams, James Bradshaw, Guy Dixon, Rick Groen, Liam Lacey, Gayle MacDonald, Dave McGinn, J. Kelly Nestruck, Johanna Schneller and Brad Wheeler.

Parents at the multiplex who are looking for a movie the whole family will like probably can't do better than The Good Dinosaur — especially given the other films opening on Thanksgiving weekend (The Danish Girl; Creed; Janis: Little Girl Blue; Victor Frankenstein) and those already playing in theaters (The Hunger Games, The Night Before, Love the Coopers, Goosebumps).

This beautifully shot film opens on the solitary figures of Ahmed and his grandmother and the heavy sense of loneliness and grief is relentless throughout.

The film opens on Christmas.

The film opened on March 16th but for those of you who have still not watched the trailer yet, here it is.

The film opens on Oct. 21, an this trailer does an excellent job at establishing «Margin Call» as a can't miss based solely on the throwback tone to paranoid thrillers of the 1970s, and that cast.

The film opens on July 5, 2012.

The film opens on a hit - and - run, unseen by us but signaled by the screech of brakes intruding into the hush of night on a winding country road.

The film opens on Christmas 1947 at a party where affluent Palestinian woman Hind Husseini (Hiam Abbass, best known to Western viewers from The Visitor, though she also appeared briefly in Munich) interacts genially with everyone from the English hostess (a briefly seen Vanessa Redgrave) to an American soldier (slightly less brief Willem Dafoe).

By Hope Madden Our film opens on a black and white photo.

Although it'll technically be the only film opening on that day, Quentin Tarantino's Django Unchained and the Seth Rogen / Barbra Streisand comedy The Guilt Trip are due out earlier that same week on the 25th.

«The big unknown is how Black Panther will fare overseas, where Hollywood films with a black cast are perceived to face challenges,» the Hollywood Reporter explained three days before the film opened on February 15.

The film opens on Maud struggling mightily to make a painting that reflects her childlike view of the world.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

Mission: Impossible Fallout may well be the biggest, baddest entry yet in this long - running franchise, and I can't wait to see how all this madness plays in context when the film opens on July 27th.

The film opens on what seems like an ordinary day for fun - loving roommates Cowboy and Indian, but it's actually June 21st, which is their housemate Horse's birthday.

The film opens on the final night of 1899, an evening that has England's Marryot family excited for the new century (prematurely, nitpickers will note).

The film opens on Christmas Day and could be something that brings the family around the movie screens.

The film opens on a grim note — a mortally wounded dog — and only gets grimmer (canines do not fare well).

The film opens on May 24th.

The film opens on a quick recap of the big early events of Genesis through the fall of Man, leading into a quick prologue wherein Noah as a young man sees his father murdered by descendants of Cain.

The film opens on Armistice Day, November 11, 1918 (which we in the States call Veterans Day), the ending of World War I, which finds Vera Brittain (Alicia Vikander) standing out as a person who is not taking part in vivacious celebrations but thinking instead of whom she had lost in the war.

The film opens on Joanne's death, and from there rewinds to highlights from their last weeks together, including a trip to New York to see David at work.

We do begin with September 11, as the film opens on a black screen and the sounds of various emergency calls fielded from those poor souls in the towers on that fateful morning.

The film opens on July 2, 2014 in theatres nationwide.

The film opens on Earth in 1988, and we're immediately introduced to little Peter Quill, a mixtape - loving youngster who loses his mom to cancer and promptly gets abducted by a spaceship.

The film opens on an ominous note, as Will (Logan Marshall - Green) and his girlfriend, Kira (Emayatzy Corinealdi), hit a coyote with their car on the way to a party thrown by Will's hippie ex-wife, Eden (Tammy Blanchard), and her new husband, David (Michiel Huisman).

The film opens on October 11th, the 48th birthday of wealthy, calloused San Francisco investment banker Nicholas Van Orton (Douglas).

The film opens on a «Black Maria» horse - drawn paddy wagon charging through darkest late Victorian London.

The film opens on November 11.

The PG - 13 film opens on October 24.

Analysts and the studio said the difference can be attributed to the first film opening on a holiday weekend, and could easily be made up with Memorial Day coming, despite the looming competition from «Solo: A Star Wars Story.»

The film opens on a tutoring session between childhood friends Amanda (Olivia Cooke) and Lily (Ana Taylor - Joy), who have drifted apart over the years but have been pushed back together to help Amanda prepare for high school standardized tests.

Diane Warren (bottom right, with Disney) got an early look before the film opens on October 30.

The film opens on an interview with their mother (Kathryn Hahn, «Tomorrowland»), who explains that she fell in love with their now - absent father when she was nineteen.

The film opens on the ageing crew, three years into their five year mission of discovery and diplomacy.

The Legendary Pictures / Warner Bros. film opens on May 26.

Here, a YouTube page can serve the purpose of a flashback: The film opens on grainy, amateur video of a high - school girl, Laura Barns, committing suicide in a public place — a startling opening that evokes Benny's Video (1992).

The first film opens on September 26, and so we haven't yet seen a trailer.

The film opens on a note of creation — as evidenced by the name of the score's opening track — with a liquid black pupil slowly penetrating a pearly white sclera, accented by the nervous swirls of a string section.

The film opens on «Day 89» of a world where humankind appears to have either gone missing or become mostly extinct.

Directed by Chris Columbus, who made the first two «Harry Potter» films, and adapted by one - time «Simpsons» writer Larry Doyle from his own novel, the film opens on a high school graduation scene.

This film opens on September 15, 2015.

You can finally watch Zazie Beetz as Domino in Deadpool 2 for yourself when the film opens on May 18.

The film opens on April 24th, and also stars Olga Kurylenko, Jai Courtney, Yilmaz Erdogan, Cem Yilmaz, Steve Bastoni, Isabel Lucas, Ryan Corr, Dan Wyllie, Damon Herriman, Jacqueline McKenzie, Michael Dorman, Megan Gale, and Dylan Georgiades.

Sean Baker's fifth feature film opens on two transgender sex workers sharing a doughnut on the morning of Christmas Eve in a shop on the intersection of Santa Monica and Highland in LA.

The film opens on Jimmy Logan explaining to his young daughter Sadie (Farrah Mackenzie) the improbable story behind his favourite song, «Take Me Home, Country Roads» by John Denver.

The film opens on one rainy night in London in 1946, where writer Maurice Bendrix (Ralph Fiennes) runs into old friend Henry Miles (Stephen Rea) by chance.

The film opens on three men playing cards in a café after midnight, its door open (a tragic mistake), leading to a visit by the cold - blooded Elwood (Christopher Abbott), who insistence that he's hungry.