Sentences with phrase «films went over the heads»

Another reporter asked Kaufman if he thought this film would have broader appeal, and she suggests that his other films went over the heads of most moviegoers.

I don't know much about Shinto wedding customs or Japanese whaling traditions, so some of the film went over my head.

Not exact matches

So I go there to the banana farm and film the gorillas and get whacked over the head by a big silver - backed gorilla and everyone wins.

These themes will no doubt go over the heads of the younger kids watching the film.

Complete with jabs at social - media marketing, this is one of the film's few extended jokes likely to go over the collective heads of very young auds, but it's the kind of absurdly exaggerated everyday detail — complete with the repurposing of familiar gadgetry — on which Aardman's comic brand is built.

«Logan» shares more than just an action style with George Miller's film for it too becomes a road movie when Logan, Professor X, and a mysterious girl (Dafne Keen) head out to try and find «Eden,» a place where escaped mutants are going to start over, which may or may not even exist.

The film's surreal humour delivered in deadpan dialogue might go over some people's heads, especially when blended with the moments of extreme violence.

This film is pretty much good for everyone even if the material goes over some of the audience members heads.

When it came to making the film, Landesman goes on to say that he made a point to shoot a lot of close - ups of Neeson's eyes, as a large part of Neeson's performance relies on the actor silently turning things over in his head.

I had heard it had lots of film references & it did, it made me realise I'm really not the film buff I like to believe I am as most of that went over my head.

I've been going over Jesus» Son in my head for some time now, trying to piece together why this film didn't work for me.

There are moments in the film I think may be a bit heavy for the kiddos and some of the jokes will go over their heads, but there's a great message in the film that fits for people of all ages.

Mild scatological humor, and a veiled nod to «Girls Gone Wild» (and a few other adult - oriented films) are also included, but these remarks will likely fly over the heads of most children.

And let's not forget Emma Thompson's hilariously prickly turn as «Mary Poppins» author P.L. Travers, going head - to - head with Tom Hanks» Walt Disney over the family - friendly film adaptation of her books in «Saving Mr. Banks.»

«We Need to Talk About Kevin» had the opposite problem; it becomes more and more absorbing and interesting as it goes on, but Lynne Ramsay (whose return, my ambivalence about her film aside, was some of the best news of the year) bashes you over the head with crashingly obvious symbolism so heavily in the opening that I could never get back into it.

Co-written by Jeremy Saulnier go - to actor Macon Blair, who recently turned heads with his feature - length debut I Don't Feel at Home in This World Anymore, the film follows a disgraced cop who's released from prison, only to enter a world of trouble when a dying mob boss decides to confess his sins before he keels over.

You go from experiencing moments of euphoric movie watching to scratching your head over something that feels like it should have been introduced in a previous film, and it's that level of disorientation that inevitably makes The Legend of Tarzan feel lackluster.

What at first seems like a children's film with an appropriately light plot becomes an entertaining tale for all ages, as certain gags might go over the heads of children, while others are a little disturbing.

The film just premiered at the Sundance Film Festival in the same venue where I saw, and went head over heels crazy for just a few years ago, Linklater's Before Midnight.

It might have gone over some audience members» heads — that's the joy of it, really — but it also had a profound effect on film: Here is the birth of all those deliciously crude «Airplane» - style sight gags.

The Otolith Group artistic collective «exploit the seductive power of the moving image» through the simultaneous playing of a series of films and documentaries, that we must admit went slightly over our head.

There are too many great works in Galerie Chantal Crousel's booth to go over all of them, but the combination of two Jean - Luc Moulène sculptures — polished concrete heads on folded blue moving blankets — with two two - frame films by recent Marcel Duchamp Prize winner Melik Ohanian is definitely a highlight.