Sentences with phrase «final exhibitions with»

Pratt Shows 2015 comprises a wide range of final exhibitions with works from departments including Fine Arts, Architecture, Digital Arts, Film / Video, Photography, Fashion, Communications Design, Jewelry, Industrial Design, Interior Design, and more.

Pratt Shows 2015 comprises a wide range of final exhibitions with...

Uncertain States will contact the artists selected for the final exhibition with full delivery details for their work.

The year - long fellowship includes mentoring from staff from both institutions and a final exhibition with catalogue at the end of the Fellowship.

From 2001 to 2002, Rodriguez used a grant from the Van Lier Fellowship to attend the Whitney Museum Independent Study Program, where she collaborated on a work for the final exhibition with fellow ISP participant Gardar Eide Einarsson.

Not exact matches

Bowls are exhibitions with no impact on the final polls.

After the Bears threatened to move their final exhibition game and season opener to some faraway college arena, the Park District agreed to resod the middle third of the field with heavier, thicker, more durable grass.

The final special award was given to the «For the Love of Film» program and Fandor in conjunction with the National Preservation Foundation for their work this year to raise money for an exhibition of the restoration of one of Alfred Hitchcock's oldest works, The White Shadow.

As part of a class final project, Bohnstedt and a group of her classmates created their own design and proposal for a museum exhibition on advertising literacy, demonstrating how advertisers target youth, and helping young people learn how to cope with marketing strategies.

At a recent 30th anniversary Final Fantasy art exhibition in Tokyo, Final Fantasy 7 remake director Tetsuya Nomura made a surprise appearance, and brought with him a bunch of new exclusive screenshots from the game itself.

The final installment of the Women with their Work exhibition series featuring female sculptors will be presented at Space One Eleven.

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

To coincide with the final day of this exhibition, Steve McQueen will discuss his work in conversation with Sir Nicholas Serota, the former Director of the Tate Museum, at Plaza Cinema in Truro.

1985 The Anticipated Ruin, The Kitchen, New York, USA (curated by Howard Halley) Final Love, Cash Newhouse, New York, USA (curated by Collins and Milazzo) Persona Non Grata, Daniel Newburg Gallery, New York (with Laurie Simmons, curated by Collins and Milazzo) Americana, Whitney Museum of American Art, New York, USA (curated by Group Material for 1985 Biennial Exhibition, cat.).

In 1974 she was given a retrospective at the Whitney; two years later, the date of the final portrait in the exhibition, she was elected to the American Academy and the Institute of Arts and Letters; and three years after that, and just five years short of her death aged 84, she was presented with a National Women's Caucus for Art award for outstanding achievement by President Carter.

Not only is this major show at Tate Modern the most comprehensive Amedeo Modigliani exhibition ever held in the UK, but it also offers the opportunity to step back in time to 1900s Paris with a virtual reality experience that brings his final studio to life.

A Collection of Covers: A Solo Exhibition with Brian Bent Join us for our final show in our Laguna

It was fantastic to be able to position his exhibition at Tate Britain alongside Queer British Art which also featured David's work together with Bacon and others in the final room.

Makers were nominated by a pool of more than 300 New York City - based cultural leaders and civic figures from a range of trades and disciplines, including museum curators, choreographers, academics, chefs, musicians, and journalists, with final participants selected by a jury led by Adamson and exhibition curator Jake Yuzna.

At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».

In the context of her artistic production, Strunz uses scale models to map the exhibition space and experiment with the structure of her final compositions.

Along with an oil - on - panel fish, modeled on a Courbet, and a plucked goose whose broken neck allows its head to lie gracefully beside it, the exhibition's final room contains a couple of barnyard animals Soutine made while in hiding in the French countryside after the Nazi invasion of Paris in 1940.

The Brooklyn Academy of Music (BAM) is concluding a series of exhibitions featuring collaborations between Pratt Institute's Architecture and Art and Design Education Departments and local middle school students with a final show, Reclaim Works, which runs through June 30.

Project residencies for national and international sound artists form the focal point of «singuhr — projects» in the next years, connected with talks and presentations and followed by a final exhibition project with a space - related sound installation.

The Brooklyn Academy of Music (BAM) is concluding a series of exhibitions featuring collaborations between Pratt Institute's Architecture and Art and Design Education Departments and local middle school students with a final show, Reclaim Works,...

The artists selected for the final exhibition will be contacted by Parker Harris with full delivery details for their work.

That Mammen absorbed and worked with the dominant artistic styles of the time was obvious even from her early years in Paris and Brussels, and some of the earliest works in the exhibition — shown in the final room so as to contrast with some of her last — demonstrate the influence of symbolism and aestheticism.

David Castillo Gallery is proud to present Aramis Gutierrez's first solo exhibition with the gallery Even Now In The Final Hour of My Life, I'm Falling In Love Again.

The Last Phase: Crosscurrents will conclude the exhibition with works of art reflecting the final flowering of Byzantine art under the emperors of the Palaiologan dynasty (1261 — 1453), the most long - lived of all Byzantine dynasties.

During the final weekend of the exhibition, Arthur Jafa presented a Listening Session in collaboration with The Vinyl Factory with musicians Steve Coleman, Morgan Craft, Micah Gaugh, Melvin Gibbs, Jason Moran and Kokayi Carl Walker, a dismembered jazz ensemble who performed separately and simultaneously from different sites across London.

Alessandro Raho will be in conversation with Edith Devaney, Curator and Head of the Summer Exhibition, Royal Academy in the final discussion, 17.00 - 17.30 pm

The exhibition will be installed in a chronological sweep, beginning with works from 1926 and ending with one of her final paintings executed in 1984, the year of her death.

The afternoon will conclude with Owens himself performing several scores from Anthology, his final performance as part of his MoMA PS1 exhibition.

With the U.S. premiere of Michaël Borremans: As Sweet as it gets, the Dallas Museum of Art brings this world travelling exhibition to its final destination.

Pipilotti Rist's new multi-channel video Open My Glade (Flatten) will be projected onto 60 synchronized electronic billboards in Time Square this month, coinciding with the final weeks of her survey exhibition at the New Museum in New York City.

Here, the Modern Art Museum of Fort Worth has not disappointed with Focus: Mario Garcia Torres, the third and final Focus exhibition of the season.

In this exhibition a total of 265 are on view with many previously unseen prints from Bourgeois» final two decades, when she returned to the print medium with gusto.

The students will be offered the possibility of a gallery training and of setting up together - with one of our tutors, their exhibition in Venice, as a final project of the course.

Traveling from Brasilia to São Paulo before reaching its final destination in Rio de Janeiro, it was the most visited exhibition by a living artist worldwide that year with over one million visitors.

Although they haven't made the final short list — Thomas Ganter for Man with a Plaid Blanket, David Jon Kassan for Letter to my Mom and Richard Twose for Jean Woods — they are among the 55 artists chosen for the exhibition from a record entry of 2,377 works from 71 countries.

In conjunction with the exhibition, Sin Principio / Sin Final, the Museum of Art of the National University of Colombia presents a collaboration between artist Mateo López and choreographer and dancer Lee Serle (Merbourne, Australia 1981).

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

The exhibition opened in September and is offering an open house for the final day on Saturday with no appointment is necessary from 3 to 5 p.m.

The final series of three exhibitions opens on Sunday, May 11, with a reception from 1:00 to 4:00 p.m., and is on view throughSunday, May 25.

The final component of the festival is a group exhibition organized in collaboration with the Honolulu Biennial on the grounds of the newly restored Rockaway Beach Surf Club on Beach 87th Street in Rockaway Beach.

Presented in reverse chronological order, the exhibition begins with an impressive series of paintings made by Paul Nash during the final years of his life: the visual explosions of Sunflower & Sun (1942).

The exhibition is also an opportunity to showcase pieces from The Amistad Center's advertising collections along with selections from the early 20th century, stereotypic objects to illustrate the post-Civil War imagery A final section will present mid-late 20th century photographs and fine art emphasizing the relationship between art, celebrity, and the modern civil rights movement.

The final week (Aug. 27 - 30) concludes with a «Far Away» exhibition by gallerist Iwona Tenzing.

This exhibition is the third and final iteration of a joint project with the Kunsthalle Zürich (September - November 2012), the Chisenhale Gallery, London and CCS Bard.

With the help of our professional curatorial staff, you will curate, market, and install the final exhibition.