Sentences with phrase «fin de»

My first book, Shakespeare's Women and the Fin de Siecle, is out now from Oxford University Press!

He produced some spectacular oils, along with a series of wonderfully romantic medieval - subject watercolours (inspiring a second wave of Pre-Raphaelitism), but also produced a quantity of lower quality works of sensuous, pouting femme fatales: (though even these inspired the Symbolists and fin de siecle decadents).

The 19th century genius JMW Turner (1775 - 1851) was arguably the first abstract expressionist, while modern abstraction is commonly attributed to Paul Cezanne (1839 - 1906) who employed geometric solids in some of his fin de siecle landscapes.

A rare screening of videos from Juan Downey's The Thinking Eye series, including: Information Withheld (1983, 34 min, colour, sound), Shifters (1984, 28:10 min, colour, sound), J.S Bach (1986, 28:25 min, colour, sound) and Hard Times and Culture: Vienna, «fin de siecle» (1990, 34 min, colour, sound).

Another exhibition presents a unique dialogue between the masterpieces of Rodin and the work of the great fin de siècle Austrian master of modernism, Gustav Klimt, in Gustav Klimt and Auguste Rodin: A Turning Point.

For example, his books «Fin de Copenhague» (1957) and «Mémoires» (1959) were made in collaboration with the painter Asger Jorn and use the classic modernist drips of color prominently as means of composition.»

Guggenheim Bilbao Abandoibarra et.2 48001 Bilbao Spain Curator: Vivien Greene, Solomon R. Guggenheim Museum The Guggenheim Museum Bilbao is pleased to present Paris, Fin de Siècle: Signac, Redon, Toulouse - Lautrec, and Their Contemporaries, an exhibition that analyzes the Parisian art scene, underscoring the most important French avant - gardes of the late 19th century, -LSB-...]

General Idea's Fin de siècle, Württembergischer Kunstverein, Stuttgart; Centre d'Art Santa Mònica, Barcelona; Kunstverein in Hamburg, Hamburg; The Power Plant, Toronto; Wexner Center for the Visual Arts, Ohio State University, Columbus, San Francisco Museum of Modern Art, San Francisco, (1992 - 1993).

Commissioned by and performed at Dia: Beacon in October, 2005, this project is the result of Jonas's research into German art historian Aby Warburg's essay about a fin de siècle trip to the American Southwest.

Finally, fin de siècle and early 20th century brought us to beginnings of modern painting within the practice of Georges Braque, who is assigned as one of the key figures of Fauvism and Cubism.

2001 Empathy, Pori Art Museum, Pori, Finland Mies in America, Whitney Museum of American Art, New York, USA What «s New: Recent Acquisitions in Photography, Whitney Museum of American Art, New York, USA InSITE 2000 - 2001, Installation Gallery, San Diego, USA and Centro Cultural Tijuana, CECUT, Tijuana, Mexico Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, USA In Between: Art and Architecture, MAK Center for Art and Architecture, Schindler House, West Hollywood, USA Hieronymus Bosch, Museum Boijmans Van Beuningen, Rotterdam, Netherlands Políticas de la differencia: Arte Iberoamericano fin de siglo, Centro Pernabucano, Recife, Brazil

Patrick Nagatani (American, b. 1945), Fin de Siècle, Bat Flight Amphitheater, Carlsbad Caverns, New Mexico, from the series Nuclear Enchantment, 1989, Chromogenic print on Ilfocolor Deluxe paper, edition 2/24, 17 x 22 inches, Museum purchase, Julius L. Rolshoven Memorial Fund, 90.35.2, © Patrick Nagatani, Image courtesy of the Artist

[15] Other examples from this era include Guy Debord and Asger Jorn's two collaborations, Fin de Copenhague (1957) and Mémoires» (1959), two works of Psychogeography created from found magazines of Copenhagen and Paris respectively, collaged and then printed over in unrelated colours.

Lyon Video Wall is an early example; two of Paik's more dramatic video walls are Fin de Siécle II, 1989, and Megatron / Matrix, 1995.

The paintings on view, made between 1960 and 1975, include one of Jensen's largest and most complex works, A la Fin de l'automne (1975).

With over 200 objects by artists, artisans, and architects of the fin de siècle from the collection of Seattle residents Wayne Dodge and Lawrence Kreisman, the exhibition provides an overview of ornamentation of the day in the fine and applied arts and the desire to unite all artistic disciplines in the Gesamtkunstwerk (total work of art) as proposed by composer Richard Wagner.

The stolen artworks include Emil Nolde's «Figur mit Hund» (Figure With Dog), 1912; Lyonel Feininger's «Fin de Seance,» 1910; Chaim Soutine's «La Vieille Dame au Chien» (Old Woman with Dog), 1919; Soutine's «La Femme en Rouge» (Woman in Red), 1926; Kees van Dongen's «Alicia Alanova,» 1933; and Hans Hofmann's Untitled (Blue Bottle), 1947, authorities said.

Daniela Lucrecia Márquez Rivero stands in front an abandoned department store in Havana's centre — the sign behind her reads Fin de Siglo: End of the Century.

Stretching back for 50 metres, with a similar size basement below, the sparse, white - painted space is on a scale one can't anticipate from the building's narrow fin de siècle façade.

Since 1998 he works in fragments of a cultural history of aesthetical practices of the end of the XIXth Century, around the production of a somatic and sexualized subjectivity, about what he published the essay «Narciso Fin de Siglo» (Melusina, 2008).

BOONE: Well, I always think that the»90s were fin de siècle, and if you look at history, that's always an odd time for art.

Her paintings also bring to mind the extravagant decadence of fin de siècle Vienna, the crystalline colors of ukiyo - e woodblock prints, the late figuration of Philip Guston and the Pop abstraction of Nicholas Krushenick.

Following in the footsteps of Synthetism (developed by Gauguin) and Cloisonnism (invented by Emile Bernard and Louis Anquetin) came the fin de siecle art group called Les Nabis, composed of young painters drawn to the decorative and spiritual content of painting.

Paris, Fin de Siècle: Signac, Redon, Toulouse - Lautrec, and Their Contemporaries is a new exhibition at The Guggenheim Museum Bilbao that analyses the Parisian art scene, underscoring the most important French avant - garde artists of the late 19th century, particularly the NeoImpressionists, Symbolists, and Nabis.

The next year, Mathieu Malouf laid down bright red carpeting, painted the walls the color of citrus, and affixed collars and chains to his sculptures, staging a delirious fin de siècle dungeon.

Under that rubric, her work provides insight into the exuberant spirit of contemporary fin de siècle visual art. - Marc Awodey, Seven Days, November 2007

1987Corporate Crime / Malicious Mischief, Power and Mediation: A Fin de Siècle Tautology, University Art Gallery, University of California at San Diego, La Jolla

2013Repertory, curated by Gary Carrion - Murayari, PalazzoCavour, Torino, Italy (ARTISSIMA) a Fin de La Nuit, Palais de Tokyo, Paris Trieste Project by Jay Heikes, Marianne Boesky, New York Film as Sculpture / Sculpture as Film, WIELS Contemporary Art Centre, Brussels

La Fin de La Nuit, 2012, Palais de Tokyo, Paris, Filmstrips: Dawn Surf Jellybowl Filmstrip # 6 (2012), Topanga Beach Filmstrip Girls and Cops, (2012), both archival inkjet print, Installation View

2013La Fin de la Nuit, Palais de Tokyo, Paris, France, curated by Martha Kirszenbaum Utah Biennial, Utah Museum of Contemporary Art, Salt Lake City, UT Emmy Moore's Journal: An Exhibition Based on a Letter in a Short Story by Jane Bowles, The Printed Room, SALTS, Basel, Switzerland, curated by Quinn Latimer Polycromies: Surface and Light, Henry Moore Foundation Leeds City Art Gallery, Leeds, UK Cathy, Jean - Paul, Peg Entwistle et les autres, 8 Rue Saint Bon, Paris, France Inside and From the Ground Up, Museum of Contemporary Art, Cleveland, OH Analogital, Utah Museum of Contemporary Art, Salt Lake City, UT Educational Complex Edit — Videos by the Students of Mike Kelley, The Art Gallery, University of West Florida

Rather than merely resurrecting this forgotten language of the Fin de Siècle, Fox has found his own way of inverting the coded articulation of desire, playfully and subtly expressing a highly personal and symbolic pictorial language of concealment.

In the dimly lit ground floor gallery of Parasol unit is the provocative Fin de silencio (End of Silence), 2010, a body of work that combines both tapestry and video installation.

His Notes Toward Painting, written in 2003, around the time of that shift, is a dense web of references, encompassing the discovery of electricity and the origins of Spiritualism, the interrelationship of abstraction and the GI Bill, Bazooka Joe, the first satellites, Creek Native Americans, cabooses and cargo cults, surpassing the scope of his earlier research into the art and material culture of the fin de siècle in France.

This is a treasure, a pristine piece of the culture that produced Sigmund Freud and Gustav Mahler — the sensuality of fin de siecle Vienna preserved in a pharaoh's tomb.

Like fin de siècle Symbolist artists, Jarman associates blue with melancholy and death, and after 1 hour and 15 minutes, his final vision of a tropical paradise and a delectable encounter with a lover --» His blue jeans / Around his ankles / Bliss in my ghostly eye» — leads him into an Ozymandias - like, moving mediation on loss and forgotten identity.

Paintings like this don't come on the market very often, for Klimt's jewelled sarcophagus - like portrait of one of his many Jewish patrons in fin de siecle Vienna hung in that city's Belvedere museum until it was prised out of this major public collection by law.

Claude Monet, Meules, fin de l'ete (Haystacks, Late Summer), oil on canvas, 1891.

«Figuring the Origins of the Modern at the Fin de Siècle: The Trope of the Pathetic Male,» in Making Art History, ed.

Danse - moi vers la fin de l'amouris the culmination of a project by the artists Samuel Levack and Jennifer Lewandowski.

Last year the Swiss Institute launched the inaugural edition of its Annual Design Series with the wonderful «Fin de Siècle,» an exhibition curated by the Greek - Norwegian architect Andreas Angelidakis in homage to Eugène Ionesco's 1952 play The Chairs.

Zamudio Taylor, Victor «Cool Pages Polticas de la diferencia, Arte latinoamericano de fin de siglo, Generalitat de Valencia, España Gonzalez - Mora, Magda., No place, IFA Galerie Bonn, Bonn, Germany

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

Swiss Institute announces the inaugural edition of its Annual Design Series, an exhibition curated by renowned Greek - Norwegian architect Andreas Angelidakis entitled Fin de Siècle.

Fin de siècle feeling Step inside the lobby and feel transported away from busy modern day Vientiane.

What do you get when you mix the Impressionist painters, mysterious deaths, time travel, life in fin de siècle Paris and irreverent humor?

As a lover of art history and historical fiction, I enjoyed traveling back to fin de siècle Paris when Impressionist painting was in its infancy.

Jonathan Franklin, «Protests Paralyse Chile's Education System,» Guardian, June 7, 2006, www.theguardian.com/world/2006/jun/07/chile.schoolsworldwide; and Sergio Martinic and Gregory Elacqua «¿ Fin de Ciclo?

As the fin de siècle approaches, we have been besieged with lists: news events of the century, novels of the century, nonfiction works, films, songs, and, yes, books specific to fields of study.

(Some reviewers have alluded to Schnitzler's «fin de siecle Vienna,» apparently trying to force a relationship to fin de siecle New York, but Traumnovelle was written and published over a quarter of a century too late for that.)