Sentences with phrase «final frame of film»

Roizman shot his final frame of film for 1995's «French Kiss.»

Not exact matches

It's a mesmerizing look at Vincent Van Gogh's final days, as elegantly interpreted by a team of 100 professional painters who hand painted every single frame of this truly unique film.

The elegiac use of the film's title, then, can inadvertently be the game administered as a test as concerns this portrayal of Turing — by the final frames, we have a mere gasp of understanding what his life was like, a rough, nobly hewn composite from a perspective either too ignorant or too uneasy to deal with the realities of those historically treated as sexual criminals.

The final frames pack a wallop, but the film itself turns its emotional situation into a slight slice of life.

It's the lowest total for a first - place film since the second weekend of «The Hitman's Bodyguard» won the final frame of August.

In the film's final image, a soundstage door in the bottom right of the frame clangs shut on one of Wada's bad jokes.

To say I loved The Shape of Water really would be an understatement, the film inspiring in me such a range of emotions that it left me reeling by its stunning final frame, unsure how to process exactly what I'd seen outside of the fact that I knew from the bottom of my heart that I had witnessed an article of supreme originality that I wouldn't be forgetting anytime soon.

A look at our SXSW 2015 coverage, a supercut of first and final frames from some classic films, and a recommendation for the Iranian vampire western A Girl Walks Home Alone at Night help make up this week's Top 5.

A couple of longing, lingering moments shot through snow - wet car windows and in Edward Hopper - framed hotel rooms (it's Haynes's most Wenders work), as well as a final shot that is the picture at its most evocative and unapologetically Romantic, point to the film that might have been.

That's a good description of the final film — one in which you can see glimmers of the Shane Black script underneath (hardboiled characters, snappy dialogue, bursts of shocking violence, a Christmas setting) but surrounded by a lot of unnecessary bullshit to the point where you can almost feel the egos of the movie superheating the frame and melting away what was once originally there.

The final showdown in this film may very well be the best shoot out in the history of the western; its length, pace, and the way in which it was framed all seem perfectly calculated by Costner.

The film features around 6,500 frames all hand - painted on canvas in the style of the iconic artist and Booth stars as Armand Roulin, who was famously painted by Van Gogh who wore a bright yellow jacket, as he attempts to deliver the artist's final letter to his brother following his suicide.

The final film in the Fox trilogy finds the ex-CIA operative framed for the murder of his ex-wife and on the run from the FBI, the police and his former agency.

A beautiful face framed by flowing locks of brown hair and a steely gaze, Vega's Marina is a self - possessed woman, full of piss and vinegar, a soul as loud and beautiful as her countertenor voice (the feature of the film's staggering final shot).

But while the pair have ocassional flashes of brilliance (particularly the film's final frame), it takes a number of supporting subplots to drive the film forward.

The only real misstep is an ending that feels altogether too tidy given the film's frayed edges, but there lurks a sense of breath - stealing unease even within its final frame.

With a new domestic total of $ 198.3 million, the film is still 12 % behind where Mockingjay — Part 1 stood at this time last year, but at least the final Hunger Games feature avoided the ignominy of falling to second in its sophomore frame.

Early in Star Wars: The Last Jedi, writer / director Rian Johnson's unenviable attempt to out - middle - trilogy The Empire Strikes Back, the film picks up immediately following the last frame of J.J. Abrams» The Force Awakens, with Rey silently offering Luke Skywalker's old lightsaber to him, the one he lost along with a hand in the final moments of - you guessed it - Empire.

The final skirmish is not on a scale anywhere near as huge as the first film's climax, while the images of Roland Emmerich - scale city destruction are so brief there's hardly a frame of it in the film not featured in the trailer.

That would be the Frances of the title (the Ha isn't explained until the film's charming final frame), a joint creation of and career high point for both star Greta Gerwig and director Noah Baumbach, who met on the director's «Greenberg» and co-wrote the script.

After its final frames, you can't help but ruminate on the monstrously perverted notions of the lengths people are willing to go (as well as what they're not willing to do) for those that are considered, in this perfectly titled film, Blood of My Blood.

That question of identity is further complicated, though never interestingly elucidated, by the film's final act, which returns us to the framing device and charts Bordán's frustrations with the shoot and with Levy's aggressive insistence that the actress share her character's feelings for her director / co-star.

On one wall, a number of birds are collected, in various states of being: a stuffed specimen photographed by Roni Horn; a dead budgie in an anonymous flea market photo; Jacopo de» Barbari's 16th - century Sparrowhawk; and Dean's own Ear on a Worm (2017), in which a songbird sits poised on a wire before, in the film's final moment, diving off and vanishing beyond the frame.