Sentences with phrase «final emotional scenes»

Not exact matches

In an instant, all the moaning about their contribution, place in the team, lack of end product, taking squad places, hindering the rebuild, etc., disappeared, and was replaced with an enormous outpouring of good will that manifested in incredibly emotional scenes in their final three games.

It is just as indispensible as the other Metal Gear games and the final scenes leading up to, and including, the final boss battle are some of the most well - designed, emotional and memorable scenes in a videogame.

The final film presented a gargantuan challenge to its makers, who were required to juggle gigantic action scenes with emotional heft and jaunts into the metaphysical to explain its labyrinthine plot.

Broken Age tries to end on a heartwarming final scene, but its an ending that it doesn't feel like the game earned, with Act 2's stagnant characters never maturing or developing in any way that would give the scene the emotional weight it seems to think it evokes.

However, that emotional intensity is completely erased in the film's final half hour, which is devoted to typical courtroom scenes that provide none of the power of what we just endured.

The cumulative emotional effect is devastating: the final scenes here are as angry, as memorable, as overwhelming as anything modern cinema has to offer.

Suffice to say that there's a thrilling large - scale battle scene, and a lot of slightly less - large - scale ones, and that the film's final 15 minutes or so have a genuine, unexpected emotional resonance.

There's a genuine emotional heft to these scenes, and the final confrontation between them sees Kore - eda overlay their heads in a shot that highlights just how important their relationship has become to them.

The «Star Wars» icon opened up to ET about his emotional final scene with his long - time friend, and how watching now, after Fisher's death, is just too hard.

The film reaches an emotional and thematic catharsis in these scenes, which sets up the final phase in Schmidt's journey.

And yet... I felt little emotional connection with John throughout this rather overlong film until the final scene.

But it's the final scene, too devastating to reveal to those who haven't watched yet, that delivers the emotional suckerpunch.

Throughout La Vie de bohème, the novel's romanticism is undercut by the ridiculousness of the characters waxing intellectual in their impoverished circumstances, which then makes the few moments of seriousness (such as the final scene, in which Rodolfo's lover dies) refreshing and surprisingly emotional in contrast.

Meagre yet interminable extras begin with a thirty - second deleted scene entitled «Bathtub» that sees Lars jumping into the tub with Bianca after a date with his human love interest — despite director Craig Gillespie's written introduction, insisting that he did away with it to «go with a clearer emotional journey,» it could have probably been slipped into the final product with no one the wiser.

We'd be foolish not to give some sort of shout out to other terrific scenes throughout the year, like the hilarious funeral sequence in Li» l Quinquin, which had us doubled over from laughter; both the border crossing and night vision sequences in Sicario; the ending of Carol, which should get an emotional response out of even the coldest souls; the opening long take in Buzzard, a painfully funny experience much like Entertainment; the bonkers final act of Jauja; a scorching scene from The Fool where the town mayor lays into her corrupt staff; everything that happens at Mamie Claire's house in Mistress America; the intense argument between Gerard Depardieu and Jacqueline Bissett in Welcome to New York; the tightrope sequence in The Walk, and much, much more.

Daisy Ridley discusses her emotional final scene with Carrie Fisher in Star Wars: The Last Jedi.

There doesn't even seem to be a mutual respect, which makes the final scene far less emotional than it could have been.

As with most formulaic films, the predictability factor is quite high, and without any new twists, the emotional final scenes ring hollow when it should have been much more uplifting.

Woody Harrelson as Haymitch does a bit of angsting; Elizabeth Banks as Effie in her trademark overblown peplums gets an emotional closeup near the end after a few nondescript scenes; Stanley Tucci as smarmy broadcaster Caesar flickers briefly on the big screen while issuing a video news bulletin; we even get a glimpse or two of the late great Philip Seymour Hoffman as Plutarch Heavensbee who, in a nice farewell touch, has almost the last word in his final missive to Katniss which is read aloud.

What is surprising about her direction is the emotional power she is able to pack into some scenes, especially the climax and the surprisingly moving final shot — in the hands of a less assured director, it could have been a simple, routine embrace, but in Bigelow's hands, it is so much more.

- «When Harry Left Hogwarts» (Extended Version)- Hear candid and emotional stories about the final days on set in this extended behind - the - scenes look.

In the final scenes, a brilliant mix of contrivance, intimacy, distance, and dramatic closure peered into like a voyeur, questions of performance and spontaneous action are tossed to the wind in a moment of emotional power.

His chemistry with Armie Hammer, along with a stand - out emotional final scene, make Call Me By Your Name essential viewing for any cinephile.

In my whole gaming life, however, the most emotional scene in any video game was Celes» suicide attempt in Final Fantasy VI.

I'm struggling to think of a previous time when a game has genuinely affected me on an emotional level, but The Walking Dead's final scene was so masterfully crafted that I couldn't help but feel a little moved by it.