Sentences with phrase «films worked so»

The reason the film works so well is that they were able to keep all the key elements that made the show entertaining and great while expanding the plot to be more complex, intriguing, mysterious and horrifying.

And it has such a darkness about it, such a fog of dread & bad choices, with music to support the mood and a good directorial eye to catch all the tiny details that make the film work so well.

The screenplay by Chris Butler is one of the reasons the film works so well.

Mostly it's the excellent presentation of vampires - as - normal - people that makes for plenty of comedic - fodder and is what makes the film work so effortlessly.

Moore is the reason why the film works so well.

This film works so effectively because it establishes a very natural, everyday world, places the audience intimately within it, and then sits back as everything takes a horrific turn.

She is a much needed addition to the Pirates mix and a major reason the film works so well.

And it's not just the framing and the rhythm which make the film work so well, it's the repetitions and call - backs and delayed punchlines and bathetic edits too.

The whole film rests on these two woman and they are what makes the film work so well.

What helps make the film work so well is the great depth in the casting, starting with the lead.

And that's also why the film works so well as a comedy; for the most part, it is a human one.

The primary reason the film works so well as horror is the same reason it works as the study of a deteriorating mind: Kent's dedication to the subjective point of view of the protagonist.

The family at the center of All or Nothing is well into this process, and Mike Leigh's film works so well because we don't necessarily realize the specifics until the characters do.

Frankly, that may be one of the reasons why the film works so well.

Simon Pegg and Nick Frost team up once again and it?s a big part of their chemistry together that makes this film work so well.

It's very fair to point a finger at Chef for being an overdone attempt at sending a personal message and there are very few surprises in the narrative, but what's wrong with that when the film works so well?

The film works so well as a kind of extra-long Twilight Zone episode that it's kind of disappointing when the scale does increase, during the perhaps inevitable big bang of a climax.

The main reason why this film works so well is because Luhrmann and his co-writer, Craig Pearce, know that The Great Gatsby isn't an exercise in realism, but rather it's more an epic, lyrical ballad, complemented with light tones of gloss and glitter.

Gyllenhaal is just one part of the strong ensemble that make the core of the film work so well.

Indeed, the film works so hard to explain its plot developments that it scarcely has any time left over to dramatize them.

So many elements of the film work so well that it's a real shame about the story being a clunker.

There's also a wonderful supporting role that, while played for laughs, finds just the right level of fun and silliness that made the first film work so well.

The film works so well that when Carney's dedication comes on the screen right before the credits roll, it unleashes profound emotion because it's the anchor of what the film has been about all along, something felt throughout, but not underlined or spoken.

It's also possible that the presence of director Neil Burger was one of the things that made the first film work so well.

What makes this film work so well though, is the chemistry from it's leads; two complete opposites but still entirely believable.

This intense involvement on the part of the viewer — clearly the reason the film works so well as a suspenseful prison drama — can be attributed to Bresson's respect for the limitations of the narrative first person.

That the film works so brilliantly is a tribute in large part to the actors.

That's not to say that there is no humour; in fact one of the reasons the film works so well is exactly because it's actually funny.

The film works so well at lulling you into a feeling of safety so that when the violence reappears, its brutality is utterly shocking and continues to be shocking as the each act unfolds.

Frost's onscreen chemistry with Pegg is the main reason these films work so well, more so in «Hot Fuzz» than ever before.

The film works so well because it comes straight from the heart.

Get Out turns out to be more fun, and more provocative, than it is scary, at least in the traditional midnight - movie sense: The film works so well as a gauntlet of social horror that Peele almost didn't need the more traditional thriller elements he introduces in the third act, when a carefully calibrated build in just - because - you're - paranoid dread gives way to some disappointingly conventional survival games.

I think a big reason why the film works so effectively is because it does so much with so little.

It is a bit of a spoiler, as the film works so hard to reveal that information at the right time, but it isn't the most climactic revelation in the film either.

Everything that makes Chan - wook's films work so well seem to be present here in this very first look at the film.

One reason the film works so well is that first - time feature director Kevin Asch manages to capture the look and feel of a traditional Hassidic household and community, as well as the exotic night world of drugs, booze, and women that Sam comes to know — and like.

Not exact matches

He wanted to work on films, but those jobs were scarce, so he took a job as an assistant at a small talent - management company called BKEG, owned by former comedian and comedy manager Barry Katz.

But the narrative already has the makings of a feel - good Hollywood movie — so it should come as no surprise that a feature film dramatizing Ma's rags - to - riches rise is already in the works.

With news emerging that the siblings are back at work on their first original project since «The Matrix» — a gargantuan sci - fi film called «Jupiter Rising» — it's worth taking a look back at their work so far.

«The film industry is very much boom or bust, so we are either dealing with a lot of resources, or we don't have any work and are still trying to pay our staff.»

As the film progresses and the ball starts moving away from its center position of the image because of poor camera work, the algorithm can essentially rotate each key frame so that the ball magically appears in the same spot in every frame.

I mean, the distributor of this film told me that all of the work we have done — the film festivals, all the press, the public appearances, the theatrical release — it all has one goal, which is to be No. 1 VOD on the first VOD weekend, because there is so much product out there on demand that if you're not in the top five it doesn't matter anymore because people can't get through it all.

That is an aspect of all the characters in all my films; and so the loss for Guo Pei was the loss of her culture, of the art of embroidery that she has been working to bring back.

It's helped me develop a sense of storytelling that is so key for not only composers, but anyone that works in film and TV.

They love one another, they both work, and they make a lovely family, so the film is obviously about love and work and family.

Those 10 years were laced with so many failures: quitting many times over, re-writing the edits of my re-write, working back in a cubicle, working back at the dream, trying to live in a retirement home to film a documentary, relationship debacles, a fire that almost burnt down my house and every other twist and turn of «God, where are you in this?»

This film is a stunning representation of his work and gives great insight to the man behind iconic images and why he cares so much for humanity.

Opening weekend is critical to the success of the film, so if you're eager to support Don and Steve and all the work that went into this film, grab a group of friends and head to the theater!

When a friend's son (who was, so tragically, dying from an incurable illness) made a wish: to meet Luke Skywalker, it fell on me — the only person the dad knew who worked in the film business — to make a call.

Now, talks are still early (and we'e heard rumors like this before), so this whole thing is far from certain, but Deadline is confidently reporting that talks are definitely happening and filming could start after Pratt wraps his work on Jurassic World and Guardians of the Galaxy 2.