Sentences with phrase «final film performance»

What to expect: Tom Hardy heads the cast, and the story puts James Gandolfini (pictured with Hardy), in his final film performance,...

What to expect: Tom Hardy heads the cast, and the story puts James Gandolfini (pictured with Hardy), in his final film performance, back on mob turf.

After her final film performance in 1968's With Six You Get Eggroll, she starred on the successful sitcom The Doris Day Show from 1968 to 1973, and has since stepped back from the spotlight entirely.

Daniel Day - Lewis plays an obsessive, controlling clothing designer in what is reportedly his final film performance, «The Phantom Thread.»

This dark, introspective drama hinges on one of Robin Williams» final film performances before his death in 2014.

This dark, introspective drama hinges on one of Robin Williams» final film performances before his...

Not exact matches

Once the fear has passed, just in time for nap, visual and musical style are sometimes played in an immersive fashion by highlights in a directorial performance by Nicolas Winding Refn that bring some life to the film, though not as much as John Turturro's inspired lead performance, which does about as much as anything in bring the final product to the brink of decency, which is ultimately defied by the serious underdevelopment, overambition, monotonously unfocused dragging and near - punishingly dull atmospheric dryness that back a questionable drawn non-plot concept, and drive «Fear X» into mediocrity, in spite of highlights than can't quite obscure the many shortcomings.

While it's hard to deny the ineffectiveness of both Peter Berg's directorial choices and the film's final half hour, Hancock primarily comes off as an engaging and thoroughly innovative spin on the superhero genre - with Will Smith's admittedly impressive performance certainly ranking high on the movie's list of positive attributes.

He's so good at engendering your sympathy that one might yearn for a bit more mustache in his performance, but that would fundamentally alter the film's affecting final scenes back in Oakland.

Most of all, it contains a powerful, deeply felt performance by Kruger that is both the best thing that she has ever done in a film and worthy of all the accolades that it has received — even during the ludicrous final section, she keeps things from totally spinning out of control.

The film's final act is both its best and worst, anchored by the long - gestating blow - up between the young newlyweds — naturally, it's set on the eponymous Chesil Beach — that sees both Howle and Ronan delivering show - stopping performances and Sean Bobbitt's lush cinematography combining beauty and function in with total precision.

Adele Haenal and Kevin Azais both give strong performances, and the chemistry is certainly present on screen, while the flick's bizarrely charming score and array of beautiful shots create definite impact; one of the film's final scenes, that takes place in an abandoned town, surprised me in its method of creating danger.

Major highlights making their world premieres include Shawn Levy's all - star ensemble drama «This Is Where I Leave You,» starring Jane Fonda, Jason Bateman and Tina Fey; Michael R. Roskam's «The Drop,» which features James Gandolfini's final performance; Liv Ullman's film adaptation of the famed play «Miss Julie,» starring Jessica Chastain; David Gordon Green's latest indie drama «Manglehorn,» featuring Al Pacino; the musical «The Last 5 Years,» starring Anna Kendrick; Noah Baumbach's latest «While We're Young,» starring Ben Stiller, Naomi Watts and Amanda Seyfried; and Jason Reitman's «Men, Women & Children,» starring Adam Sandler.

Unfortunately, Susanna White's direction is so stale and unengaging that their performances are squandered on a final product more befitting of a TV movie than a feature film.

Some of the jokes were spot on, guest appearances from the likes of David Cross and Flula slayed me, the final performance at the international competition had me in tears but the rest of the film was as flat as TV I watched it on.

Watts delivers a believable performance as a single mother determined to raise her children despite previous hardship; although her maternal success and enthusiasm is wasted in her character's involvement in the film's final act.

Although the final few minutes don't quite live up to the pure, unchecked brilliance of the remainder of the film, Swiss Army Man's surefire strangeness, its brilliant, dreamlike soundtrack and its two bizarrely mesmerizing central performances make it a surreal venture into totally uncharted territory.

If the film's plot would have been improved upon, and the cast would have put a bit more effort into their performances, then The Final Frontier would have been a much better outing than what it turned out to be.

In a film rumored to be his final performance, Daniel Day - Lewis earned a Best Actor nomination for Phantom Thread.

She co-wrote the final two films and her performances — physically hilarious as they are emotionally vulnerable — are the best showcases for her talents to date.

The JUSTIN BIEBER: Never Say Never Blu - ray / DVD Combo with Digital Copy and standard DVD include a concert dance off that was not shown in theaters in which Bieber and his crew show off their amazing moves, a full - length concert performance of «Favorite Girl» from the Director's Fan Cut of the film, footage of Justin's team surprising lucky fans with free concert tickets and a final farewell to Bieber's signature hairstyle.

At its core, it is a derivative film, not only because it is a remake, but it is also very similar to other films to come out in the years before it, including Alien and Invasion of the Body Snatchers, but it still manages to hold its own through the fantastic action, Ennio Morricone's (The Untouchables) sparse and haunting score, and the lively acting by all of the performers, with especially memorable performances by Kurt Russell (Stargate, Tombstone) and Keith David (They Live, Final Analysis).

While such a heavy - handed approach certainly bogs the story down in parts, the film is worth seeing for Rogers» fantastic performance alone as well as the sheer bravery of story's final 15 minutes.

The film also stars the late Anton Yelchin, who, in his final performance, plays a drug dealer in his late 20s.

Final Verdict: Marion Cotillard's amazing performance is the only thing worth complimenting about this film, the direction style too simple to make the limited plot count for much.

«Moonstruck» was also the final major film performance for character actor Vincent Gardenia, nominated for an Oscar as the philandering, gently pompous Cosmo Castorini.

«One of the final stages of the process was having a print of the film prepared with the music stripped out for the live mix; the mix in the rehearsals and concert being a constant conversation between the on - stage performances, the film's audio and the room's acoustics, requiring a huge amount of skill and awareness of the moments where a particular element (be it the music, dialogue or sound effects) needs to come to the fore, or be shaded off to make way for another layer.

Pike is especially terrific, delivering what could well be her best performance, as a woman who suffers a crippling loss and still manages to feel so much (though her character retreats into the background in the film's final third).

Afterimage: The great Polish director Andrzej Wajda's final film, and one of his best, features a towering performance by Boguslaw Linda as a real - life Polish avant - garde artist suffering for his intransigence under Communism.

Honorable Mentions: As usual, some good films have to fall just outside the top 10 list including: Tommy Lee Jones «feature - length directorial debut, «The Three Burials Of Melquiades Estrada ``; Christopher Nolan «s excellent, in - between - Batman - movies cum rival magician film, «The Prestige,» starring Hugh Jackman and Christian Bale; Guillermo del Toro «s fantastical fairy tale, «Pan's Labyrinth ``; Sofia Coppola «s anachronistic teen alienation set in the 16th century, «Marie Antoinette ``; Martin Campbell «s superb rebooting of the Bond franchise with «Casino Royale ``; Martin Scorsese «s «Infernal Affairs» remake «The Departed» (which has been on TV so many bloody times, its power has worn off); Oliver Assayas ««Clean» which featured a Cannes - winning performance by Maggie Cheung as a struggling addict; and Park Chan - Wook «s final installment of his vengeance trilogy, the beautifully haunting, «Lady Vengeance.»

And while the three young actresses put in strong performances, Houston's final film appearance is hauntingly predictive when Emma refers to her life as «a cautionary tale».

Their performances wind up becoming the saving grace of the film since their wide range and great chemistry together sells the more sincere and dramatic moments in the final act.

And he made this film, a tragic melodrama with Barbara Stanwyck and Walter Huston in his final performance.

From the beginning narration by a Brooklyn accented Tom Hardy to the edge of your seat finale, The Drop is an excellent film and a wonderful final performance from the larger than life James Gandolfini.

The film also featured Meryl Streep, in only her second big - screen role, and Streep's then - fiancé, John Cazale, in his final screen performance before his death from lung cancer in 1978.

With this weekend's Oscars closing up the film year, can we take one final minute and dive into two performances that have been given the prestigious honor of being declared snubbed by the academy?

Iconic film roles include a wide variety of films ranging from his Oscar - winning performance in Good Will Hunting to other notable performances in films like The World According to Garp, Moscow on the Hudson, Jakob the Liar, Hook, Patch Adams, Desconstructing Harry, Insomnia, One Hour Photo, The Final Cut, Man of the Year, August Rush, Flubber, Toys and Jumanji.

Staunton's performance radiates with glazed, dewy shock as she teeters into the film's wrenching final scene.

It also contained the original twenty - minute demo reel Spinal Tap: The Final Tour and the band's first performance on TV five years before making the film.

Up to and including the film's legendary final line, spoken by the great Joe E. Brown as Jerry's chief suitor, Wilder's sex comedy confuses sexual definitions on a regular basis and even obliterates them at times, most noticeably in the case of Lemmon's fearless comic performance.

The film largely consists of old women reflecting on the good and bad parts of their anonymous singing careers, material complemented by looks at the striking, hopeful Hill, who rehearsed singing with Jackson for his unrealized final concert tour and then gained notice for a performance at his memorial service.

Overall, while there were some enjoyable performances, and a couple of amazing songs, the film was not the experience that I felt it should have been and, by the final scene, I was just ready for it to end.

Although his latest performance doesn't exactly turn the edgy and visually irritating film into a box - office winner, it certainly helps enhance the final product.

It's also a film whose impact derives from something other than its story and characters — specifically, Wyatt Garfield's brilliant cinematography, which uses 35 mm, 16 mm and Super 8 mm film at a time when almost everyone in the entertainment business is shooting digitally; and the final lead performance by Anton Yelchin, who died last year in a freak accident.

Paul Whitington: If Phantom Thread is Daniel Day Lewis's final film it's a very apt final performance

About the final days of 22 - year - old Oscar Grant, who was shot and killed by Oakland police on New Year's Day in 2009, the film earned raves in Park City, particularly for the galvanizing performance by former Friday Night Lights star Michael B. Jordan.

Ben Mendelsohn performance as grubby mechanic Robin is also note worthy as is young hopeful Dane DeHaan who we meet in the film final act.

Much like the film itself, Del Toro's performance also ascends to greatness in the final quarter.

Otherwise, the direction, cinematography and performances are all first rate, and the final result is a film that is both exciting and intriguing.

Not since Brando had a performance unleashed such lethal, unapologetic, muscular power — and Brando was the figure De Niro was evoking with his cheesy nightclub act in the film's final stages.