Sentences with phrase «films watched back»

Not exact matches

Or were not a few of them like the General Patton we are shown in the famous (and quite factual) film, relishing the trial and potential glory of combat, loving the strategic game, certainly not wanting to «sit back and watch,» but still ultimately knowing that this «love of war» in them was not an entirely good trait?

In short, the court said to Dallas: Come back with a case in which you limit your censorship to films that children can legally watch, and you will find a more favorable atmosphere here.

I finally got around to watching «Pray the Devil Back to Hell» this weekend and, even though I already knew the story behind the film, was absolutely blown away by the remarkable courage and persistence of Nobel Prize winner Leymah Gbowee and the women of the Liberian Women's Peace Movement.

After watching Colt McCoy get sacked nine times and throw three interceptions, one of the nicest things Longhorns coach Mack Brown could think of to say about his offense was, «We're excited to get back in the film room.»

When I went back and watched film, I noticed that the Eagles use these «new» rules with their Cover 3 calls when they are faced with a 2x2 formation.

If you disagree, go back and watch the film when his leg was broken and when his should blade was broken and tell me you would have survived both of those hits w / out injury.

Expect Alabama to get back to its run - first identity after watching film of their loss to Auburn.

You have to take notes and then go back over your notes, and after practice, you have to go back and watch film.»

Even the fact that it was claimed, at first, that the film - maker was Israeli - American and «had the backing of over 100 Jewish donors» was clearly intended to needle the Muslim population (many of whom may not even have watched the film).

Labour's Angela Eagle said her party «wants to give politics back to the people» as the pair debated how parties should collect money, after they watched a Sunday Politics film on the headlines of the last fortnight.

Think back to the last time you watched a good Hollywood film about someone overcoming tough odds and emerging — after a setback or two — splendidly victorious.

To check out more one of a kind stories, watch our films at www.youtube.com/drpeppervideos and make sure to check back in for more updates on the Diet Dr. Pepper sweepstakes for a chance to win one of thirty amazing one - of - a-kind prizes.

It was very fun to film this together and even more fun to edit and watch it back.

If you're not off to a wedding today then sit back and watch this gorgeous wedding film sent into me by Tom at Silk Wedding Videos.

I watched the film a few months back, and my brother and I just kept looking at each other with a confused expression on our faces.

The girl with the sky - high cheekbones that even goddesses would envy is back on our skirt watch, this time donning a sophisticated yet girl - next - door look for the press conference of her latest film Third Person at the 2013 Toronto International Film Festival (TIFF).

I also watch films back - to - back and eat microwave buttered popcorn.

What a massive punch in the back of the head to anyone who enjoyed — hell, even watched — the previous film.

You can also rent each of your favorite horror films and watch them back to back cuddling up on the couch.

It was so interesting to see props and vehicles from iconic moments of films I'd watched as a child, there in real life, and fascinating to read the back - stories behind the vehicles.

While watching this film unfold, I found myself looking back on the film Spotlight, which took Best Picture at the Oscars two years ago.

Back in 2014 when this film was released unto the film festival circuit, even people like J.J. Abrams watched it.

Back on the main movie disc you can watch the film in Maximum Movie Mode hosted by Matthew Lewis (Neville Longbottom).

With any luck the film will raise awareness for a horrendous disease, and it's well worth a watch for its honest portrayal of a man fighting back against tremendous adversity.

Back in director Tim Miller's first film, the stakes were low and refreshingly simple — it was enough just to watch Reynolds do his wink - wink - nudge - nudge thing and chop some up some bad guys while talking smack about Hugh Jackman.

While I haven't gone back to watch his earliest works, his work on The Lobster made it one of my favorite films of 2015.

Jim Rome On Showtime, Season 4, Episode 3: Jordan Spieth & Jim Rome go back - and - forth on their favorite films after Spieth's admission that he watched «Forgetting Sarah Marshall» the night before he won the 2015 Masters.

The film opens with Ellsberg, played by Matthew Rhys with a fine, forlorn rabbinical iciness, typing notes in the Vietnam combat field, then listening to McNamara on the plane ride back explain that the war is going terribly — only to watch him turn around and play the war's booster at an airport press conference.

Transformers is a visually engaging and action backed film that I enjoyed watching.

I find this poorly made and putted on the back of the line from many other action films I had fun watching.

Watching the film 25 years later I can say it holds all of the same heart and ingenuity that I remember from back in the day.

Another amazing thing that comes out of this is that after watching the film, the most people can say about Alexander is that he was bisexual (back when sexuality mattered little) and he had serious mommy and daddy problems (amusingly enough, Jolie is only one year older than Farrell).

As a film critic and movie lover, my days of reading Roger's reviews and watching him spar with Gene Siskel go back as farRead More →

I anxiously await to see his next film and what subject matter he tackles next but until then I will just sit back and enjoy watching his career get stronger and stronger.

Very rarely do you get a film where you'd go right back into the theatre and watch it again immediately after the first screening and have the same emotions.

As a film critic and movie lover, my days of reading Roger's reviews and watching him spar with Gene Siskel go back as far as I can remember to when I was a little kid watching movies instead of playing outside with the other neighbor kids.

A delicious film that repays watching and listening carefully as the story unwraps itself carefully backed by the music that is part of the dialogue too.

After shooting, Lanthimos began preparation to shoot The Favourite but then turned back to The Killing of a Sacred Deer after the filmmaking team watched footage and figured the feature could be finished in time for a premiere at Cannes, where the filmmaker's previous films The Lobster and Dogtooth debuted.

With its inviting plethora of lightly connected narrative strings and transitory rambling watching the film analytically seems unjust and inconsequential, but its humbled viewers will try, because Museum Hours will let them through the door and pat their backs, allowing every soul to become lost within the alluring enigma.

Watch these two films back to back and you'll be a confirmed Robert Wise fan before the night is over.

one Sundance exec shouted back at him, offering him a job watching the submitted films throughout the fall.

In fact the people I was watching Super Troopers with went back to watch the opening sequence for a second time only minutes after the film finished.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Then the film jumps back to the beginning of the evening and you spend the dizzying duration watching the well - heeled crowd unravel.

Her attempts to get back inside run the gamut from the wild (something about fireworks) to the simple (just finding an open door), but Union relishes each one, and there's nothing more entertaining in the film than watching her face move from bafflement to anger in a split second.

At first, I think they were a little reticent about taking part in the film, but then they watched «Cartel Land» and called back and said, «Let's do it.»

We knew this film would be an AMPAS player back then, and when we started the FLF analysis series in September, we remarked how this is one of the most interesting films to watch in the race.

It's been awhile since I watched the first film but I don't remember Harold Ramis and John Hughes falling back on this type of humor.

Those that have seen the first three films will probably watch this just because they've already invested quite a bit of time to this franchise, and it's just so hard to back out now once you've gotten this far, even if it isn't exactly stirring or intellectually stimulating.

It took me 8 years to go back and watch Dead Ringers again to see what a great, perfectly detailed, wonderfully executed film it is.