The final shot in the film is remarkable, one of the best in any film we'll see this year.
I thought that there was something weird about
the final shot in the film.
Not exact matches
The director confirmed at numerous screenings that he attended leading up to the movie's release that there's indeed one
shot in the
final cut of the
film where Spacey can be seen playing billionaire J. Paul Getty.
The
film's
final match is terrifically exciting,
in part because of the thrilling way Russell
shoots it, but mostly because of how eager we are for Micky to succeed.
Which leads me to my
final point: The manner
in which the
film is
shot.
While
in Venice, Tsai hinted that Stray Dogs, the story of an impoverished family struggling to survive
in Taipei, could be his
final film, so it is fitting that Lee Kang - sheng, his longtime collaborator, stars
in what could be Tsai's first and last
film shot on digital.
A portion of the
film was
shot in large - format IMAX, and the
final draft of the script comes from Michael Arndt, best known as the guy now responsible for not screwing up Star Wars: Episode VII.
Adele Haenal and Kevin Azais both give strong performances, and the chemistry is certainly present on screen, while the flick's bizarrely charming score and array of beautiful
shots create definite impact; one of the
film's
final scenes, that takes place
in an abandoned town, surprised me
in its method of creating danger.
Reportedly Altman had enough material for two proposed
films: «Nashville Red» and «Nashville Blue,» though Altman later denied this, claiming most everything he
shot ended up
in the
final film.
As the
film goes on, the script problems become more apparent with the last 15 - 20 minutes
in particular so over the top and filled with those «oh come on» kind of moments that it whilst it doesn't ruin the
film, it does leave a slightly sour taste (the
final shot in particular will probably annoy).
While several of the Angulo brothers have camera credits on The Wolfpack, this collaboration doesn't for the most part inform the filmmaking
in any noticeable way, and only
in these
final moments, when under the credits we see a short
film that Mukunda, now an aspiring filmmaker,
shot with the help of his family, can they be seen to assert a style of their own onto the
film.
In the
film's
final shot, Stewart's Maureen reveals a face that is not so much scared as uncertain, apprehensive, quietly waiting on the verge of something unknown; we hear a faint intake of breath before the picture of her fades, ghostlike, the whole screen bleaching to a whiter shade of pale.
His
final film for Shaw, Come Drink With Me (66) revolutionized the industry, and gave Hong Kong not only one of its first period swordplay
films shot in a new, modern style (inspired by Japanese swordplay
films of the time), but also its first female action lead.
Oldman has never played the predator more effectively, not even
in Coppola's Dracula; he is completely the insect until the
final shot of the
film, when he pays his only nod to Guiness's Smiley.
Underneath the muck, there are undeniably brilliant moments, particularly
in the confrontations between Scar (the Comanche antagonist) and Ethan, and a terrific
final shot that sums up the
film, and perhaps the Western genre at the time, ingeniously.
The supremely clear 2.40:1, 1080p transfer brings to mind an answer print projected under ideal circumstances, though some
shots in the
final third of the
film are subtly out of register, perhaps betraying the dual - strip 3 - D process
in which the climax was
shot for IMAX exhibition.
The
film works on multiple levels — as a supernatural thriller (though explicit paranormal elements are limited to a hallucinatory dream sequence and the
final shot of the baby's eyes), as a psychological thriller about a paranoid pregnant woman who imagines herself at the centre of a conspiracy, and as the last word
in marital betrayal, since the most despicable villain here is surely Guy, who allows his wife to be raped by the devil
in exchange for an acting role.
Well, he does save the world and
in the
final scene returns to her cell for his «reward», which is conveyed
in the
film as a POV
shot recorded by the agent's spy glasses, much to the shocked disgust of Q-esque Merlin (Mark Strong).
The
final shot is the
film's altarpiece: a weightless camera glides around the Toller and Mary
in their rapturous embrace, as the emphatic sounds of the choir singing «Leaning on the Everlasting Arms» reverberate.
Thanks to the success of Rundskop, Roskam got the chance to
shoot the Brooklyn gangster
film The Drop (2014), featuring Tom Hardy, Schoenaerts again, Noomi Rapace and James Gandolfini
in his
final role.
What you may not know is that a
shot with Stoltz as Marty McFly still made it into the
final film, which you can see
in the video above.
Its classical and religious symbolism points to larger questions of inherent faith
in higher powers, but rarely at the expense of genre licks, the irruptive nature of the
film's
final shot tantalisingly ambiguous.
The
film's
final shot, so startling
in the original
film, is just one more major fumble, further cementing the grotesque 2013 version of Carrie as one of the most toothless and terrible
films of the year.
For what he has said will be his
final film, animation maestro Hayao Miyazaki tackles a controversial biopic that could just as easily have been
shot in live action.
That is, until the
final moments of the
film, when Larry hears that he needs to have more medical tests done, followed by a
shot of a tornado bearing down on his son
in front of his school.
The ending of the
film is (understandably) extremely dissatisfying to series fans, and while the emptiness of the
final shot does have a sense of the respect to it, for those who've been riveted
in Ripley's story since Alien, there appears to have been nothing gained from a story or theme standpoint.
Ade's
film keeps your sympathies
in flux right up to —
in fact, well beyond — her unforgettable
final shot.
A couple of longing, lingering moments
shot through snow - wet car windows and
in Edward Hopper - framed hotel rooms (it's Haynes's most Wenders work), as well as a
final shot that is the picture at its most evocative and unapologetically Romantic, point to the
film that might have been.
The latter story is told
in sped - up
film stock, as highlights and soon lowlights of their relationship progress until he comes to a realization (which is unfortunately marred by a
shot of them happy together
in the
final montage).
The horror -
film tropes resurface only intermittently
in their later
films: a hand bursting out of the ground, recalling the
final shot of Carrie, during the prison break
in 1987's Raising Arizona (a
shot also used
in The Evil Dead); the wood chipper that
in Fargo (1996) is put to the grisly use that Marty had intended for his incinerator; Anton Chigurh's slasher murders
in No Country for Old Men (2007); and, most acutely of all,
in Barton Fink (1991), a
film about a writer's worst nightmare, writer's block, complete with sweating wallpaper, expanding plumes of blood, and a hellfire climax.
Billed as the director's
final «Transformers»
film, «The Last Knight» will also
shoot in Detroit and London.
Selected by Chile to represent the country
in the Best Foreign Language category at the Oscars, this moving, funny, very human
film about a middle - aged woman and the obstacles that prevent a full and rich love life has a terrific
shot at making the
final five nominees.
The
final showdown
in this
film may very well be the best
shoot out
in the history of the western; its length, pace, and the way
in which it was framed all seem perfectly calculated by Costner.
According to the course description, «the movie's source material, script,
shot lists, storyboards,
shooting schedule, VFX,
final cut and even exclusive behind - the - scenes footage» will give students an
in - depth look at how a Hollywood
film is made.
The Last Scene
Shot of Harry Potter: It's sad enough just to know this eight - film franchise is coming to an end after so many years; how about rubbing it in a little more by watching the cast and crew wrap their final s
Shot of Harry Potter: It's sad enough just to know this eight -
film franchise is coming to an end after so many years; how about rubbing it
in a little more by watching the cast and crew wrap their
final shotshot?
Compound that with a fairly ridiculous plot and a
final shot that somehow leaves the impression that an adequate ending was never quite able to be conveyed, and Simon's
film turns from a sure crowd - pleaser to one that can irk if you aren't
in the mindset to accept it as just a piece of fluff entertainment and nothing more.
The paradise Thanos smiles at
in the
final shot of the
film may also be a pocket - dimension within the Soul Stone which,
in the comics, houses souls and creates a paradise for each and every one of them.
In a simpler
film, the
final shot would cut to Ryan dropping everything to be with Alex.
In a hip
film, he'd break from that and end up with Natalie.
Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene
in Goyer's screenplay, compare it with the
final shooting script, view the scene through storyboards, jump to the scene
in the finished
film, and view video footage from the set.
There are still plenty of things to see
in Crimson Peak, but unfortunately the trailer shows multiple
shots from the
final reel of the
film.
There's a hint of Berkeley left
in the
film in the
final shot, an arial view of dancing horses forming one of Berkeley's trademark geometric patterns, but for the most part the
film feels completely generic.
with optional commentary sees the director proclaiming it «fascinating» how things change during the course of the
film and shows young Rosie (a.k.a. Grace)
in a continuous tracking
shot that the creative team «knew wasn't working» without further clarification of how the
final version works better.
While Mary McCormack and her «
In Plain Sight» team were in their final days of filming the fifth and last season of her popular USA series, the actress was also fielding occasional long - distance calls about the ABC comedy pilot she'll be shooting -LSB-..
In Plain Sight» team were
in their final days of filming the fifth and last season of her popular USA series, the actress was also fielding occasional long - distance calls about the ABC comedy pilot she'll be shooting -LSB-..
in their
final days of
filming the fifth and last season of her popular USA series, the actress was also fielding occasional long - distance calls about the ABC comedy pilot she'll be
shooting -LSB-...]
In accordance with their agreement for a single day of closure for a single day of
shooting at the Hermitage Museum, Sokurov and his boundless crew managed to capture the entire
film on the forth try, the last and
final attempt.
It's also a
film whose impact derives from something other than its story and characters — specifically, Wyatt Garfield's brilliant cinematography, which uses 35 mm, 16 mm and Super 8 mm
film at a time when almost everyone
in the entertainment business is
shooting digitally; and the
final lead performance by Anton Yelchin, who died last year
in a freak accident.
About the
final days of 22 - year - old Oscar Grant, who was
shot and killed by Oakland police on New Year's Day
in 2009, the
film earned raves
in Park City, particularly for the galvanizing performance by former Friday Night Lights star Michael B. Jordan.
This leads to the
film's much - discussed
final shot,
in which the viewer must confront our role
in this story.
Our sympathies for him and his life grow as the
film progresses, reaching its apogee
in one of the
final, may I say poetic,
shots of him.
The fact that you can almost anticipate what image the camera will finally rest on does nothing to remove the immense power of the
final shot in this rich and moving
film.
Because ORPHANS OF THE STORM,
in addition to being the last
film either of the Gish sisters made with Griffith, was also the last picture the Gishes appeared
in together, it is retrospectively fitting that ORPHANS»
final shot shows Lillian / Henriette embracing not her leading man but her sister,