Sentences with phrase «final scenes»

There is a howling, Ken Russell - type Stephen Hawking biopic pent up inside The Theory Of Everything and it bursts out, à la Alien, during one of the movie's final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it up.

The final scenes record Snowden and his partner, Lindsay Mills, cooking a meal in their secluded Russian home, where they are living on a longterm visa.

Enough ink to fill Albert Hall has been spilt explaining what the final scenes in that film mean and part of the reason the film remains a masterpiece is because it evades comprehension.

I don't mean to say it should have wallowed in the violence, but it was more disconnected that I'd have expected, and the final scenes of one of the two characters was written IMO rather poorly, softening the impact of the story in a way only Canadian films can in order to be more palatable.

Unfortunately, however, the final scenes fall a tad flat compared to the monumental build up that pleases so well.

That being said, the flaws do smooth out as we head towards the climax, and the final scenes are actually quite moving.

Devoid of much feeling, the tug - of - war love angles fail to grip us like they should in the climactic final scenes, where overwrought melodrama takes center stage.

Writer / director Rodrigo García is not interested in providing answers to these queries or the multitude of others that the film presents (The final scenes, which flash ahead to the end of Jesus» story before bringing history into the present day, are especially enigmatic).

And the appearance of a certain character at the very end of the movie struck me as a well - intentioned attempt to include a significant idea from the book that ultimately left the final scenes slightly overstuffed.

The final scenes are a tour de force in which the bonfire - strewn streets fill with merrymakers and the exploding fireworks look as dangerous as a war, an apt metaphor for the everyday violence in the characters» lives.

Congo has a couple of stirring final scenes in the film that actually give you some hope for the guy.

To commemorate the occasion, director Peyton Reed allowed Walton's son Augustus to set up one of his father's final scenes.

The final scenes of this film are as disastrous as they are odd, and could only be more damaging to the film overall if the first two hours had been better.

Alas, Gutierrez's script doesn't do her performance justice, especially the final scenes, which are an excursion into ham - handed inanity, unraveling in the most cliché of ways until even most viewers who may have been reeled in by the thriller elements will lose interest, having traveled down this road enough times to not be surprised.

While many may feel it slow, the time spent getting to the climax is just as important as the final scenes themselves.

Read part two of our analysis of The Grifters HERE, including the «per... per... permanent damage» white dress and during the film's final scenes, Lily's blood red sartorial damning to hell.

Matthew McConaughey's «Free State of Jones» casting call for new talent to work on the final scenes filming in New Orleans, Louisiana.

It never really pulls itself together into the convincing, focused drama it promises, yet it kept me involved right up until the final scenes, which piled on developments almost recklessly.

The director, Bill Condon, revealed that LeFou is struggling with his sexuality during the film, which culminates in a moment during the final scenes.

Next up, the «Hospital Mask» is based on a famous backlot picture of Dick Warlock wearing the Halloween II mask right before they shot the final scenes at Haddonfield Memorial Hospital, also sculpted by Justin Mabry.

It is the final scenes that elevate this film, not as an account of an historical event, but simply as a showcase of acting and direction.

Like Leigh's final scenes a decade or so earlier; Carrie's introduction is a shocking one.

She usually wears white clothes except in one of the final scenes; when she invites the twins to have sex she changes into a reddish - pink nightdress.

By the final scenes I really felt I had taken a journey with Garth, and the film certainly ends on a high note.

White House Down is having as much fun as it wants the audience to have, and everything is kept charmingly light; one of the final scenes in the film might as well have come from the end of a Scooby - Doo episode, and it really works in an oddball way.

There's also a four - minute short comparing some of Scorsese's sketches with the final scenes.

Pixar vets will remember the profound emotions brought up by the opening sequences of Up, the final scenes of Toy Story 3 and Monsters, Inc., and so many other watershed moments in the company's library of films.

The cinematography here, especially in the early and final scenes, and shot by German Expressionist master Karl Freund is terrific, but the middle scenes aren't anything special.

Watching the final scenes through misty eyes, I found my own earlier, mock - suicidal desperation quickly evaporating.

Their only miscalculation is in the final scenes with Sheriff Bell, as a discussion featuring overt metaphoric references is handled in a somewhat clunky fashion.

If Peele goes more for the jugular than the subtext in the final scenes, it doesn't distract from the provocative blend of scares and smarts he uses to stick it to the white liberal elite.

She only strains for effect when she's required to be angry, though it probably also helps that Soderbergh opted to ditch most of the dialogue he wrote for Ann and Graham (James Spader) in their final scenes together.

Here is the story of a man whose first pivotal memory is as a young servant picking cotton at a farm in the South, helplessly watching his father being murdered in cold blood for daring to call out the owner for raping and beating his mother, and whose final scenes in the movie see him visiting the White House after voting for the first African American President of the United States.

But watching the final scenes is magical in a way.

Of course, the whole movie bears Scorsese's unique visual stamp, but the agitated, disjointed camerawork suggests an otherworldly quality particularly in those final scenes.

The final scenes of that film, when the two clash and then make up are something that most of us have gone through.

It captures the oddly happy, hopeful tone the movie achieves in its best moments, including the final scenes.

What at first seems perhaps a meditation on the hidden rooms of the subconscious becomes quite literally a metaphor for the mother country by its final scenes, as the military tanks roll in.

Meanwhile, there's a counter-focus on perversion of these same roles, particularly through a skin - crawling incest subplot, which sets the stage for one of the most disturbing final scenes in recent cinematic memory.

Some will find the wrongfooting nature of the final scenes off - putting, and the pace can be ponderous.

The final scenes involving Boone and Brando are shot on a beach at dawn and have an almost surrealistic quality.

If you find the subject matter interesting, The Craft will probably hold your attention for a spell, eventually running out of magic long before its increasingly preposterous final scenes.

I think we looked the washed - out brown - yellow colour palettes and the textures of «The Game» in our final scenes and it worked great for it.

Speaking of dreams, some viewers think that Travis is fatally wounded in the shootout and the movie's final scenes are his near - death hallucinations.

There's a good chance it'll play too young for many grown - ups, while it may prove too emotionally raw for younger viewers, especially during its final scenes.

From the opening sequence — a clogged freeway overpass filled with singers and dancers lamenting a traffic jam — where Sebastian and Emma's first (very) brief encounter is entirely negative; to the final scenes (in which our expectations are heightened and then thwarted), this is a unique film experience.

(American Gigolo's transcendent final scenes are a near - total copy of the finale of Bresson's 1959 film Pickpocket.)

I don't want to give away too many spoilers but Frank desperately tries to stop the advancement as a messenger in the final scenes and it is very intense.

And while Tibbetts has admittedly peppered the narrative with a few standout sequences (eg Martin attempts retrieve Jack's handgun while the man is unconscious), Retreat has been saddled with an aggressively uneventful midsection that does, in the end, diminish the impact of its final scenes - which effectively cements the movie's place as a thoroughly misguided piece of work.

And then she goes full carnage in the final scenes, forcing everyone around her to commit samurai carnage while her expression barely changes.