In the top category, Outstanding Performance by a Cast in a Motion Picture, we have eight
films vying for five spots.
Here's a closer look at the European
films vying for Oscar glory this year:
Most shockingly, Paul Verhoeven's Elle was not among the nine
films vying for five nominations.
This year might be the exception since there are three strong
films vying for the big prize — American Hustle, Gravity, and 12 Years a Slave.
The full line - up for the Cannes Film Festival 2018 has been announced, including
the films vying for the prestigious Palme d'Or.
Four of five
films vying for Best Documentary were made by black filmmakers, including the poignant 13th from Ava DuVernay, the first black woman to be nominated in this category.
Word has it that
the films vying for that prize include The Shape of...
While its cast, from its talented young leads to a never - better Ben Kingsley as Méliès, was regrettably snubbed,
the film vied for Best Picture, Director, and Adapted Screenplay honors and likely wound up the runner - up in the first two of those categories to The Artist, a kindred French production which took its love for early cinema in a drastically different direction (full - on emulation) to nonetheless comparably delightful results.
As the smaller
films vie for recognition at Sunday night's Golden Globe Awards, big - budget blockbusters dominated the weekend's box office charts.
Not exact matches
But the novelty of this has certainly worn off a bit and in the interests of both retaining fan favorites and introducing new personalities, this third
film feels a little crammed with characters all
vying for the same kind of calculated jokes.
In 1999, Saldana received what seemed to be the ideal first
film role when she was cast as a talented but snippy dancer
vying for a spot at the fictional American Ballet Company in the dance drama Center Stage.
2017 was a great year for Belgian genre
film, with the stylish Let The Corpses Tan and delightful Mon Ange
vying for a spot here.
Tony - winning «Fences» star and director Denzel Washington
vies for the Oscar with the anticipated
film adaptation of August Wilson's classic drama.
There have been far more misses than hits from the Netflix production line since it rumbled into life in 2015, and the shelf - life for
films seems to be shortening as more and more projects
vie for space.
Elsewhere, the Gotham Independent
Film Awards named Alejandro González Iñárritu's Birdman best
film ahead of Boyhood, with Michael Keaton winning best actor for his turn as a faded former star of superhero movies
vying to make a comeback.
But the first teaser for the
film also featured M'Baku (Winston Duke) as another
vying for the throne.
We started with one of this year's Razzie firsts, THE EMOJI MOVIE being the first animated
film to
vie for the worst picture award before moving on to the industry's love - hate relationship with Rotten Tomatoes; Adam Sandler's opinion of his fans; how Wilson has dealt with a steady diet of bad
films for the last 38 years; the odd timing of FIFTY SHADES FREED's release; and who the Razzies consider to be fair game.
In a year where animated
films will be
vying for the top spots on many a top 10 list, this
film solidly holds up the rear.
It's meticulously directed, the foley is as sharp and crowd pleasing as the finest Mamet dialogue, and Krasinski doesn't neglect the emotional core of the
film — the family
vying to survive, whose tensions, divisions and turmoil we experience in near silence, but with great expressivity and economy.
For example, Garrel casts his own father and son in his movies; in his lovely Summer Hours, Assayas traces the fortunes of a family at the point of dispersal; and Desplechin focuses relentlessly on family dynamics, from his first
film, La
vie des morts, up through The Sentinel, My Sex Life... or How I Got into an Argument (where the collegial circle becomes a second, substitute family), Esther Kahn, Kings and Queen, and now A Christmas Tale.
Speaking of dime a dozen, superhero
films look to dominate 2016 with Marvel, DC and Fox all
vying for the comic book crown.
The
film stars Tom Cruise, Jeremy Renner, Simon Pegg, and
Vying Rhymes and was directed by Christopher McQuarrie.
While Melanie is forced to take a back seat, the two
vie for much of the
film.
The Motion Picture Academy of Arts & Sciences has announced its short list for the
films that will
vie for the Best Visual Effects Oscar.
The preferential ballot, in a competitive year with more more than two rivals
vying for the prize, means you will have three or more
films that collect a large slice of the vote in the first round of counting.
The first U.S. trailer for the Radius - TWC release Macbeth, starring Academy Award nominee Michael Fassbender (12 Years a Slave) and Academy Award winner Marion Cotillard (La
vie en rose) is here and its packed with visual inventiveness and subverts many Shakespearian attempts at this material, which has been produced on television and in
film over a dozen times.
I have heard that actors
vie to be in an Anderson
film, and it's easy to see why.
Enrico is clearly a personal filmmaker — he returns obsessively to themes of time and memory, images of families and homes shattered in the most terrible, irreparable ways — but all his
films after Au coeur de la
vie... and Zita fail of deftness and suggestibility as visual experiences, being all but indistinguishable from the hackwork of other commercial French filmmakers typified at their best by the «Tradition of Quality» boys.
In all there are 21
films in the main competition all
vying for the coveted Palme d'Or.
Ridley Scott is back with another Alien
film, Alien: Covenant, a sequel to Prometheus (Michael Fassbender again gets to play the well - spoken robot while Katherine Waterston is on board, no doubt
vying to be the new Ripley).
The woman in question, Moon - sook (Ko Hyeon - geong), has two men
vying for her affection: a
film director named Joong - rae (Kim Seung - woo) and his production designer Chang - wook (Kim Tae - woo).
Vying alongside the high - profile
films are smaller ones including Ex Machina and Chappie as well as the big box office whiffs, Tomorrowland and Jupiter Ascending.
Spencer Tracy stars in Riffraff (1936), Franchot Tone and Cary Grant
vie for Harlow in Suzy (1936) and Harlow takes on a criminal Robert Taylor over Personal Property (1937), while the collection is completed by Saratoga (1937), Harlow's final
film.
On the drama front,
films as diverse as Bill Pohlad's Brian Wilson biopic Love & Mercy, Nanni Moretti's touchingly personal Mia Madre, and Kornél Mundruczó's White God all
vied for inclusion, if ultimately edged out by the likes of Todd Haynes's flawless Carol and John Crowley's quietly powerful Brooklyn.
Ahead of the finale for its 11.22.63 original series, Hulu has gone ahead and announced the rest of its latest TV and
film additions that will
vie for your streaming attention next month.
10:15 pm — TCM — Double Indemnity Quite probably the most definitive
film noir
film in existence (
vying only with The Big Sleep in my head, anyway) has insurance salesman Walter Neff (Fred MacMurray) being seduced by bored housewife Phyllis Dietrichson (Barbara Stanwyck) and convinced by her to help murder her husband for the insurance money.
The first looks at those
films which will be
vying for Oscars next year have already happened, at Sundance and Cannes.
And while Hooper didn't make the Best Director Oscar cut for Les Miserables, he did land a DGA nomination for that
film — a
film for which his direction is largely responsible for its shortcomings — so it's probably wise to count him among those
vying for a Best Director nomination.
Though she turned down a small (nude) role in Breathless, she was soon cast in Godard's next
film, Le petit soldat (1961), at age twenty, and would go on to appear in six more of his
films during the sixties, including the iconic Vivre sa
vie and Band of Outsiders (she and Godard would also cameo together in Agnès Varda's Cléo from 5 to 7).
It's that magical time of year when
film come to a head, colliding in a battleground of prestige,
vying for golden statuettes that boast careers and fatten paychecks.
Felicity Jones, Riz Ahmed and Diego Luna confirmed as rebel alliance fighters
vying to steal plans to the first Death Star in Gareth Edwards» «Anthology»
film
Check out a few new images from two
films expected to
vie for top honours during this forthcoming awards season.
The
film takes place in a world where two candidates are
vying for the Democratic nomination for President.
One of the problems with the
film, which held true in the 1980s, when the G.I. Joe franchise entertained kids through TV cartoon shows and comic books, is that there are too many characters
vying for too little screen time.
My favorite new
films seen in Argentina, mostly at Pantalla Pinamar, Buenos Aires International Film Festival and Mar del Plata International Film Festival Toni Erdmann (Maren Ade, 2016) Elle (Paul Verhoeven, 2016) El invierno (The Winter, Emiliano Torres, 2016) Bacalaureat (Graduation, Cristian Mungiu, 2016) Sing Street (John Carney, 2016) The Carer (János Edelényi, 2016) Ucitelka (The Teacher, Jan Hrebejk, 2016) Jamais de la
vie (The Night Watchman, Pierre Jolivet, 2016) I, Daniel Blake (Ken Loach, 2016) Personal Shopper (Olivier Assayas, 2016) Umi yori mo Mada Fukaku (After the Storm, Koreeda Hirokazu, 2016) Busanhaeng (Train to Busan, Yeon Sang - ho, 2016) L'avenir (Things to Come, Mia Hansen - Løve, 2016) Wajib (Annemarie Jacir, 2017) Chaco (Danièle Incalcaterra & Fausta Quattrini, 2017) Una mujer fantástica (A Fantastic Woman, Sebastián Lelio, 2017) La familia (Gustavo Rondón, 2017) Last Flag Flying (Richard Linklater, 2017) Lucky (John Carroll Lynch, 2017) Taeksi Woonjunsa (A Taxi Driver, Jang Hun, 2017) Good Time (Benny Safdie & Josh Safdie, 2017)
Chapter 2 is an analysis of the soundtrack of Sauve qui peut (la
vie) made with Anne - Marie Miéville — a
film which «looks back to the problematic status of the human body and voice in early sound cinema» (Fox, 34).
There is a lot left unexplained also, particularly the intentions of the various parties
vying for the very important refugee Kee (Claire - Hope Ashitey), but for all its simplicity it remains a very powerful
film.
The franchise already has a ravenous fan base going in to the first
film of the series, and with a talented cast of young talents and seasoned vets in tow, Divergent has a strong chance of setting itself apart in the sea of YA contenders
vying for the attention of young fanatics.
Jennifer Garner (Men, Women, & Children)-- I'm bullish on this new Jason Reitman
film (I love Chad Kultgen's novel), but I'm not sure what'll happen with all of the actors and actresses
vying for nominations.
New high - definition digital restoration, with uncompressed monaural soundtrack Scenario de «Sauve qui peut (la
vie)» (1979), a short video created by director Jean - Luc Godard to secure financing for «Every Man for Himself» New video essay by critic Colin MacCabe New interviews with actor Isabelle Huppert and producer Marin Karmitz Archival interviews with actor Nathalie Baye, cinematographers Renato Berta and William Lubtchansky, and composer Gabriel Yared Two back - to - back 1980 appearances by Godard on «The Dick Cavett Show» «Godard 1980», a short
film by Jon Jost, Donald Ranvaud, and Peter Wollen, featuring Godard Trailer PLUS: An essay by critic Amy Taubin