The final scenes of the movie show Blocker out of uniform and in civilian clothes, as if to imply that his redemption has involved moving away from his military life — whether that is temporarily or permanently isn't obvious.
The final scene of the movie, however, offers him a chance at redemption and proves the true worth of his character and performance.
The final scene of the movie, which is intended to echo Marlon Brando's famous death scene, is perfunctory and awkward.
Aside from a couple of things not being explained well, mostly involving
the final scene of the movie, as well as a rather horrible green screen effect used towards the end, there isn't anything else negative to say about Youth.
The final scene of this movie is a cathartic heartbreaker: the culmination of righteous anger, forgiveness and coming to peace with your past.
Emma Watson who played Belle was supberb at playing her character and bought such emotion to
the final scenes of the movie and the CGI candleabara, wardrobe, clock and teacup was so sweet and made my heart go out for them.
Yes,
the final scenes of the movie see Deadpool in the grey and black X-Force costume he wore during his membership.
His scientific education skewing his interpretation of events causes the «watchers» to be MIB or something else around which he could wrap his mind, and the imagery in
the final scenes of the movie were nothing more than his interpretation of the events that were transpiring before him.
I also absolutely loved his costume in
the final scene of the movie.
He added: «I've always felt that
the final scene of a movie should occur on the sidewalk outside the theater.
Not exact matches
Despite the talky legal proceedings taking up most
of the
movie's
final hour, that doesn't take away from the fact that the slave revolt that opens the
movie is one
of the most intense and powerful
scenes Spielberg has ever created.
At the end
of the
movie, we see some tension between these two characters, but this
scene would have developed that tension more had it made the
final cut.
And make no mistake, Sunday's was the best Dinah Shore finish in memory, sort
of like the
final scene in one
of those old Hercules
movies in which everything comes crashing down around the hero and only he is left standing.
As if all the prior missteps weren't enough, one
of the
movie's
final scenes — warning: spoiler alert, here — once again reinforces the desire to make marriage be a one - size - fits - all model.
If you saw the
movie Trainwreck you may be thinking about the
final scene where Amy Schumer's dancing like a fool in a Knicks girl uniform at Madison Square Garden to the song (kind
of a life goal, how fun would that be?)
Bonus: Disc One: • «Maximum
Movie Mode» Interactive Feature • Eight «Focus Points» Featurettes • «
Final Farewells from Cast and Crew» • Previews Disc Two: • «A Conversation with JK Rowling and Daniel Radcliffe» Documentary • «The Goblins
of Gringotts» Featurette • «The Women
of Harry Potter» Featurette • Eight Deleted
Scenes • Previews • Bonus DVD
Roughly translated, those are the last words in Robert Bresson's «Pickpocket,» a
movie that figures prominently in the work
of Paul Schrader, who has alluded to its
final scene in many
of his films, including «American Gigolo,» «Light Sleeper» and his new one, «First Reformed.»
Messy, soulless, overlong and incomprehensible CG action
scenes are order
of the day, and they totally murder the
movie's
final act.
IT SUCKS, IT MAKES NO **** SENSE * SPOILER * HE GOES BACK IN TIME IN THE
FINAL SCENE OF THE FIRST
MOVIE, SHOWS HOW THE GUY GET STABBED AND THEN JESSE KILLS HIM * SPOILER END * THROW **** IN WHOEVER WROTE THIS, AGAIN THE HORROR TYPE
MOVIE WHERE THE ENTITY CAN DO EVERYTHING
If you're expecting him to question, in the
final scenes, the meaning
of having bought that baseball, you're too used to dumber, less honest
movies.
It would also have been interesting to know the implications
of the event in the
final scenes within the context
of the
movie, but leaving them to the imagination is acceptable and perhaps even preferable.
In the
scenes T'Challa shares with his father's spirit in the
final movie we already get what we need to know
of their relationship without these, but it's nice to see them included on the home release.
Looking eye to eye, these opponents know each other well, and will ultimately meet again at the end
of the
movie for that
final climatic
scene.
But there's not a lot
of suspense about where the
movie might go, even for the uninitiated, because the out -
of - order opening
scene blatantly establishes that Wimbledon will come down to these two contenders (lest one fear they have to pay any attention to any
of the matches leading up to the
finals).
There is a lot wrong with this
movie; the stunningly overt product placement, the diabetes causing levels
of saccharin, the kid (Dakota Goyo) is so annoying that you start wishing one
of the robots to accidentally collapse on him... But then theres the fantastically realised robot fight
scenes, the walking charisma machine that is Hugh Jackman, the stunningly beautiful Evangeline Lilly as his only friend, and a
final fight that will have you cheering louder than the end
of Warrior.
The
final scene between these wizened veterans is the
movie's thematic payoff, subtly but decisively altering our view
of both characters.
Hopefully, Hiddleston's
scenes will end up in the
final version
of the
movie, since he's always a delight to watch as Loki.
When their story ends and brings a sense
of achievement to the film, though, Fisher chooses to continue the
movie as if to remind the audience in a
final scene that he really is the most inspiring
movie studio security guard who ever wrote a spec script.
These were my thoughts during the
final scene of The Post, a
movie I found flawed and unconvincing but never truly bad until the last 45 seconds, at which point I sort
of wanted to hide under my seat in the
movie theater.
And while Tibbetts has admittedly peppered the narrative with a few standout sequences (eg Martin attempts retrieve Jack's handgun while the man is unconscious), Retreat has been saddled with an aggressively uneventful midsection that does, in the end, diminish the impact
of its
final scenes - which effectively cements the
movie's place as a thoroughly misguided piece
of work.
- The
Final Climax: This is a 9 - part featurette that runs over a half hour and covers a variety
of scenes as well as moments in the
movie.
And the script relies way too heavily on rude, tasteless humor (especially in the
final half hour) and over-the-top /» shock - value»
scenes, which come - off as desperate and absolutely ridiculous — including an insane brawl in the middle
of a street between rival scout troops (that you'd ONLY see in the
movies) and an awful climax involving a rival business mogul (Peter Dinklage).
Speaking
of dreams, some viewers think that Travis is fatally wounded in the shootout and the
movie's
final scenes are his near - death hallucinations.
Of course, the whole
movie bears Scorsese's unique visual stamp, but the agitated, disjointed camerawork suggests an otherworldly quality particularly in those
final scenes.
I would have excluded what look like
scenes from the
final fight
of the
movie.
Here is the story
of a man whose first pivotal memory is as a young servant picking cotton at a farm in the South, helplessly watching his father being murdered in cold blood for daring to call out the owner for raping and beating his mother, and whose
final scenes in the
movie see him visiting the White House after voting for the first African American President
of the United States.
Except that the
final scene is
of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one
of my very favorite film moments from 2013 — a perfectly uplifting, joyous ending to a
movie that manages to be optimistic without being pat, funny without being scornful and happy without being slight.
But I do remember, on first seeing and loving the
movie in the theater, a sense
of incompleteness about the ending, a feeling that the weight
of what had come before was not quite counterbalanced by the giddy release
of that
final scene.
There are a few deleted
scenes that didn't make it into the
final version
of the
movie.
I'm referring to the
movie's original theatrical trailer, which is plenty cool in its own right, but even more so since it contains glimpses
of scenes that were not in the
final cut.
Yet whereas the
movie is most impressive during its
final scene, its random conclusion leaves us feeling like there's a whole half
of the film missing.
And the appearance
of a certain character at the very end
of the
movie struck me as a well - intentioned attempt to include a significant idea from the book that ultimately left the
final scenes slightly overstuffed.
When the
final match hits, it goes fully into «sports
movie» mode, complete with all the cliches
of a
final game
scene: an overconfident villain, a seemingly unending back - and - forth score between the two, music that's just a little too obvious and perfectly timed — all the parts are there.
It's probably a loser's game to ask for better craftsmanship from a
movie like Tower Heist, but even crowd - pleasing big - budget comedies would seem to owe both
of their top - billed actors a
final scene.
There is a howling, Ken Russell - type Stephen Hawking biopic pent up inside The Theory
Of Everything and it bursts out, à la Alien, during one of the movie's final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it u
Of Everything and it bursts out, à la Alien, during one
of the movie's final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it u
of the
movie's
final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle
of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it u
of one
of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it u
of his own computer - delivered speeches, sees an audience member drop a pen and rises out
of his wheelchair to pick it u
of his wheelchair to pick it up.
It may be the best
scene of the
movie... at least up to the stunning
final shot.
You're never bored, but there's so much material covered here that The Last Jedi easily could have been two
movies, and there's so many
final standoffs and climactic
scenes by its close that it feels like at least four or five
movies» worth
of conclusions.
And Charlotte Rampling in 45 Years felt brave, not in a «Boy, she really lets the years show» way but because the
final scene of Andrew Haigh's devastating
movie depends, 100 percent, on what she can do with a close - up.
After several delays pushed it way back beyond its original September 2014 release date, production has now finally got underway on the sixth instalment
of the Resident Evil
movie franchise, titled Resident Evil: The
Final Chapter, and Milla Jovovich has taken to Instagram to share a behind - the -
scenes image
of her preparing for her role as -LSB-...]
At least the picture does follow a rudimentary plotline, although it's real reason for being is to satirize familiar
scenes from such
movies as Save the Last Dance, Fame, Step Up, Stomp the Yard, Roll Bounce, Dreamgirls, Black Snake Moan, Hairspray, Singing in the Rain, High School Musical, ATL, Twilight, Flashdance, The Little Shop
of Horrors, Edward Scissorhands and
Final Destination.