Sentences with phrase «final sequence»

The entire final sequence against The Nightmare stands out as a wonderful moment from my childhood, a moment where I proudly beat a video game all by myself.
He clearly conveys the intellectual bargains he must make to allow himself to do as he does, and even makes the somewhat less believable final sequences convincing.
The exception is the divisive final sequence, which goes against the story's logic but comes as an almost necessary relief.
Swapping the director's usual tone of strained (male) seriousness for one of (female) hysteria, the film ultimately throws away any pretence of profundity in a jolly final sequence of largely unexplained psychotic violence.
The entire 40 - minute final sequence in Cardiff, Wales is new; Peter Capaldi wasn't even in the first version of the movie.
It's an ingenious structure - though certainly will be labeled «exploitive» by many - as we're on edge during the entire final sequence at the Charlottesville protest, knowing that Heather's tragic death is literally right around the corner.
For instance, Snowball Earth or possibly final sequence Red Star absorption of inner planets?
A quick look through Twitter would show that at least a few championships changed hands because of the bizarre final sequence in the game.
In the poignant final sequence, Gaskin exhibits her Safe Motherhood Quilt and calls for a deeper examination into the rising maternal mortality rate in the US.
With a badly degraded sample, researchers may also need to apply extremely rigorous statistical filters, discarding the overwhelming majority of the raw data from the sequencer in order to generate an accurate final sequence.
A stylish final sequence set in the backstage workings of a downtown movie theatre is particularly striking, juxtaposing a screening of the mirror showdown from The Lady from Shanghai with a violent scene of confrontation.
The movie's final sequence hints at some massive cosmic rebirth; a sense that these people are the first or last human beings in the universe, like something by Kubrick.
But the film was greeted with resounding applause in Cannes — and its lovely final sequence, which plays out in the huge New York diorama built for the 1964 World's Fair, should be a hometown delight for the NYFF audience.
Intentionally terrible, this blessedly final Sequence succeeds only in making parts one and two look elegant by comparison — and maybe, in punishing anyone who feasted on those films with a shit - eating grin.
At least the hilariously misjudged final sequence elicits a strong reaction — the rest is so dull that it's easy to forget you're watching it while it's still on.
Olivier Assayas's film seems almost random at first, but it becomes suspenseful at a key moment, and lifts into a wonderful final sequence.
But despite all the reasons it really should not work, the film's final sequence stayed with me long after the fuzzy knowledge of what exactly each Infinity Stone does and the confusion over why Tessa Thompson wasn't in this movie had faded away.
In the devastating, wordless final sequence we fully comprehend the effect that the film's events have had on this family.
In addition to the fiery pits and the gore, the F / X team provides demons both CGI and human - based (one is clearly a guy in a suit), two very well endowed iterations of Old Scratch, a destroyed Hollywood that Roland Emmerich would envy and a final, blisteringly white final sequence I wouldn't dare spoil for you.
The explosion of violence at the end of the film recalls the iconic final sequence from Bonnie and Clyde: violence and death suddenly become much more than a plot point in the narrative of their lives.
The film looks striking from the beginning, then gets more daringly expressionistic as it goes along, building toward a gripping, lyrical final sequence.
Then comes the film's unforgettable final sequence, a culmination of everything that comes before it: an exploration of interpersonal relationships, familial ties and the notions of attachment & co-dependence.
Olimar's neutral attack consist of the two initial punches (although reversed in order), and his forward strong attack has him wind up his fist and throw it forward, much like the third and final sequenced punch in Pikmin 2.
In the epic final sequence of the series, a clock radio awakens Claire before she leaves on her journey in the car of the future: a Toyota Prius.
Bottom, left: Final sequence of Michelangelo Antonioni, Zabriskie Point (1970).
The notion that the only significant break points in climate change trends would be «Snowball earth», or «final sequence Red Star absorption of inner planets» is disingenuous, and distracting.
While the play no doubt swung a ton of money in Las Vegas, it's possible that the final sequence was even more impactful to fantasy football players.
Towns on Wiggins» shot and the final sequence: «Wig is amazing.
An eye gouge, that looks intentional, lead the final sequence of the fight, this is before the slip that everybody talks about.
Here's video the final sequence of Craft and the eventual winner by Dayton's Vee Sanford via Guyism:
This ensures that DNA from microbes and other contaminants does not pop up in the final sequence.
In the final sequence, the viewer enters an immersive exploration of the filamentary structure of the local universe, navigating inside the filaments and visiting the major nodes such as the Great Attractor.
The final sequence zooms in to a close - up frame of Pluto released on July 15, 2015.
But, more significantly, The Walk is a movie built around a final sequence in which the French acrobat Philippe Petit walks a wire strung between the twin towers of the World Trade Centre in New York.
The final sequences are worth the wait, though, bringing together the story's many threads and offering the classic closure of a young man coming to terms with his identity.
The convention and final sequences had a look to them that was nothing short of chilling.
But the final sequence of Jesus» crucifix rising into the air to be surrounded by a larger crucifix of light was a breathtaking bit of stagecraft that blended the theater and concert aspects of the show perfectly.
Mr. Burger has a performer who can dart between stentorian self - assurance and cringing pathos, maintaining his character's ambiguity until the final sequence of this resourceful and ingenious entertainment.
The final sequence in Memories of Me, a Felliniesque funeral, is very clever but somewhat out of synch with what has gone before.
The final sequence in which the triumphant adminstrator Clark Poundstone (Greg Kinnear) gets to glimpse what he has wrought, however, is priceless.
Perhaps more than any of the Coens other films, Inside Llewyn Davis is scrupulously realistic — right up until its final sequence, in which there is an unexpected temporal shift back to the beginning of the film, with Llewyn again singing «Hang Me, Oh Hang Me» at the club before being beaten up in the alley behind it.
It's too long and too overwrought in parts, but when you get to the final sequence and realise what he's constructed, it hits you in the gut and the mind in a way that no other film in the competition quite manages.
The entire storyline involving Crane and Birdy Abundas (Scarlett Johansson), the pretty teenage piano player in whom he takes an inappropriate interest, feels as though it's part of a different, and notably more contemporary, film, especially in the final sequence in which she explicitly offers him oral sex.
The final sequence juxtaposes her dazzling moments on ice with images of her in the boxing ring, bloodied on the mat.
The performances of both Capaldi and co-star Jenna Coleman were well - regarded, as was director Ben Wheatley's darker visual elements and the final sequences which included two surprises.
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