Sentences with phrase «final action scene»

The final action scene was difficult, mostly because of where we were in that variable tempo rhythm.

While the final action scene through the Vegas Strip may work for action fans, to me it was confusing, unnecessary and dull, and must surely have only existed because they had heaps of budget left that they didn't know what to do with, and didn't want to hand it back.

Some of the CGI was a bit spotty in the final action scenes but other than that, this is the film I was hoping for.

Not exact matches

The final film presented a gargantuan challenge to its makers, who were required to juggle gigantic action scenes with emotional heft and jaunts into the metaphysical to explain its labyrinthine plot.

The exorbitant action scenes hit all the necessary crowd - pleasing buttons at regular intervals, but for a movie with infinite potential — Doctor Strange, who gets a good look - in, counts 14 million possible outcomes to the final battle — it's possible to feel they banked on a rather narrow algorithm.

Yes, the final act does have some cool fight sequences, but I'm more just commending the filmmakers on a few cool action scenes rather than saying that I actually enjoyed them while watching.

Messy, soulless, overlong and incomprehensible CG action scenes are order of the day, and they totally murder the movie's final act.

Her final scenes, in particular, is where she really gets a hold on what the actions of everyone around her will cost her.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

In the penultimate shot, dead Lincoln is lying on a small bed, nestled as a baby, his face quite calm, it is obvious that his murder has not astonished him; then in the final scene at the Capitol, Lincoln is standing erect, in action, delivering a speech to the multitude in the middle of the frame.

Having spoiled Hugh Jackman's cameo in the final trailer for X-Men: Apocalypse, we now have a behind - the - scenes look at the Weapon X scene from the mutant superhero sequel courtesy of director Bryan Singer, who has shared a brief video featuring the Wolverine in action.

By the time the movie gets to the final climax, basically where every last character is suddenly together in a big obviously - in - a-warehouse-set with an impending action scene pitting them all against each other, I had completely lost interest in the story.

Director / Screenwriter (and part - time comic book writer) Joss Whedon's love for comics is apparent right from the start with an opening act that would be the climax in many action films and carries through to one of the more spectacular final battle scenes you're likely to see for years to come.

The actions scenes work, although the final one is a bit of a Bay of Pigs style flop.

The final big action scene in The Lone Ranger.

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Employing controlled, poetic slo - mo as he tilts the action from suspense to panic to outright terror, his final scenes are bold, brutal and brilliant.

Nevertheless, the visceral getaway and car chase scenes in the first and final acts are expertly - directed action scenes by Wright and an important highlight of Baby Driver.

The action scenes were amazing including (my favorite) the shark chase and the final confrontation.

Captain Phillips is a rollicking thrill ride, masterfully played out by action tension specialist Paul Greengrass and elevates itself with Tom Hanks» chilling and remarkable performance of its final scene.

Our Kind of Traitor has a few simple action scenes in the final act, but John le Carré's novel comes to life thanks to suitable performances from everyone involved, especially Skarsgård (Thor: The Dark World, The Girl with the Dragon Tattoo).

Final Verdict: Taken is an honest action, promising little more than great fight scenes.

In addition to accurately depicting many of the action - packed scenes from the book, Lawrence has also brought his attention to the series» most powerful themes, making sure to include some of the key lessons from the final book in here.

But until the final scene, almost every major action happens offstage.

While this action - packed script is well written and for the most part well paced, it stumbles disappointingly in the closing scenes when the final showdown is so drawn out it begins to feel tiresome.

, the scene was set for a series of huge action set pieces (as so described in President Coin's final speech at the end of that film) as the rebels storm the Capital.

His final scene in «Brother» owes more to the defiant last gestures of 1930s Warner Brothers gangsters than to simple - minded modern action pictures that end after all the enemies have been eliminated.

There are numerous scenes of the Teacher musing about power; bonding between Annie, her son, and her obviously doomed best friend (Anne Heche); requisite scenes of the jury arguing; and, most misguided of all, a trip to Guatemala, where the final action takes place.

In the final scenes, a brilliant mix of contrivance, intimacy, distance, and dramatic closure peered into like a voyeur, questions of performance and spontaneous action are tossed to the wind in a moment of emotional power.

The final hour ramps up the tension with a ticking - clock element that should have most viewers right on the edge of their seats, and nobody dials the action sequences up to the epic levels quite like Nolan, and his scenes of destruction surpass anything in the series so far.

Rodriguez proves that he is still a very competent director, as the film is beautifully shot and the action scenes look great, but the story is a muddled mess, and makes for a film that isn't quite satisfying on its own, and certainly doesn't work as the final chapter in the El Mariachi trilogy.

Finally, «Inside Action: Side by Side Comparisons» (11 mins., HD) offers behind - the - scenes footage of the more adrenalized sequences, presented in split - screen alongside the final product.

The killer scene: The final half hour, a glorious catharsis of Shaw - brothers — style action that deserves comparison to «Seven Samurai»

The final sequence, cutting between two court scenes as Ernest is admonished by the mice and Celestine by the bears is quite effective, and a wonderful way to wrap the film up with a little bit of action while reinforcing the central moral of looking beyond one's skin and the expectations heaped thereupon for the deeper meaning of the self.

M1 GT Racing exploded onto the scene in 2016 PWC SprintX action by claiming three podium results in three event weekends as well as the pole position at the final round at the Mazda Raceway Laguna Seca.

Of course, an M rating doesn't necessarily translate into a game designed for adult gamers, and to round off the presentation by suggesting that «Deadpool is a game that would've greatly excited our teenage selves» is perhaps a more fitting description of an action title that appears to revel in the decidedly immature.That the final scene of gameplay features Deadpool shamelessly ogling Psylocke's breasts only serves to underline this.

Final Fantasy XIII - 2 is Square's big project at the moment, but behind the scenes work is afoot on what Japanese mag Famitsu describes as a «massive, original action RPG».

This includes an additional scene called «Day 357: Tears» for Kingdom Hearts 358/2 Days involving an «action - packed final battle.»

In summary, anyone who thought Final Fantasy XIII was frustrating because it was just a string of all - too - similar battles (with a lot of auto - battle action) punctuated by the occasional dialogue scene should acknowledge that «they never had it so good,» at least not in this console generation.

Following Orange House Action Clinic at Portland's S1 earlier this year and First Water to Tripoli at London's Jupiter Woods last year, We Are The People We Have Been Waiting For is the final piece of the artist's ongoing research, focused on «taking everyday subliminal surfaces and utterances out of their typical scenes».

Developed by Atari Games Corporation Released 1989 Also For Amiga, Amstrad CPC, Arcade, Atari 2600, Atari 5200, Atari 8 - bit, Atari ST, BBC Micro, ColecoVision, Commodore 64, Electron, GameCube, Macintosh, ZX Spectrum Genre Action Perspective 1st - Person Perspective Theme Arcade, Sci - Fi / Futuristic, Shooter Misc Licensed Title Description Star Wars is a first - person shooter based around the final scenes of the original Star Wars film.