Sentences with phrase «final shot in the film»

The final shot in the film is remarkable, one of the best in any film we'll see this year.
I thought that there was something weird about the final shot in the film.

Not exact matches

The director confirmed at numerous screenings that he attended leading up to the movie's release that there's indeed one shot in the final cut of the film where Spacey can be seen playing billionaire J. Paul Getty.
The film's final match is terrifically exciting, in part because of the thrilling way Russell shoots it, but mostly because of how eager we are for Micky to succeed.
Which leads me to my final point: The manner in which the film is shot.
While in Venice, Tsai hinted that Stray Dogs, the story of an impoverished family struggling to survive in Taipei, could be his final film, so it is fitting that Lee Kang - sheng, his longtime collaborator, stars in what could be Tsai's first and last film shot on digital.
A portion of the film was shot in large - format IMAX, and the final draft of the script comes from Michael Arndt, best known as the guy now responsible for not screwing up Star Wars: Episode VII.
Adele Haenal and Kevin Azais both give strong performances, and the chemistry is certainly present on screen, while the flick's bizarrely charming score and array of beautiful shots create definite impact; one of the film's final scenes, that takes place in an abandoned town, surprised me in its method of creating danger.
Reportedly Altman had enough material for two proposed films: «Nashville Red» and «Nashville Blue,» though Altman later denied this, claiming most everything he shot ended up in the final film.
As the film goes on, the script problems become more apparent with the last 15 - 20 minutes in particular so over the top and filled with those «oh come on» kind of moments that it whilst it doesn't ruin the film, it does leave a slightly sour taste (the final shot in particular will probably annoy).
While several of the Angulo brothers have camera credits on The Wolfpack, this collaboration doesn't for the most part inform the filmmaking in any noticeable way, and only in these final moments, when under the credits we see a short film that Mukunda, now an aspiring filmmaker, shot with the help of his family, can they be seen to assert a style of their own onto the film.
In the film's final shot, Stewart's Maureen reveals a face that is not so much scared as uncertain, apprehensive, quietly waiting on the verge of something unknown; we hear a faint intake of breath before the picture of her fades, ghostlike, the whole screen bleaching to a whiter shade of pale.
His final film for Shaw, Come Drink With Me (66) revolutionized the industry, and gave Hong Kong not only one of its first period swordplay films shot in a new, modern style (inspired by Japanese swordplay films of the time), but also its first female action lead.
Oldman has never played the predator more effectively, not even in Coppola's Dracula; he is completely the insect until the final shot of the film, when he pays his only nod to Guiness's Smiley.
Underneath the muck, there are undeniably brilliant moments, particularly in the confrontations between Scar (the Comanche antagonist) and Ethan, and a terrific final shot that sums up the film, and perhaps the Western genre at the time, ingeniously.
The supremely clear 2.40:1, 1080p transfer brings to mind an answer print projected under ideal circumstances, though some shots in the final third of the film are subtly out of register, perhaps betraying the dual - strip 3 - D process in which the climax was shot for IMAX exhibition.
The film works on multiple levels — as a supernatural thriller (though explicit paranormal elements are limited to a hallucinatory dream sequence and the final shot of the baby's eyes), as a psychological thriller about a paranoid pregnant woman who imagines herself at the centre of a conspiracy, and as the last word in marital betrayal, since the most despicable villain here is surely Guy, who allows his wife to be raped by the devil in exchange for an acting role.
Well, he does save the world and in the final scene returns to her cell for his «reward», which is conveyed in the film as a POV shot recorded by the agent's spy glasses, much to the shocked disgust of Q-esque Merlin (Mark Strong).
The final shot is the film's altarpiece: a weightless camera glides around the Toller and Mary in their rapturous embrace, as the emphatic sounds of the choir singing «Leaning on the Everlasting Arms» reverberate.
Thanks to the success of Rundskop, Roskam got the chance to shoot the Brooklyn gangster film The Drop (2014), featuring Tom Hardy, Schoenaerts again, Noomi Rapace and James Gandolfini in his final role.
What you may not know is that a shot with Stoltz as Marty McFly still made it into the final film, which you can see in the video above.
Its classical and religious symbolism points to larger questions of inherent faith in higher powers, but rarely at the expense of genre licks, the irruptive nature of the film's final shot tantalisingly ambiguous.
The film's final shot, so startling in the original film, is just one more major fumble, further cementing the grotesque 2013 version of Carrie as one of the most toothless and terrible films of the year.
For what he has said will be his final film, animation maestro Hayao Miyazaki tackles a controversial biopic that could just as easily have been shot in live action.
That is, until the final moments of the film, when Larry hears that he needs to have more medical tests done, followed by a shot of a tornado bearing down on his son in front of his school.
The ending of the film is (understandably) extremely dissatisfying to series fans, and while the emptiness of the final shot does have a sense of the respect to it, for those who've been riveted in Ripley's story since Alien, there appears to have been nothing gained from a story or theme standpoint.
Ade's film keeps your sympathies in flux right up to — in fact, well beyond — her unforgettable final shot.
A couple of longing, lingering moments shot through snow - wet car windows and in Edward Hopper - framed hotel rooms (it's Haynes's most Wenders work), as well as a final shot that is the picture at its most evocative and unapologetically Romantic, point to the film that might have been.
The latter story is told in sped - up film stock, as highlights and soon lowlights of their relationship progress until he comes to a realization (which is unfortunately marred by a shot of them happy together in the final montage).
The horror - film tropes resurface only intermittently in their later films: a hand bursting out of the ground, recalling the final shot of Carrie, during the prison break in 1987's Raising Arizona (a shot also used in The Evil Dead); the wood chipper that in Fargo (1996) is put to the grisly use that Marty had intended for his incinerator; Anton Chigurh's slasher murders in No Country for Old Men (2007); and, most acutely of all, in Barton Fink (1991), a film about a writer's worst nightmare, writer's block, complete with sweating wallpaper, expanding plumes of blood, and a hellfire climax.
Billed as the director's final «Transformers» film, «The Last Knight» will also shoot in Detroit and London.
Selected by Chile to represent the country in the Best Foreign Language category at the Oscars, this moving, funny, very human film about a middle - aged woman and the obstacles that prevent a full and rich love life has a terrific shot at making the final five nominees.
The final showdown in this film may very well be the best shoot out in the history of the western; its length, pace, and the way in which it was framed all seem perfectly calculated by Costner.
According to the course description, «the movie's source material, script, shot lists, storyboards, shooting schedule, VFX, final cut and even exclusive behind - the - scenes footage» will give students an in - depth look at how a Hollywood film is made.
The Last Scene Shot of Harry Potter: It's sad enough just to know this eight - film franchise is coming to an end after so many years; how about rubbing it in a little more by watching the cast and crew wrap their final sShot of Harry Potter: It's sad enough just to know this eight - film franchise is coming to an end after so many years; how about rubbing it in a little more by watching the cast and crew wrap their final shotshot?
Compound that with a fairly ridiculous plot and a final shot that somehow leaves the impression that an adequate ending was never quite able to be conveyed, and Simon's film turns from a sure crowd - pleaser to one that can irk if you aren't in the mindset to accept it as just a piece of fluff entertainment and nothing more.
The paradise Thanos smiles at in the final shot of the film may also be a pocket - dimension within the Soul Stone which, in the comics, houses souls and creates a paradise for each and every one of them.
In a simpler film, the final shot would cut to Ryan dropping everything to be with Alex. In a hip film, he'd break from that and end up with Natalie.
Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.
There are still plenty of things to see in Crimson Peak, but unfortunately the trailer shows multiple shots from the final reel of the film.
There's a hint of Berkeley left in the film in the final shot, an arial view of dancing horses forming one of Berkeley's trademark geometric patterns, but for the most part the film feels completely generic.
with optional commentary sees the director proclaiming it «fascinating» how things change during the course of the film and shows young Rosie (a.k.a. Grace) in a continuous tracking shot that the creative team «knew wasn't working» without further clarification of how the final version works better.
While Mary McCormack and her «In Plain Sight» team were in their final days of filming the fifth and last season of her popular USA series, the actress was also fielding occasional long - distance calls about the ABC comedy pilot she'll be shooting -LSB-..In Plain Sight» team were in their final days of filming the fifth and last season of her popular USA series, the actress was also fielding occasional long - distance calls about the ABC comedy pilot she'll be shooting -LSB-..in their final days of filming the fifth and last season of her popular USA series, the actress was also fielding occasional long - distance calls about the ABC comedy pilot she'll be shooting -LSB-...]
In accordance with their agreement for a single day of closure for a single day of shooting at the Hermitage Museum, Sokurov and his boundless crew managed to capture the entire film on the forth try, the last and final attempt.
It's also a film whose impact derives from something other than its story and characters — specifically, Wyatt Garfield's brilliant cinematography, which uses 35 mm, 16 mm and Super 8 mm film at a time when almost everyone in the entertainment business is shooting digitally; and the final lead performance by Anton Yelchin, who died last year in a freak accident.
About the final days of 22 - year - old Oscar Grant, who was shot and killed by Oakland police on New Year's Day in 2009, the film earned raves in Park City, particularly for the galvanizing performance by former Friday Night Lights star Michael B. Jordan.
This leads to the film's much - discussed final shot, in which the viewer must confront our role in this story.
Our sympathies for him and his life grow as the film progresses, reaching its apogee in one of the final, may I say poetic, shots of him.
The fact that you can almost anticipate what image the camera will finally rest on does nothing to remove the immense power of the final shot in this rich and moving film.
Because ORPHANS OF THE STORM, in addition to being the last film either of the Gish sisters made with Griffith, was also the last picture the Gishes appeared in together, it is retrospectively fitting that ORPHANS» final shot shows Lillian / Henriette embracing not her leading man but her sister,
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