Sentences with phrase «final scenes in film»

One of the most beautiful and poignant final scenes in film history.

Enough ink to fill Albert Hall has been spilt explaining what the final scenes in that film mean and part of the reason the film remains a masterpiece is because it evades comprehension.

Congo has a couple of stirring final scenes in the film that actually give you some hope for the guy.

White House Down is having as much fun as it wants the audience to have, and everything is kept charmingly light; one of the final scenes in the film might as well have come from the end of a Scooby - Doo episode, and it really works in an oddball way.

Given, Two - Face's arc in TDK is swift (some fans have said too swift) and his final scene in the film is dubiously played (so is The Joker's), but I feel that infection would have set in and killed him if a character ultimately did not.

If you're perhaps unfamiliar with Hoskins work, check out the final scene in this film, in which, having taken a seat in the back of a cab, Harold Shand realizes the drivers are undercover IRA agents.

On the final day of production, which also was the final scene in the film, Stone had to find a decent location while cast and crew followed him out to the desert, since the location manager had disappeared with the negative until he was paid.

The key task and homework activity is to write a description of a visit to an Elizabethan theatre, based around the final scene in the film Shakespeare in Love.

Not exact matches

While on CNN promoting his new film Godzilla, Bryan Cranston indulged the interviewer's theory that Walter White didn't actually die in the final scene of Breaking Bad.

Making the propaganda video provided his final disillusionment when he saw how many times they recorded each scene in the five - minute film.

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

We're not exactly sure what the former reality television star has been up to lately, as her career seems to be at a standstill since her last web series in 2011, «Dream Maker», save for filming some scenes in «Scary Movie 5» that didn't quite make it to the final cut.

The film occasionally broaches heavy - handedness, corniness even, but that's forgivable; Safaria shows an impressive command of tone, particularly in the final scene, where she's doing two seemingly incompatible things, at the same time, and beautifully.

Anyway, in the finals scenes, the film return to be a nice entertainment.

Watch a scene from «Harry Potter and the Deathly Hallows: Part 2,» the final film in the series.

The final scenes in the saga of Harry Potter look «right» but don't produce the awe of truly great fantasy films that comes with true artistic interpretation.

In one of the strongest scenes in this final film, a character tells Harry about the importance of words and how things that exist only in the mind are as real as anything elsIn one of the strongest scenes in this final film, a character tells Harry about the importance of words and how things that exist only in the mind are as real as anything elsin this final film, a character tells Harry about the importance of words and how things that exist only in the mind are as real as anything elsin the mind are as real as anything else.

The film doesn't use sound anything like as effectively as Leone, but the fight scenes feel brutal and realistic, particularly in the final showdown (s) between Carver and Gideon.

He's so good at engendering your sympathy that one might yearn for a bit more mustache in his performance, but that would fundamentally alter the film's affecting final scenes back in Oakland.

Daniel Radcliffe portrays Harry Potter in a scene from «Harry Potter and the Deathly Hallows: Part 2,» the final movie in the eight - film series that began with «Harry Potter and the Sorcerer's Stone,» released in 2001, when the actor was 12.

The interacting with Killmonger and the secondary character and the final few scenes that he and T'Challa get to spend together are honestly some of the best moments from any of these films in a very long time.

Roughly translated, those are the last words in Robert Bresson's «Pickpocket,» a movie that figures prominently in the work of Paul Schrader, who has alluded to its final scene in many of his films, including «American Gigolo,» «Light Sleeper» and his new one, «First Reformed.»

Adele Haenal and Kevin Azais both give strong performances, and the chemistry is certainly present on screen, while the flick's bizarrely charming score and array of beautiful shots create definite impact; one of the film's final scenes, that takes place in an abandoned town, surprised me in its method of creating danger.

Here, it's as if her camera only exists to allow for the moment where she asks to take her long - ago lover's photograph, but in this scene, like the film's final one, there isn't even a sense that Ronit is looking to reclaim something that was never hers.

From the opening space arrival scene to the final battle, this film has it all in terms of a video feast for the eyes and excitement for the ears.

In the final, incredible scenes at Candie Land, easily the peak of the film and some of the best scenes of the year, everyone on - screen is hiding something from Django pretending to be a mandingo expert to Broomhilda pretending she doesn't know him to Samuel L. Jackson's memorable turn as a loyal butler with plenty to hide.

In the film's final act, the screenplay serves them up what might otherwise be a moment of real conflict, but Roth's direction seems so blithely uninterested in anything but eagerly justifying Willis» violently sadistic rampages that the scene plays as limp and useless as a vestigial taiIn the film's final act, the screenplay serves them up what might otherwise be a moment of real conflict, but Roth's direction seems so blithely uninterested in anything but eagerly justifying Willis» violently sadistic rampages that the scene plays as limp and useless as a vestigial taiin anything but eagerly justifying Willis» violently sadistic rampages that the scene plays as limp and useless as a vestigial tail.

From the series of pranks and stunts that are done to ruin Shack professionally throguh the scenes of A No. 1 trying to educate Cigaret all the way to the big final confrontation aboard the moving train, this film is fileld with energy, tension, and the world being presented really comes alive in all of its unsavory detail.

And the film kind of peters out in its final scenes post-Candie Land in a disappointing way.

Both characters have been conspicuously left out of Infinity War's first part, but the final moment of the film's post-credit scene suggests Brie Larson's Captain Marvel will be a key part in resurrecting this flurry of «dead» Avengers, and bringing down Thanos in the process.

However, that emotional intensity is completely erased in the film's final half hour, which is devoted to typical courtroom scenes that provide none of the power of what we just endured.

Having built up to what promises to be a dramatic, fitting finale, the film's final scenes seem to be more interested in shocking the audience and subsequently leaving them freewheeling rather than providing catharsis.

Birdman «Times Square Lockout» I could have chosen the final scene or Edward Norton getting a hard on in front of a live audience or really any scene from Alejandro Gonzalez Inarritu's visionary film, but this is the scene everybody keeps talking about.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

«Get Out» is not a film that takes breaks for comedy routines (even if Howery allows a little relief, it's often in the context of how he's convinced all white people want black sex slaves), keeping us on edge and uncertain from the opening scene to the final one.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iIn Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

But in keeping with revived franchise's goals of shedding the old to make way for the new, he meets his apparent end during the final act of the film in a scene that will undoubtedly leave audiences asking a lot of questions.

Well, he does save the world and in the final scene returns to her cell for his «reward», which is conveyed in the film as a POV shot recorded by the agent's spy glasses, much to the shocked disgust of Q-esque Merlin (Mark Strong).

Spock's final scenes etch the Kirk / Spock relationship in stone and set the standard for character relationships in all genre films, to say nothing of future «Star Trek» sequels.

For fans of the first film, the final ending scenes are the most spectacular in linking directly into the opening of the first Thing.

When their story ends and brings a sense of achievement to the film, though, Fisher chooses to continue the movie as if to remind the audience in a final scene that he really is the most inspiring movie studio security guard who ever wrote a spec script.

From the opening sequence — a clogged freeway overpass filled with singers and dancers lamenting a traffic jam — where Sebastian and Emma's first (very) brief encounter is entirely negative; to the final scenes (in which our expectations are heightened and then thwarted), this is a unique film experience.

Overall, the English and Canadian actors get it but the Americans don't quite, which becomes especially problematic in the film's long final scene, featuring Paul Giamatti at his most irascible.

Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.

Some of the CGI was a bit spotty in the final action scenes but other than that, this is the film I was hoping for.

There are some telling moments when they discuss material that was excised from the final cut, such as scenes that might have made other characters in the film more sympathetic, but unfortunately none of this footage has been preserved on this disc.

With the body count rising in scene after iconic scene, who will be the final girls left standing and live to escape this film?

The film's most bizarre moment comes in the final scene, when Martin returns home after the war to find his friends in the process of rebuilding his house.

Except that the final scene is of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one of my very favorite film moments from 2013 — a perfectly uplifting, joyous ending to a movie that manages to be optimistic without being pat, funny without being scornful and happy without being slight.

Pixar vets will remember the profound emotions brought up by the opening sequences of Up, the final scenes of Toy Story 3 and Monsters, Inc., and so many other watershed moments in the company's library of films.