Sentences with phrase «final scenes of the movie»

The final scenes of the movie show Blocker out of uniform and in civilian clothes, as if to imply that his redemption has involved moving away from his military life — whether that is temporarily or permanently isn't obvious.
The final scene of the movie, however, offers him a chance at redemption and proves the true worth of his character and performance.
The final scene of the movie, which is intended to echo Marlon Brando's famous death scene, is perfunctory and awkward.
Aside from a couple of things not being explained well, mostly involving the final scene of the movie, as well as a rather horrible green screen effect used towards the end, there isn't anything else negative to say about Youth.
The final scene of this movie is a cathartic heartbreaker: the culmination of righteous anger, forgiveness and coming to peace with your past.
Emma Watson who played Belle was supberb at playing her character and bought such emotion to the final scenes of the movie and the CGI candleabara, wardrobe, clock and teacup was so sweet and made my heart go out for them.
Yes, the final scenes of the movie see Deadpool in the grey and black X-Force costume he wore during his membership.
His scientific education skewing his interpretation of events causes the «watchers» to be MIB or something else around which he could wrap his mind, and the imagery in the final scenes of the movie were nothing more than his interpretation of the events that were transpiring before him.
I also absolutely loved his costume in the final scene of the movie.
He added: «I've always felt that the final scene of a movie should occur on the sidewalk outside the theater.

Not exact matches

Despite the talky legal proceedings taking up most of the movie's final hour, that doesn't take away from the fact that the slave revolt that opens the movie is one of the most intense and powerful scenes Spielberg has ever created.
At the end of the movie, we see some tension between these two characters, but this scene would have developed that tension more had it made the final cut.
And make no mistake, Sunday's was the best Dinah Shore finish in memory, sort of like the final scene in one of those old Hercules movies in which everything comes crashing down around the hero and only he is left standing.
As if all the prior missteps weren't enough, one of the movie's final scenes — warning: spoiler alert, here — once again reinforces the desire to make marriage be a one - size - fits - all model.
If you saw the movie Trainwreck you may be thinking about the final scene where Amy Schumer's dancing like a fool in a Knicks girl uniform at Madison Square Garden to the song (kind of a life goal, how fun would that be?)
Bonus: Disc One: • «Maximum Movie Mode» Interactive Feature • Eight «Focus Points» Featurettes • «Final Farewells from Cast and Crew» • Previews Disc Two: • «A Conversation with JK Rowling and Daniel Radcliffe» Documentary • «The Goblins of Gringotts» Featurette • «The Women of Harry Potter» Featurette • Eight Deleted Scenes • Previews • Bonus DVD
Roughly translated, those are the last words in Robert Bresson's «Pickpocket,» a movie that figures prominently in the work of Paul Schrader, who has alluded to its final scene in many of his films, including «American Gigolo,» «Light Sleeper» and his new one, «First Reformed.»
Messy, soulless, overlong and incomprehensible CG action scenes are order of the day, and they totally murder the movie's final act.
IT SUCKS, IT MAKES NO **** SENSE * SPOILER * HE GOES BACK IN TIME IN THE FINAL SCENE OF THE FIRST MOVIE, SHOWS HOW THE GUY GET STABBED AND THEN JESSE KILLS HIM * SPOILER END * THROW **** IN WHOEVER WROTE THIS, AGAIN THE HORROR TYPE MOVIE WHERE THE ENTITY CAN DO EVERYTHING
If you're expecting him to question, in the final scenes, the meaning of having bought that baseball, you're too used to dumber, less honest movies.
It would also have been interesting to know the implications of the event in the final scenes within the context of the movie, but leaving them to the imagination is acceptable and perhaps even preferable.
In the scenes T'Challa shares with his father's spirit in the final movie we already get what we need to know of their relationship without these, but it's nice to see them included on the home release.
Looking eye to eye, these opponents know each other well, and will ultimately meet again at the end of the movie for that final climatic scene.
But there's not a lot of suspense about where the movie might go, even for the uninitiated, because the out - of - order opening scene blatantly establishes that Wimbledon will come down to these two contenders (lest one fear they have to pay any attention to any of the matches leading up to the finals).
There is a lot wrong with this movie; the stunningly overt product placement, the diabetes causing levels of saccharin, the kid (Dakota Goyo) is so annoying that you start wishing one of the robots to accidentally collapse on him... But then theres the fantastically realised robot fight scenes, the walking charisma machine that is Hugh Jackman, the stunningly beautiful Evangeline Lilly as his only friend, and a final fight that will have you cheering louder than the end of Warrior.
The final scene between these wizened veterans is the movie's thematic payoff, subtly but decisively altering our view of both characters.
Hopefully, Hiddleston's scenes will end up in the final version of the movie, since he's always a delight to watch as Loki.
When their story ends and brings a sense of achievement to the film, though, Fisher chooses to continue the movie as if to remind the audience in a final scene that he really is the most inspiring movie studio security guard who ever wrote a spec script.
These were my thoughts during the final scene of The Post, a movie I found flawed and unconvincing but never truly bad until the last 45 seconds, at which point I sort of wanted to hide under my seat in the movie theater.
And while Tibbetts has admittedly peppered the narrative with a few standout sequences (eg Martin attempts retrieve Jack's handgun while the man is unconscious), Retreat has been saddled with an aggressively uneventful midsection that does, in the end, diminish the impact of its final scenes - which effectively cements the movie's place as a thoroughly misguided piece of work.
- The Final Climax: This is a 9 - part featurette that runs over a half hour and covers a variety of scenes as well as moments in the movie.
And the script relies way too heavily on rude, tasteless humor (especially in the final half hour) and over-the-top /» shock - value» scenes, which come - off as desperate and absolutely ridiculous — including an insane brawl in the middle of a street between rival scout troops (that you'd ONLY see in the movies) and an awful climax involving a rival business mogul (Peter Dinklage).
Speaking of dreams, some viewers think that Travis is fatally wounded in the shootout and the movie's final scenes are his near - death hallucinations.
Of course, the whole movie bears Scorsese's unique visual stamp, but the agitated, disjointed camerawork suggests an otherworldly quality particularly in those final scenes.
I would have excluded what look like scenes from the final fight of the movie.
Here is the story of a man whose first pivotal memory is as a young servant picking cotton at a farm in the South, helplessly watching his father being murdered in cold blood for daring to call out the owner for raping and beating his mother, and whose final scenes in the movie see him visiting the White House after voting for the first African American President of the United States.
Except that the final scene is of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one of my very favorite film moments from 2013 — a perfectly uplifting, joyous ending to a movie that manages to be optimistic without being pat, funny without being scornful and happy without being slight.
But I do remember, on first seeing and loving the movie in the theater, a sense of incompleteness about the ending, a feeling that the weight of what had come before was not quite counterbalanced by the giddy release of that final scene.
There are a few deleted scenes that didn't make it into the final version of the movie.
I'm referring to the movie's original theatrical trailer, which is plenty cool in its own right, but even more so since it contains glimpses of scenes that were not in the final cut.
Yet whereas the movie is most impressive during its final scene, its random conclusion leaves us feeling like there's a whole half of the film missing.
And the appearance of a certain character at the very end of the movie struck me as a well - intentioned attempt to include a significant idea from the book that ultimately left the final scenes slightly overstuffed.
When the final match hits, it goes fully into «sports movie» mode, complete with all the cliches of a final game scene: an overconfident villain, a seemingly unending back - and - forth score between the two, music that's just a little too obvious and perfectly timed — all the parts are there.
It's probably a loser's game to ask for better craftsmanship from a movie like Tower Heist, but even crowd - pleasing big - budget comedies would seem to owe both of their top - billed actors a final scene.
There is a howling, Ken Russell - type Stephen Hawking biopic pent up inside The Theory Of Everything and it bursts out, à la Alien, during one of the movie's final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it uOf Everything and it bursts out, à la Alien, during one of the movie's final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it uof the movie's final scenes, in which the now middle - aged Hawking (Eddie Redmayne), who has zoned out in the middle of one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it uof one of his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it uof his own computer - delivered speeches, sees an audience member drop a pen and rises out of his wheelchair to pick it uof his wheelchair to pick it up.
It may be the best scene of the movie... at least up to the stunning final shot.
You're never bored, but there's so much material covered here that The Last Jedi easily could have been two movies, and there's so many final standoffs and climactic scenes by its close that it feels like at least four or five movies» worth of conclusions.
And Charlotte Rampling in 45 Years felt brave, not in a «Boy, she really lets the years show» way but because the final scene of Andrew Haigh's devastating movie depends, 100 percent, on what she can do with a close - up.
After several delays pushed it way back beyond its original September 2014 release date, production has now finally got underway on the sixth instalment of the Resident Evil movie franchise, titled Resident Evil: The Final Chapter, and Milla Jovovich has taken to Instagram to share a behind - the - scenes image of her preparing for her role as -LSB-...]
At least the picture does follow a rudimentary plotline, although it's real reason for being is to satirize familiar scenes from such movies as Save the Last Dance, Fame, Step Up, Stomp the Yard, Roll Bounce, Dreamgirls, Black Snake Moan, Hairspray, Singing in the Rain, High School Musical, ATL, Twilight, Flashdance, The Little Shop of Horrors, Edward Scissorhands and Final Destination.
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