Sentences with phrase «final ending scenes»

For fans of the first film, the final ending scenes are the most spectacular in linking directly into the opening of the first Thing.

Not exact matches

At the end of the movie, we see some tension between these two characters, but this scene would have developed that tension more had it made the final cut.

E.T. eventually dies, is resurrected and ascends back to the heavens at the end in the final scene... but not before assuring Elliot that he'll always be with him.

In a scene set up like a storybook ending, Granite Bay senior Dominic Scotti took a short pass and nailed the game - winning goal with mere seconds left in double overtime to beat previously - undefeated Jesuit in the Sac - Joaquin Section Division I finals on Nov. 16 at Cosumnes Oaks High School in Elk Grove.

In an instant, all the moaning about their contribution, place in the team, lack of end product, taking squad places, hindering the rebuild, etc., disappeared, and was replaced with an enormous outpouring of good will that manifested in incredibly emotional scenes in their final three games.

The final scene, set in the mid-21st Century, mirrors that of the first; a family struggling to make ends meet, as man has all but used up a coveted resource.

Sicario starts and ends with Blunt's impassioned performance (and she's spectacular in her final scene), but it's Del Toro who is the real standout.

McKenzie doesn't stoop to deliver a pat happy ending, and even the moderately upbeat final scene features an oddly discordant note in the score that suggests not all is well.

Broken Age tries to end on a heartwarming final scene, but its an ending that it doesn't feel like the game earned, with Act 2's stagnant characters never maturing or developing in any way that would give the scene the emotional weight it seems to think it evokes.

IT SUCKS, IT MAKES NO **** SENSE * SPOILER * HE GOES BACK IN TIME IN THE FINAL SCENE OF THE FIRST MOVIE, SHOWS HOW THE GUY GET STABBED AND THEN JESSE KILLS HIM * SPOILER END * THROW **** IN WHOEVER WROTE THIS, AGAIN THE HORROR TYPE MOVIE WHERE THE ENTITY CAN DO EVERYTHING

By playing the film's final scene under the closing credits crawl, however, Denis undermines the very idea of an ending.

Still, in the end, Bay's bigger - is - better philosophy gets the best of him during an epic, final battle scene that lasts 45 mind - numbing minutes.

The run time is a short 82 minutes, although that itself is padded out with a 10 - minute end credits sequence that is injected with several outtakes and alternate scenes that didn't make the final cut.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

Looking eye to eye, these opponents know each other well, and will ultimately meet again at the end of the movie for that final climatic scene.

Extras are, per Anderson's M.O., exasperatingly abstract: The cover copy refers to the bonus features as «special trailers,» but one is just a deleted scene of Shasta and Doc watching the waves lap against the shore at dusk (their lips are moving, but a dreamy Greenwood composition mutes everything they say), while the fourth and final, «Everything in this Dream,» is an artful 6 - minute montage of cutting - room scraps, including a few shots of Doc and Sauncho watching a schooner leave port that could be construed as the ending from Inherent Vice the novel.

The final scene suggests that this is the last of Mendes / Craig Bonds and, if so, a very good way to end.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

There is a lot wrong with this movie; the stunningly overt product placement, the diabetes causing levels of saccharin, the kid (Dakota Goyo) is so annoying that you start wishing one of the robots to accidentally collapse on him... But then theres the fantastically realised robot fight scenes, the walking charisma machine that is Hugh Jackman, the stunningly beautiful Evangeline Lilly as his only friend, and a final fight that will have you cheering louder than the end of Warrior.

The perfect ending had occurred and then we are dealt one final, seemingly forced scene.

But in keeping with revived franchise's goals of shedding the old to make way for the new, he meets his apparent end during the final act of the film in a scene that will undoubtedly leave audiences asking a lot of questions.

Hopefully, Hiddleston's scenes will end up in the final version of the movie, since he's always a delight to watch as Loki.

This applies perfectly in the final scene of «Sicario», demonstrating the war on drugs will never end and will only open more doors for it to continue.

When their story ends and brings a sense of achievement to the film, though, Fisher chooses to continue the movie as if to remind the audience in a final scene that he really is the most inspiring movie studio security guard who ever wrote a spec script.

The final scenes at the inquiry are wonderfully tense, which is no mean achievement when we all think we know how this story ends.

And while Tibbetts has admittedly peppered the narrative with a few standout sequences (eg Martin attempts retrieve Jack's handgun while the man is unconscious), Retreat has been saddled with an aggressively uneventful midsection that does, in the end, diminish the impact of its final scenes - which effectively cements the movie's place as a thoroughly misguided piece of work.

It is a pity that the script doesn't quite have the courage of its convictions to provide a more understated ending and instead lapses into the slightly saccharine final scene but it's only a minor blemish on an otherwise thoroughly enjoyable film.

Finally, we previously revealed that that the final end credits scene was lifted from dailies the Russo Brothers shot for Captain America: Civil War.

Once again, I'm split between loving everything about the Aragorn storyline (the ghost army, the huge final battle scene, the resolution of the Liv Tyler issues) and getting really annoyed with the Frodo story (more Sean Astin speechifying, leaving the Shire untouched, the interminable ending).

Except that the final scene is of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one of my very favorite film moments from 2013 — a perfectly uplifting, joyous ending to a movie that manages to be optimistic without being pat, funny without being scornful and happy without being slight.

White House Down is having as much fun as it wants the audience to have, and everything is kept charmingly light; one of the final scenes in the film might as well have come from the end of a Scooby - Doo episode, and it really works in an oddball way.

But I do remember, on first seeing and loving the movie in the theater, a sense of incompleteness about the ending, a feeling that the weight of what had come before was not quite counterbalanced by the giddy release of that final scene.

By the final scenes I really felt I had taken a journey with Garth, and the film certainly ends on a high note.

But the Togetherness audience does win with one facet: We get to end with Amanda Peet, with the final scene being about her and Alex's relationship.

Sure, the ending ratchets things up a bit more that it probably needs to, and the tacked - on final scene belies a cinematic catharsis that I'm not entirely sure is necessary for the success of the work.

Aside from a couple of things not being explained well, mostly involving the final scene of the movie, as well as a rather horrible green screen effect used towards the end, there isn't anything else negative to say about Youth.

(Although the show offers a «scenes from next week» teaser at the end of each episode, it's really just a final gag, not a preview of things to come.)

And the appearance of a certain character at the very end of the movie struck me as a well - intentioned attempt to include a significant idea from the book that ultimately left the final scenes slightly overstuffed.

There are so many set pieces that seem like they might be the final one that when the movie finally does end, it almost feels like you're being faked out, and there'll be one more scene left to wrap things up.

Only Farrell seems to be trying something new here with broad comedy, and it fits him well (it appears, judging by the bloopers at the end, that some of his scenes did not make the final cut, which is a shame).

Writer / director Rodrigo García is not interested in providing answers to these queries or the multitude of others that the film presents (The final scenes, which flash ahead to the end of Jesus» story before bringing history into the present day, are especially enigmatic).

The final, longest deleted scene features a naked Quaid passed out on a bed post-tryst with a business partner that ends with a shooting, leading to the realization that for as overblown as much of the picture is, it could have gone a lot worse.

A section containing four «lifted» scenes plus the film's original, more sombre, though hardly superior ending (at least the final third of Dreamcatcher is beyond repair), the film's surprisingly lengthy teaser trailer (2:25), and a cast and crew listing round out the disc.

The final scene that this trailer ends on looks brutal.

The Last Scene Shot of Harry Potter: It's sad enough just to know this eight - film franchise is coming to an end after so many years; how about rubbing it in a little more by watching the cast and crew wrap their final shot?

The tension ebbed away and petered out completely by the final scenes when I was actively willing it to end.

** Forced Skippable: * Disc Introduction by the Law Giver * Battle for the Planet of the Apes - Play Extended Version * Battle for the Planet of the Apes - Play Theatrical Version ** End of an Epic: The Final Battle ** Original Theatrical Trailer ** San Simian Sentinel Gallery ** Interactive Pressbook ** Advertising Gallery ** Behind the Scenes Gallery ** Splash Page ** Content Loading Ansa Graphic ** D - Box Logo ** BD - Live Portal

The end is a bit of a botch job, as we know where the film is going all along, and the final scene in particular is completely unnecessary, unless you really need to be fired up for the inevitable sequel to follow (indeed, 28 Months Later, the third and reportedly final entry is already being pushed).

It is still an interesting selection in the giallo genre especially for the memorable burlesque scene and the final climatic ending with multiple twists and turns.

Overall, while there were some enjoyable performances, and a couple of amazing songs, the film was not the experience that I felt it should have been and, by the final scene, I was just ready for it to end.